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Franko B

  • Reading, Because of Love by Andrea Pagnes (Vestandpage) This

    Reading, Because of Love by Andrea Pagnes (Vestandpage) This

  • Introduction to Art Making- Motion and Time Based: a Question of the Body and Its Reflections As Gesture

    Introduction to Art Making- Motion and Time Based: a Question of the Body and Its Reflections As Gesture

  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G

    This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G

  • ON PAIN in PERFORMANCE ART by Jareh Das

    ON PAIN in PERFORMANCE ART by Jareh Das

  • Abecadło Muzeum Jerke

    Abecadło Muzeum Jerke

  • AMELIA G. JONES Robert A

    AMELIA G. JONES Robert A

  • The Efficacy of Awkwardness in Contemporary Participatory Performance

    The Efficacy of Awkwardness in Contemporary Participatory Performance

  • Tantalising Glimpses: a LADA Study Room Guide on Fat Charlotte Cooper

    Tantalising Glimpses: a LADA Study Room Guide on Fat Charlotte Cooper

  • Performance Art Context R

    Performance Art Context R

  • The Photoperformer the Performance of Photography As an Act of Precarious Interdependency

    The Photoperformer the Performance of Photography As an Act of Precarious Interdependency

  • Franko B and the Agitation of the Flesh.Pdf

    Franko B and the Agitation of the Flesh.Pdf

  • UC Riverside UC Riverside Previously Published Works

    UC Riverside UC Riverside Previously Published Works

  • To Be ​Generative ​In Solidarity Rather Than ​Creative ​In Solitude

    To Be ​Generative ​In Solidarity Rather Than ​Creative ​In Solitude

  • Franko B’S NRLA Memories (Or What Is Worth Remembering)

    Franko B’S NRLA Memories (Or What Is Worth Remembering)

  • The Body in Performance a Study Room Guide on Body Based Practices

    The Body in Performance a Study Room Guide on Body Based Practices

  • EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment

    EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment

  • Beaconsfield Chronic Epoch

    Beaconsfield Chronic Epoch

  • Extremes of Consciousness• Not Since the 70S Has Body Art Had Pany of Burt Bacharach and a Dozen Tijuana Brass Tribute Such a High Profile

    Extremes of Consciousness• Not Since the 70S Has Body Art Had Pany of Burt Bacharach and a Dozen Tijuana Brass Tribute Such a High Profile

Top View
  • Untitled (Black Painting), 2005-2006, Acrylic on Canvas, 59.8X 71.7 In
  • Body on Edge 1960 - 2000 to Perform, Document Or Cyber-Invade: an Investigation Into the Body on Edge
  • Sound Archive Collection Guides: Drama and Literature
  • Livegraphy Performance Art, Language, and the Multiplicity of Sense Easton, Léonore
  • Stelarc: the Monograph, 2007, 256 Pages, Marquard Smith, 0262693607, 9780262693608, MIT Press, 2007
  • Live Art Development Agency Publications Catalogue
  • THE ARTIST's BODY EDITED by TRACEY WARR PREFACE TRACEY Wari|
  • Shame and the Aesthetics of Intimacy Three
  • Franko B in Conversation with Dominic Johnson, October 2004
  • Thesis Updated 110919.Pdf (2.502Mb)
  • 'Mirroring the Double and the Cruel' Espelhando O Duplo E O Cruel
  • By% % Dafydd%James%
  • Bodily Functions in Performance
  • 1 Introduction: Performing Male Trouble
  • Considerations on Pain and Suffering in Vestandpage's Performance
  • DRA2065 | University of Exeter
  • Fisk, Jennifer Thesis 05-09-13
  • WHAT IS PERFORMANCE ART? by Amanda Coogan


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