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Fascinating Rhythm
AC;T I - SCENE 1 No.1 Overture Seep
99 Stat. 288 Public Law 99-86—Aug. 9, 1985
Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log On, Get Your Coffee, Listen, Relax
The Dale Warland Singers Presents GLORIOUS GERSHWIN MUSIC by GEORGE GERSHWIN LYRICS by IRA GERSHWIN
Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Kathleen Riley (Guest Post)*
Jennifer Whipple, Soprano Department of Music, University of Richmond
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Cary O’Dell
Do It Again: Sequences in Gershwin and Kern's Popular Songs
2364Th Concert
Piano Transcriptions: Earl Wild's Virtuoso Etudes on Gershwin's Songs
EMR 29180 Radetzky-Marsch Strauss Contrabass & Piano
Words Without Music the Ira Gershwin Newsletter No
THE BOSTON POPS ESPLANADE ORCHESTRA by GEORGE! the POPS PLAYS GERSHWIN Saturday, March 25, 2017, 8:00 Pm
Correlation OCTOBER/NOVEMBER 2009
GERSHWIN for CHORAL SINGERS Featured Literature at 2016 FMEA Presentation (*Indicates Pieces Highlighted During Presentation)
Cambiata Soloists, Thursday, November 5, 1987, 8:00 P.M
National Recording Registry Credits by Author
Can't Yo' Heah Me Callin' Caroline
Top View
''Fascinating Rhythm's'
From Concert to Film: the Transformation of George Gershwin's Music in the Film "An American in Paris"
Musical Passport
GMK Program Info TBD 15-16
An American Folk Opera? Triangulating Folkness, Blackness
George and Ira Gershwin Collection [Finding Aid]. Library of Congress
GERSHWIN by GROFÉ Symphonic Jazz Original Orchestrations & Grofé/Whiteman Orchestra Arrangements
Symphony One-Sheet
I Got Rhythm Julian Bliss Septet
To Begin to Understand Gershwin the Man, His Musical Prowess, Output
Proquest Dissertations
American Songbook
Gershwin's Fascinating Rhythm: the Rise of the Jazz Musical
The Kettle Moraine Symphony Newsletter
To the School House Porgy and Bess Resource Guide for Educators Dear Educator
By CLAUDIA ROTH PIERPONT Why We Still Listen to Gershwin