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- Review of Bruce Holsinger, Music, Body and Desire in Medieval Culture: Hildegard of Bingen to Chaucer
- Polyphony at Notre Dame and in the 13Th Century
- Last» I Chapter 1: the First Literate Repertory in Western Music
- Medieval Music©[
- What Is Chapter 17 of Guido's Micrologus About? — A
- Orality, Literacy, and the Early Notation of the Office Hymns SUSAN BOYNTON
- Neumes and Early Notation Timothy J
- Chronology Antiquity and the Middle Ages
- MUSIC HISTORY REVIEW GUIDE for UNIVERSITY of FLORIDA DIAGNOSTIC EXAM
- A Comparison of the Five Monochords of Guido of Arezzo by G{Yde W Brockett, Jr
- Abbado, Claudio 297 Adam De La Halle 31 Adam of St Victor 22–3
- Singing Gesualdo: Rules of Engagement in the Music History Classroom Sandra S
- Oh Come, My Sweetest Lover a Latin 'Women's Song' from 11Th Century Anglo-Saxon England Lady Teleri the Well-Prepared Persona Pentathlon, KASF 2010 Category V
- Finding Your Ut-Re-Mi-Fa-Sol-La on a Monochord, and Making Simple Drinking Straw Reedpipes
- The Music of Hildegard of Bingen (1098-1179)
- The Music Manuscript Period; a Background Essay and Bibliographical Guide
- Guido's Hexachord
- Standard Course Outline
- From About 850-1300
- Bruno of Segni As a Papal Polemicist
- California State University, Northridge Interpretive
- Composers and Musicians
- SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit
- Ut Queant Laxis Analysis
- Chapter 1: Music from Antiquity to Gregorian Chant: Ca. 1200 BCE–Ca
- Vocal Facsimiles (Medieval-Renaissance)
- Deconstructing a Mediæval Legend: Guido D'arezzo, the “Arabian