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Finlay Currie
PLACES of ENTERTAINMENT in EDINBURGH Part 5
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
TPTV Schedule December 14Th to December 20Th 2020
Melbourne Suburb of Northcote
We Are TEN – in This Issue
49Th PARALLEL (1941, Dir. Michael POWELL): UN MODEL DE PROPAGANDA IDEÒLOGICA
File Stardom in the Following Decade
The Physician at the Movies Peter E
01 September Text
The Rise of Political Expression on War in the American Film Industry
Lawrence of Arabia (1962), His Spectacular Biopic of the Enigmatic WW1 Hero T
01 September Text
Movie Museum APRIL 2006 COMING ATTRACTIONS
Guide to the William Knight Zewadski Classical Movie Stills Collection, 1860-2007
% Ctceiup Î&Ecorîi of “ G>E Iftopal and B Lin D En T"
Classic Film Series
A Critical Appreciation of the Fall of the Roman Empire
British Crime Film
Top View
Jfiytures. Epsom ; Monthly Medal
Ian Mcculloch Discusses the Flight of the Heron
Ben-Hur and Its Four Film Adaptations in Reflection of the Changing American Society and Its Values Master’S Diploma Thesis
Lindsay Anderson: Sequence and the Rise of Auteurism in 1950S Britain
Picture Show Annual (1949)
Ben-Hur Complete Soundtrack Collection
Boys, Ballet and Begonias: the Spanish Gardener and Its Analogues Alison Platt
Experiencing Antiquity in the Postwar Hollywood Epic
Los Invasores (49Th Parallel, 1941): Las Paradojas De La Propaganda Bélica
Los Films De Michael Powell: El Testimonio De Un País En Guerra
Mild Revolution’: the Politics of Ealing Studios
Michael Powell and Emeric Pressburger, ‘I KNOW WHERE I’M GOING’ (1945, 91 Minutes)
"When Knighthood Was in Flower": Ivanhoe in Austerity Britain Harri Kilpi , University of Helsinki, Finland
Smell Leads to Arrest