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- Cinema Studies: the Key Concepts
- CHRISTIAN METZ and the CODES of CINEMA Analysis and Later with Enunciation Theory
- Do We Need Film Theory?
- 'Theory Is Always for Someone and for Some Purpose': Thinking Through
- The Part-Time Cognitivist: a View from Film Studies
- Feminism and Film
- STAM, Robert, BURGOYNE, Robert, FLITTERMAN-LEWIS, Sandy
- Film and Media Studies 1
- Film History / Film Theory: a Search for Common Ground
- The Auteur Perspective of David Fincher
- Film, Medium Specificity, and Response-Dependence
- Pasts and Futures of 1970S Film Theory
- GERM 880: Film Theory, Film Analysis, and Film Philosophy Via German Cinema
- Film Studies and the New Science
- The Director-Function. Auteur Theory and Poststructuralism
- An Overview of Christian Metz's Film Theory
- An Application of the Auteur Theory of Filmmaking
- Psychoanalysis and Film
- Introduction to Film Theory and Criticism Film 120 Fall
- A Discussion with Malcolm Turvey on Specificity, Essence, and the “Cinematic”
- TODD HAYNES FILM 2295G Western University—Film Studies Winter 2018 Screening: Tuesdays 1:30-4:30Pm (AHB-3B02) Lecture/Discussion: Thursdays 1:30-3:30Pm (AHB-3B04)
- Cognitivism, Contemporary Film Theory and Method: a Response to Warren Buckland
- Psychoanalytic Film Theory
- Psychoanalytic Film Theory and the Rules of the Game. Todd Mcgowan
- Hindi Cinema As a Challenge to Film Theory and Criticism
- The Characteristics of Postmodern Film in Gondry's Eternal Sunshine of The
- A Formalist Approach to Film Analysis and Evaluation
- Showrunner As Auteur: Bridging the Culture/ Economy Binary in Digital Hollywood