09/24/21 DRA2065 | University of Exeter

DRA2065 View Online

Live Art

‘Alicia and Ali&Cia - Food Artists.’ N.p., n.d. Print.

Ashery, Oreet, and Live Art Development Agency. Dancing with Men: Interactive Performances, Interventions and Other Artworks. London: Live Art Development Agency, 2009. Print.

Aston, Elaine. ‘“Feminist Performance as Archive: Bobby Baker”s “Daily Life” and Box Story’’. Performance research: a journal of performance arts 7.4 (1996): 78–85. Print.

---. ‘Transforming Women’s Lives: Bobby Baker’s Performances of “Daily Life”.’ New theatre quarterly 16.1 (2000): 17–25. Print.

Aston, Elaine, and Savona, George. Theatre as Sign-System: A Semiotics of Text and Performance. London: Routledge, 1991. Print.

Auslander, Philip. Performance: Critical Concepts in Literary and Cultural Studies. London: Routledge, 2003. Print.

Auslander, Philip. ‘The Performativity of Performance Documentation.’ Performing arts journal 28.3 (2006): 1–10. Print.

Baker, Bobby, and Baker, Bobby. ‘Drawing on a Mother’s Experience.’ 1988 : n. pag. Print.

Baker, Bobby, and Michele Barrett. Redeeming Features of Daily Life. London: Routledge, 2007. Print.

B, Franko, and B, Franko. ‘Franko B: The Last Few Years, a Documentation of Performance, Installation and Video Work by Franko B from 1995-2001.’ 2001 : n. pag. Print.

‘Blood Wars.’ N.p., n.d. Print.

‘Bobby Bakers Daily Life Limited.’ N.p., n.d. Print.

Broadhurst, Susan. ‘Bioart [in] Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology.’ Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology. Basingstoke [England]: Palgrave Macmillan, 2007. 161–184. Print.

Brodwin, Paul E. Biotechnology and Culture: Bodies, Anxieties, Ethics. Indiana University Press , 2000. Print.

1/5 09/24/21 DRA2065 | University of Exeter

‘Carolee Schneemann: Interior Scroll, 1975.’ N.p., n.d. Print.

Catt, Oron. ‘The Art of Semi-Living [in] Live: Art and Performance.’ Live: Art and Performance. London: Routledge, 2004. 152–159. Print.

Causey, Matthew. ‘Stealing from God: The Crisis of Creation in Socìetas Raffaello Sanzio’s Genesi and Eduardo Kac's Genesis.’ Theatre Research International 26.02 (2001): 199–208. Web.

‘Chris Burden : Shoot, 1971 - YouTube.’ N.p., n.d. Print.

‘Critical Art Ensemble.’ N.p., n.d. Print.

---. ‘Recombinant Theatre and Digital Resistance.’ The Drama Review 44.4 151–166. Web. .

Davis, Joe et al. Encyclopedia of Life Sciences. John Wiley and Sons, 2006. Print.

---. ‘Microvenus.’ Art Journal 55.1 70–74. Web. .

Deleuze, Gilles, Guattari, Fe ́ lix, and Massumi, Brian. A Thousand Plateaus: Capitalism and Schizophrenia. London: Continuum, 2004. Print.

‘Drama Subject Librarian.’ N.p., n.d. Print.

Fisher, Jennifer. ‘Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Marina Abramović’ [in] Art Journal.’ Art journal 56.4 (1997): 28–33. Print.

‘Frank OB - Home Sweet Home.’ N.p., n.d. Print.

Gessert, George. ‘A History of Art Involving DNA [in] Lifescience.’ Lifescience. Wien: Springer, 1999. 233–234. Print.

---. ‘Art and Biology Bibliography.’ Leonardo 30.3 (1997): 187–188. Print.

---. ‘Notes on Genetic Art.’ Leonardo 26.3 (1993): 205–211. Print.

Giannachi, Gabriella. ‘Cell [in] The Politics of New Media Theatre: Life.’ The Politics of New Media Theatre: Life. Routledge advances in theatre and performance studies. Abingdon: Routledge, 2006. 110–133. Print.

Goldberg, RoseLee. Performance: Live Art 1909 to the Present. London: Thames and Hudson, 1979. Print.

Hauser, Jens, and FACT (Great Britain). ‘“Why Immolation?” [in] Sk-Interfaces: Exploding Borders - Creating Membranes in Art, Technology and Society’. Sk-Interfaces: Exploding Borders - Creating Membranes in Art, Technology and Society. Liverpool: FACT, 2008. Print.

2/5 09/24/21 DRA2065 | University of Exeter

Heathfield, Adrian, and Glendinning, Hugo. ‘Alive [in] Live: Art and Performance.’ Live: Art and Performance. London: Routledge, 2004. Print.

---. Live: Art and Performance. London: Routledge, 2004. Print.

Hershmann Leeson, Lynn. ‘Strange Culture.’ 2007 : n. pag. Print.

Howell, Anthony. The Analysis of Performance Art: A Guide to Its Theory and Practice. Contemporary theatre studies. Amsterdam: Harwood Academic Publishers, 1998. Print.

---. The Analysis of Performance Art: A Guide to Its Theory and Practice. Contemporary theatre studies. Amsterdam: Harwood Academic Publishers, 1998. Print.

Jones, Amelia. ‘Introduction [in] Body Art/performing the Subject.’ Body Art/performing the Subject. Minneapolis: University of Minnesota Press, 1998. 1–19. Print.

Jones, Amelia. ‘“Presence” in Absentia: Experiencing Performance as Documentation’. Art Journal 56.4 11–18. Web. .

‘Judy Chicago.’ N.p., n.d. Print.

‘KAC.’ N.p., n.d. Print.

Kac, Eduardo. Signs of Life: Bio Art and beyond. MIT Press, 2006. Print.

Kaye, Nick. Art into Theatre: Performance, Interviews and Documents. Contemporary theatre studies. Amsterdam: Harwood Academic Publishers, 1996. Print.

Kay, Lily E. Who Wrote the Book of Life?: A History of the Genetic Code. Writing science. Stanford: Stanford University Press, 2000. Print.

Kelleher, Joe. ‘“Politics” [in] Theatre & Politics’. Theatre & Politics. Basingstoke: Palgrave Macmillan, 2009. Print.

‘Kira O’Reilly.’ N.p., n.d. Print.

Kirschenblatt-Gimblett, Barbara. ‘Playing to the Senses ; Food as a Performance Medium.’ Performance research: a journal of performance arts 4.1 (1996): 1–30. Print.

Kostic ́ , Aleksandra, and Dobrila, Peter Tomaz ̌ . Eduardo Kac: Telepresence, Biotelematics, Transgenic Art. Ed. no. 6. Maribor, Slovenia: KIBLA, 2000. Print.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. European perspectives. Guildford: Columbia University Press, 1982. Print.

3/5 09/24/21 DRA2065 | University of Exeter

Kulik, Oleg. Art Animal. Manchester: Ikon Gallery, 2000. Print.

‘Library and Research Skills Training.’ N.p., n.d. Print.

‘Marina Abramović and Ulay “Imponderabilia” [1977] - YouTube’. N.p., n.d. Print.

McKenzie, Joe, Rebecca Schneider, and Critical Art Ensemble. ‘Critical Art Ensemble Tactical Media Practitioners: An Interview.’ The Drama Review: TDR 44.4 136–150. Print.

Mulvey, Laura. ‘Visual Pleasure and Narrative Cinema.’ Screen 16.3 (1969): 6–18. Print.

Phelan, Peggy. Unmarked: The Politics of Performance. London: Routledge, 1993. Print.

Richards, Thomas. At Work with Grotowski on Physical Actions. London: Routledge, 1995. Print.

Ridout, Nick. Stage Fright, Animals and Other Theatrical Problems. N.p., 2006. Print.

Schneider, Rebecca. ‘Nomadmedia: On Critical Art Ensemble.’ The Drama Review - TDR 44.4 120–131. Print.

Schneider, rebecca, and Joe McKenzie. ‘Keep Your Eyes on the Front and Watch Your Back.’ The Drama Review 48.4 5–10. Print.

Senior, Adele. ‘Towards a (Semi-)Discourse of the Semi-Living; The Undecidability of a Life Exposed to Death [in] Technoetic Arts.’ Technoetic Arts 5.2 (2007): 97–112. Print.

States, Bert. ‘The Dog on the Stage: Theater as Phenomenon.’ New Literary History 14.2 373–388. Print.

‘STEREOFIDELIC : Oleg Kulik - Mad Dog or Last Taboo...’ N.p., n.d. Print.

Thacker, Eugene. The Global Genome: Biotechnology, Politics, and Culture. Leonardo. Cambridge, Mass: MIT, 2006. Print.

‘The Tissue Culture and Art Project.’ N.p., n.d. Print.

Thompson, Nato, Noordeman, Arjen, and Massachusetts Museum of Contemporary Art. Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. North Adams, Mass: MASS MoCA, 2004. Print.

Vanouse, Paul. ‘Discovering Nature, Apparently: Analogy, DNA Imaging, and the Latent Figure Protocol [in] Tactical Biopolitics: Art, Activism, and Technoscience.’ Tactical Biopolitics: Art, Activism, and Technoscience. Leonardo. Cambridge, Mass: MIT Press, 2008. 177–192. Print.

‘Visceral | Science Gallery.’ N.p., n.d. Print.

‘Visual Culture and BioScience: Virtual Symposium: The Discussion Continues.’ N.p., n.d. Print.

Williams, David. ‘The Right Horse, the Animal Eye – Bartabas and Théâtre Zingaro.’ Great

4/5 09/24/21 DRA2065 | University of Exeter

Reckonings in Little Rooms: On the Phenomenology of Theater. Vol. 5. Berkeley: University of California Press, 2000. 29–40. Print.

Zurr, I, and O Catts. ‘Are the Semi-Living Semi-Good or Semi-Evil? [in] Technoetic Arts.’ Technoetic Arts 1.1 (2003): 47–60. Print.

5/5