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Giasone
Finding Value in Standard Classical Vocal Repertoire As a Twenty-First-Century Teacher-Performer
Sung Texts
The Power of Affections: Vocal Music from Seventeenth-Century Italy
Francesco Cavalli One Man. Two Women. Three Times the Trouble
Cultural Test Jason and Argonauts 2011 Final Version UK and Australia
Francesco Cavalli
Pasolini's Medea
Musique De L'œil
Mayr's Medea in Corinto at Will Crutchfield's Teatro Nuovo
Echoing Hylas : Metapoetics in Hellenistic and Roman Poetry Heerink, M.A.J
Pasolini. Medea: Μῦθος Καὶ Σῆμα Para Denunciar La Catástrofe Contemporánea1
Medea and Dido 1
UNIVERSITY of CALIFORNIA Los Angeles Witches
Didone by Cavalli and Busenello: from the Sources to Modern Productions
Didone • Egisto • Ormindo Giasone • Calisto
La Medea Di Pasolini in Rapporto Al Modello
Pier Francesco Cavalli (1602–76): Giasone (Opera: Selections) Selection 8 from Music of the Baroque: an Anthology of Scores, S
A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
Top View
Voices, Bodies, Identities: the Modern Imagery of Castratos in Contemporary Performance Bianca De Mario (Università Degli Studi Di Milano)
Cavalli and the Staging of Venetian Opera - Part One Transcript
Readying Cavalli's Operas for the Classroom
L'ercole Amante
Staging the Operas of Francesco Cavalli
Ombra Mai Fu
List of Important Operas from Wikipedia, the Free Encyclopedia
Why Is Jason Climbing the Dragon? a Hidden Catasterism in Valerius Flaccus’ Argonautica 8
Appendix. Operas by Cavalli on DVD La Calisto Cavalli, Pier Francesco
THE RESURRECTION Production Underwriter Vivian Elizabeth Pilar
The Theatre of Drottningholm
Partidario De La Barbarie: Pasolini, Medea, 1969* Carmen Morán Rodríguez Universidad De Valladolid
5. Venetian Public Opera
UW Opera Props Newsletter Fall 2012
To Sleep Perchance to Sing: the Suspension of Disbelief in the Prologue to Francesco Cavalli’S Gli Amori D’Apollo E Di Dafne (1640)1
Dramaturgical Setting, Representation of Characters and the Mythological Basis in Giacinto Andrea Cicognini's and Francesco Ca
Commentary: Seventeenth-Century Venetian Opera As Fondamente Nuove the Standard Party Line on Seventeenth-Century Venetian Opera—Or Venetian Public Opera