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Finger vibrato
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Violin Vibrato and Its Application a Thesis Submitted in Partial Fulfillment of the Requ
Douglas Niedt's GUITAR TECHNIQUE TIP of the MONTH Yes, It's
New Frontiers of Expression Through Real-Time Dynamics Measurement of Violin Bows
Ii the APPLICATION of BEL CANTO
The Vibrato Controversy
A Systematic Approach to Double Bass Fingerings for the Classroom String Teacher
An Analysis of Double Bass Vibrato: Rates, Widths, and Pitches As Influenced by Pitch Height, Fingers Used, and Tempo James Paul Mick
The Transcription for Two Double Basses Of
A Comprehensive Guide for Learning Cello Vibrato
An Overview of Pedagogical Techniques of Vibrato for the Flute
Vibrato in Eighteenth Century Orchestras Neal Zaslaw
Document Tzu Yun Chen 4-12
11 Tips for a More Reliable Fourth Finger
Physical Problems in Vibrato Amongst First-Year College Violinists: a Descriptive Study
By Simon Fischer
Development and Trial of a Two Year Program of String Instruction. Final Report
Vibrato on Fiddle by Sean Kenan to a Held, Still Note
FOMRHI Quarterly
Top View
M a Y 2 0 1 2 V Ol
The Vibrato on the Oboe
Baroque Ornamentation Introduction to Flattement
String Tech Tips -‐ Vibrato Resources
Woodwind Vibrato from the Eighteenth Century to the Present Dwight C
Fall 2018 Newsletter
Some Observations Concerning Baroque and Modern Vibrato Frederick Kent Gable
Influences of Dynamic Level and Pitch Height on the Vibrato Rates and Widths of Violin and Viola Players Rebecca Bowman Macleod
A Guide to Teaching Vibrato: an Eclectic Approach
1 Orchestral Vibrato Part Two a Critique of Current Scholarship As I
Intended Primarily for Use by Instrumental Music Development
Vibrato Student Handbook
Common String Articulations C.M
A Performance Guide to Max Bruch's Double Concerto, Opus 88