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Gustave III (Auber)
Verdian Musicodramatic Expression in Un Ballo in Maschera
Le Cheval De Bronze De Daniel Auber
Stephanie Schroedter Listening in Motion and Listening to Motion. the Concept of Kinaesthetic Listening Exemplified by Dance Compositions of the Meyerbeer Era
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Holover-Opera-Part-1.Pdf
Un Ballo in Maschera Giuseppe Verdi
See Bishop, Sir Henry Rowley Così Fan Tutte,Adapted, 14, 95, 119, 126–8, 140–4, 197 ‘I’Ve Been Roaming’
Adolphe Nourrit, Gilbert-Louis Duprez, and Transformations of Tenor Technique in the Early Nineteenth Century: Historical and Physiological Considerations
UN BALLO in MASCHERA a MASKED BALL (Sung in Italian with English Supertitles)
Auber Daniel
Thesis Final
Giacomo Meyerbeer: a Discography of Vintage Recordings 1889 - 1955
Daniel-François-Esprit Auber
Illuminating Gustavus the Third and the Art of Spectacle in 1830S London TAMSIN ALEXANDER Abstract: to Turn to 1830S London Is T
Meter in French and Italian Opera, 1809–1859
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The Jardin Des Femmes As Scenic Convention in French Opera and Ballet
I. Après Avoir Dormi D'un Sommeil Séculaire De Dix Ans
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Un Ballo in Maschera
Adolphe Nourrit, Gilbert Duprez, and the High C
Gli Opéras-Comiques Di Scribe E Auber, Simboli Dello ʻspirito Francese’: La Fortuna Di Un Pregiudizio Nell’Europa Dell’Ottocento
Understanding French Grand Opera Through Dance Maribeth Clark University of Pennsylvania
The Ballets of Daniel-François-Esprit Auber
Understanding French Grand Opera Through Dance
Masked Balls Author(S): Ralph Hexter Source: Cambridge Opera Journal, Vol
FERDINAND HÉROLD by Nick Fuller