The Kettle Moraine Symphony Newsletter
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AC;T I - SCENE 1 No.1 Overture Seep
7 AC;T I - SCENE 1 No.1 Overture Seep. 85 IOrchestra) Music seg11es as one. No. 2 Sweet And Lowdown 5-.:e p. 85 (Jimmy, Jeannie, Cirls & Cuys) Lights Up: A speakeasy in New York Cih;. JEANNIE leads a gaggle of CHORUS GIRLS. The surrounding tables are full of handsome YOUNG MEN. We are at a society bachelor party - rich boys having fun. JEANNIE & GIRLS. Grab a cab and go down To where the band is playing; Where milk and honey flow down Where ev'ry one is saying "Blow that sweet and low-down!" Busy as a beaver, You'll dance until you totter; You're sure to get the fever For nothing could be hotter Oh, that sweet and low-down! JEANNIE. (Over music) All right, peoples, peoples - listen up! Now this is a very sad occasion, 'cause tomorrow morning, our own Jimmy Winter is gettin' married for the third time! JIMMY. (Stands up) Fourth time! EVERYBODY cheers. JlMMY. (Continued) But this time, I'm not marrying some cheap chorus girl! JEANNIE & GIRLS. Awww. JIMMY. Sorry, cheap chorus girls. EVERYBODY cheers. JIMMY. (sung) There's a cabaret in this city I can recommend to you; Peps you up like electricity When the band is blowing blue. \:IC - l'rompt Book 8 .. I (JJ MY. They play nothing classic, Oh no• Down there, They crave nothing e se Bu he low-down there I you need a on·c nd he need is chron c If you're in a crisis. my advice is }EA lE & L Grab a cab and go down Grab a cab and go down To where the band 1s playin : Where he band i playing; Where milk and honey flow down Where ev'ry one is sayin' E IR Blow Blow that eet and low-d wnl" Low low down t Busy as a beaver, Busy as a beaver. -
99 Stat. 288 Public Law 99-86—Aug. 9, 1985
99 STAT. 288 PUBLIC LAW 99-86—AUG. 9, 1985 Public Law 99-86 99th Congress Joint Resolution To provide that a special gold medal honoring George Gershwin be presented to his Aug. 9, li>a5 sister, Frances Gershwin Godowsky, and a special gold medal honoring Ira Gersh- [H.J. Res. 251] win be presented to his widow, Leonore Gershwin, and to provide for the production of bronze duplicates of such medals for sale to the public. Whereas George and Ira Gershwin, individually and jointly, created music which is undeniably American and which is internationally admired; Whereas George Gershwin composed works acclaimed both as classi cal music and as popular music, including "Rhapsody in Blue", "An American in Paris", "Concerto in F", and "Three Preludes for Piano"; Whereas Ira Gershwin won a Pulitzer Prize for the lyrics for "Of Thee I Sing", the first lyricist ever to receive such prize; Whereas Ira Gershwin composed the lyrics for major Broadway productions, including "A Star is Born", "Lady in the Dark", "The Barkleys of Broadway", and for hit songs, including "I Can't Get Started", "Long Ago and Far Away", and "The Man That Got Away"; Whereas George and Ira Gershwin collaborated to compose the music and lyrics for major Broadway productions, including "Lady Be Good", "Of Thee I Sing", "Strike Up the Band", "Oh Kay!", and "Funny Face"; Whereas George and Ira Gershwin collaborated to produce the opera "Porgy and Bess" and the 50th anniversary of its first perform ance will occur during 1985; Whereas George and Ira Gershwin collaborated to compose -
Nikki Chooi with Stephen De Pledge Michael Hill International Violin Competition
Nikki Chooi with Stephen De Pledge Michael Hill International Violin Competition This recording is an element of the First Prize of the Michael Hill International Violin Competition, won by Nikki Chooi in June 2013. The Michael Hill International Violin Competition aims to recognise and encourage excellence and musical artistry, and to expand performance opportunities for young violinists from all over the world who are launching their professional careers and who aspire to establish themselves on the world stage. Since its inauguration in 2001, the ‘Michael Hill’ Winning performance with has achieved global standing as a competition, Auckland Philharmonia Orchestra, and elevated to international recognition June 2013 a succession of young violinists. It delivers wraparound New Zealand hospitality and a genuine commitment to the development of every participating artist. George Gershwin Born Brooklyn, New York, 26 September 1898 Died Hollywood, California, 11 July 1937 Three Preludes Allegro ben ritmato e deciso Andante con moto e poco rubato Allegro ben ritmato e deciso George Gershwin was the second son of Russian immigrant parents and grew up in the densely populated area of the Lower East Side in New York, where he was in close contact with both European immigrants and African-Americans, and where young George’s well-developed street skills earned him a reputation of being rather wild. Around 1910 the Gershwin family acquired a piano, ostensibly for the eldest child, Ira, to learn. However, George was the first to use the instrument when it arrived and his parents were amazed to discover that he had learned to play on a friend’s ‘player piano’. -
Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log On, Get Your Coffee, Listen, Relax
Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log on, get your coffee, listen, relax. • “I Got a Crush on You” recorded by Nat Adderley in 1960 on Work Song. Written in 1928 for Treasure Girl. • “Nice Work If You Can Get It” recorded by Sarah Vaughn in 1950 on Sarah Vaughn with George Treadwell and his All Stars. Written in 1937 for Damsels in Distress. • “Isn’t It A Pity” recorded by Cheryl Bentyne in 2010 on The Gershwin Songbook. Written in 1933 for Pardon My English. • “I Loves You, Porgy” recorded by Billie Holiday, accompanied by Bobby Tucker. Written in 1935 for Porgy & Bess. • “Let’s Call The Whole Thing Off” recorded by Ella Fitzgerald and Louis Armstrong with the Oscar Peterson Trio in 1957 on Ella and Louis Again. Written in 1937 for Shall We Dance. • “They Can’t Take That Away From Me” recorded by Frank Sinatra in 1962 on Sinatra and Swingin’ Brass. Written in 1937 for Shall We Dance. • “Do It Again” recorded by Beverly Kenney accompanied by Ellis Larkins in 1958 on Beverly Kenney Sings for Playboys. Written in 1922 for The French Doll. • “Love is Here to Stay” recorded in 1955 by Carmen McRae. Written in 1937 for The Goldwyn Follies. • “My One and Only” recorded in 1950 by Ella Fitzgerald with Ellis Larkin on Ella Sings Gershwin. Written in 1927 for Funny Face. • “I Got Rhythm” recorded in 1964 in Sweden by Sarah Vaughn. Written in 1930 for Girl Crazy. Class Begins at 930AM The Gershwins Part 1: “I Got Rhythm” Course Agenda showing the music 1. -
The Dale Warland Singers Presents GLORIOUS GERSHWIN MUSIC by GEORGE GERSHWIN LYRICS by IRA GERSHWIN
The Dale Warland Singers presents GLORIOUS GERSHWIN MUSIC BY GEORGE GERSHWIN LYRICS BY IRA GERSHWIN FRIDAY, MAY 13, 1988 ORCHESTRA HALL 8:00 P.M. THE DALE WARLAND SINGERS Dale Warland, Music Director Sigrid Johnson, Assistant Conductor "jerry Rubino, Pianist and Cabaret Singers Conductor GUEST ARTISTS MOORE BY FOUR Sanford Moore, director/piano Ginger Commodore, soprano Yolande Bruce-Crim, mezzo-soprano Connie Evingson, alto Dennis Spears, baritone Soli Hughes, guitar Jay Young, bass Robert Commodore, drums Paul Oakley, piano Don Stille, synthesizer Tom Hubbard, bass Gordy Knudtson; drums Randy Winkler, production SPECIAL MUSICAL ARRANGEMENTS Steve Barnett Jerry Rubino •This evening's concert is the result of the creative collaboration of many in- dividuals. Particular recognition is extended toJerry Rubino of the DWS ar- tistic staff for his leadership in providing the program conception and musical direction to this event as well as his outstanding musical arrangements. Glorious Gershwin is sponsored by IDS Financial Services Inc. and WAYL Radio . AM 980-FM94 (Special thanks to jefferson Transporunton Group for providing hus servic-e••for (he: pre-concert gala dinner; All musical arrangements are byJerry Rubino unless otherwise noted. I. Strike Up the Band I Got Rhythm Fascinating Rhythm (Mattson) Cabaret Singers By Strauss (Gershwin) Sigrid Johnson, soprano Strike Up the Band (King) II. He Loves and She Loves Nice Work If}fJu Can Get It Soon Ruth Spiegel, soprano; David Benson, bass Looking for a Boy Melissa O'Neill, soprano The Man I Love Lynette johnson, alto Oh, Lady Be Good Tim Sawyer, tenor; Gary Kortemeier, tenor; Michael Dailey, baritone; Brad Bak, bass Somebody Loves Me (Lyrics by B.G. -
Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Kathleen Riley (Guest Post)*
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, piano (1926) Added to the National Registry: 2004 Essay by Kathleen Riley (guest post)* George Gerswhin Fred Astaire Adele Astaire In 1927 George Gershwin told an interviewer that, in order to achieve truth or authenticity, music “must repeat the thoughts and aspirations of the people and the time.” “My people are Americans,” he said, “My time is today.” In London the previous year, Gershwin and the stars of “Lady, Be Good!,” Fred and Adele Astaire, made a recording of “Fascinating Rhythm,” a song that seemed boldly to proclaim its modernity and its Americanness. Nearly a century after its composition we can still hear the very things playwright S.N. Behrman experienced the moment Gershwin sat down at a party to play the piano: “the newness, the humor, above all the rush of the great heady surf of vitality.” What is also discernible in the 1926 recording--in Gershwin’s opening flourish on the piano and in the 16-bar verse sung by the Astaires--is the gathering momentum of a steam locomotive, a hypnotic, hurtling movement into the future. Born in 1898 and 1899 respectively, George Gershwin and Fred Astaire were manifestly children of the Machine Age. Astaire was born deep in the Midwest, in Omaha, Nebraska, where his earliest memory was “the rumbling of the locomotives in the distance as engines switched freight cars in the evening when we sat on the front porch and also after I went to bed. That and the railway whistles in the night, going someplace. -
Porgy and Bess
PORGY AND BESS by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin Directed by Charles Newell Music Direction by Doug Peck Artistic Consultant Ron OJ Parson May 12 – July 3, 2011 at Court Theatre Kittiwah Island, looking for Bess. All of a sudden, Clara spies the overturned fishing boat of her husband Jake outside the window. Fearing for his life, Clara hands her infant baby to Bess and throws herself out the door into the storm. Bess begs for one of the men to follow her; Crown volunteers, but only after taunting Porgy, who is unable to go. The next day, the deaths of Jake and Clara are mourned by the residents of Catfish Row. The care of their baby has fallen to Bess, who sings him a lullaby. After night falls, Crown returns to seize Bess, but Porgy is waiting there to stop him. They fight, and Porgy kills Crown, against all odds. The next day, the local detective arrives to inquire about the murders of Crown and Robbins, and the residents collaborate to protect Porgy. The police take Porgy in anyway, ordering him to identify Crown’s body. Once he is gone, Sporting Life takes his opportunity to persuade Bess to come with him to New York, convincing her that Porgy will be imprisoned. He forces drugs on her and extols the virtues of the city. She refuses, but Sporting Life waits patiently for her to give in. A week later, Porgy returns from prison, bearing gifts he bought with the craps money he earned in jail. -
On Site Opera & Harlem Opera Theater Invite You to Take Cast
! ON SITE OPERA & HARLEM OPERA THEATER PRESENT GERSHWIN’S Blue Monday! ! PROGRAM MENU: Cast, Production Team and Orchestra | Program Notes | Artist Bi0s About On Site Opera | About Harlem Opera Theater About The Harlem Chamber Players | Special Thanks On Site Opera &more Harlem information: Opera osopera.orgTheater invite you to take On Site Opera & Harlem Opera Theater invite you to take a trip back to the roaring twenties as they present George Gershwin’s Blue Monday at the Cotton Club. Blue Monday A JAZZ OPERA BY GEORGE GERSHWIN LIBRETTO BY BUDDY DESYLVA JUNE 18-20, 2013 | THE COTTON CLUB 7PM: DANCING & COCKTAILS | 8PM: BLUE MONDAY CAST: IN ORDER OF VOCAL APPEARANCE MIKE, THE CLUB OWNER CLAYTON MATHEWS SAM, A CLUB EMPLOYEE ALVIN CRAWFORD TOM, THE CLUB HEADLINER LAWRENCE CRAIG VI, JOE’S GIRLFRIEND ALYSON CAMBRIDGE JOE, A GAMBLER CHASE TAYLOR DANCERS: SARITA ALLEN ELIJAH ISHMAEL AVRAHAM NICCO ANNAN AZAMA BASHIR MAHALIA LEOLA MAYS RAPHAEL THOMAS PRODUCTION TEAM: CONDUCTOR GREGORY HOPKINS STAGE DIRECTOR ERIC EINHORN CHOREOGRAPHER GEORGE FAISON COSTUME DESIGNER CANDIDA K. NICHOLS LIGHTING DESIGNER SHAWN KAUFMAN HAIR & MAKE-UP DESIGNER SHANNON HARRINGTON PRODUCER JESSICA KIGER FIGHT COORDINATOR SHAD RAMSEY ASSISTANT DIRECTOR AUDREY CHAIT PRE-SHOW DANCE COORDINATOR NATALIE DAVIDZON Orchestra: THE COTTON CLUB ALL STARS FLUTE/TENOR SAX: JAMES STEWART OBOE/ALTO SAX: ED PAZANT CLARINET/ALTO SAX: CRIS HEMMINGWAY TENOR SAX: JOHN SIMON BASSOON/BARITONE SAX: RAY JOHNSTON TRUMPET I: AL PAZANT TRUMPET II: MAC GOLLEHON TROMBONE I: TIM WILLIAMS TROMBONE II: ROBERT STRINGER PIANO: NORIKO KAMO BASS: STAN THOMPSON GUITAR: SOLOMON HICKS DRUMS: ELI FONTAINE THE HARLEM CHAMBER PLAYERS: VIOLIN I: MONICA DAVIS VIOLIN II: CHARLENE BISHOP VIOLA: ADAM HILL CELLO: LAWRENCE ZOERNIG Please be aware that live gunshots are used in this production. -
A Gershwin Centennial Celebration
be nnington c oll e ge pres e nts A GERSHWIN CENTENNIAL CELEBRATION F RIDA V SATURDA V SUNDAV DECEMBER II - 13TH, 1998; 8:00PM MATINEE SATURDA V, 2:00PM I GOT RHYTHM EXCEPTIONAL YET LESSER-KNOWN PIECES B Y GEORGE GERSHW IN SusAN A. GREENWALL WoRKSHOP AMY WILLIAMS AND ALLEN SHAWN PIANO THA T S w EET AND L ow DowN T wo W A LTZES INC IMPROMPTU IN T WO KEYS · PRELUDE (MELODY #17) I G o T RHYTH M V ARIA TIONS (1930) WITH BRUCE WILLIAMSO/'.J PLAYING GERS H W IN STANOARDS ON THE UPRIG HT R EFR E SHME NTS AVAILABLE BLUE ,.. ·MoNDAY BY GEORGE GERSHWIN . MJsic DRECTCP ANJ C~TCP 8TAGE DRECTCP ANJ CosTUvE DESIGI'ER IDA FAIELLA DANIEL MCHAELS~ ScEi'Jc DES!Gi'ER L.JGI--rrNG DESIGI'ER PETER SEWARD MCHAEL GIANNITTI ~1--ESTPAL REALIZA TlON PRooucTJON 8TAG E MANAG~ PHLIPSALATHE STEVEESPACH CAST (IN ORDER OF APPEARANCE) M IKE M ATTHEW P ILLISCHER SAM R YAN B AROLET-FOGARTY --JoE D u FFY H AVENS T oM M ATTHE W F oLLETTE V1 CAMILLE H ARTMAN D ANCERS C A YLI C AVACO ANNA ZIMMER KELLEY B RYANT 0:::<CHESTRA P iANO NATHAN --JEW ViOLIN I B ARRY FiNCLAIR ViOLIN II BRONWE N D AVIE S -MASON ViOLA S ARA CRONAN CELLO I MICHAEL CLOSE CELLO II MELISSA COLLINS B ASS P HILIP S ALAT HE T ENOR SAX B RUCE WILLIAMSON A LTO SAx --JENNIFER D ovLE-BEcK T RUMPET R oNALD ANDERSON PERCUSSION 0 ESSE0LSEN At the centennial of his birth, Brooklyn-born composer George Gershwin remains one of America's most intriguing cultural figures. -
Boston Symphony Orchestra Concert Programs, Season 51,1931
CARNEGIE HALL .... NEW YORK Friday Evening, February 5, at 8.45 Saturday Afternoon, February 6, at 2.30 PROGR7WVE BOSTON SYMPHONY ORCHESTRA: 188M931" By M. A. De WOLFE HOWE Semi'Centennial Edition It is seventeen years since M. A. De Wolfe Howe's history of the Boston Symphony Orchestra was published. The Fiftieth season of the Orches- tra seemed a fitting time to re-publish this prized narrative of its earlier days, and likewise to record, in additional chapters, the last years of Dr. Muck's conductorship, and the years of Henri Rabaud, Pierre Monteux, and Dr. Serge Koussevitzky. New appendices include a complete list of the music played at the regular concerts, giving the dates of performances. The soloists and the personnel through fifty years are also recorded, and the address on Henry Lee Higginson made by Bliss Perry at the Bach Festival, March 25, 1931. Now on sale at the Box Office, or by money order to Symphony Hall, Boston Price $1.50 (postage included) CARNEGIE HALL - - - NEW YORK Forty-sixth Season in New York FIFTY-FIRST SEASON, 1931-1932 INC. Di SERGE KOUSSEVITZKY, Conductor FRIDAY EVENING, FEBRUARY 5, at 8.45 AND THE SATURDAY AFTERNOON, FEBRUARY 6, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1932, BY BOSTON SYMPHONY ORCHESTRA, INC. Dr. SERGE KOUSSEVITZKY Fifty-first Season, 1931-1932 Dr. SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P. Concert-mastei Kassman, N. Hamilton, V. Eisler, D. Theodorowicz, ] Hansen, E. Lauga, N. Fedorovsky, P. Leibovici, J. Pinficld, C. -
Jennifer Whipple, Soprano Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 4-8-1994 Jennifer Whipple, Soprano Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Jennifer Whipple, Soprano" (1994). Music Department Concert Programs. 892. https://scholarship.richmond.edu/all-music-programs/892 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNNERSITY OF RICHMOND DEPARTMENT OF MUSIC CONCERT SERIES SENIOR RECITAL Jennifer Whipple, soprano assisted by Jane Morris, piano Suzanne Bunting, harpsichord Erin Hood, oboe Linda Swanson, c~llo April 8, 1994, 8:15 PM North Court Recital Hall PROGRAM Ein jeder laiift, Georg Philipp Telemann der in den Schrank.en laiift . (1681-1767) Chants Popµlaires Maurice Ravel Chanson espagnole (1875-1937) Chanson fran~aise Chanson italienne Chanson hebra'ique INTERMISSION All mein Gedanken, op. 21, no. 1 Richard Strauss Gliickes genug, op. 37, no. 1 (1864-1949) Ich schwebe, op. 48, no. 2 Schlagende Herzen, op. 29, no. 2 Fascinating Rhythm George Gershwin Nice Work If You Can Get It (1898-1937) Someone to Watch Over Me I Got Rhythm Next: Community Artist: Joanne Kong, harpsicnord April 12, 1994, 3:00 PM North Court Recital Hall UNIVERSITY OF RICHMOND FOUNDED 1830 l NO1ES AND TRANSLATIONS Georg Philipp Telemann Maurice Ravel Georg Philipp Telemann was an 18th-century German Ravel was a French composer, conductor, and pianist. -
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Cary O’Dell
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, piano (1926) Added to the National Registry: 2004 Essay by Cary O’Dell George Gerswhin Fred Astaire Adele Astaire For an artist so synonymous with dance, Fred Astaire is also certainly associated with a wide selection of musical standards—“Cheek to Cheek,” “Top Hat,” “Funny Face” and “Night and Day,” to name just a few. And for a man forever partnered with Ginger Rogers within popular culture, Astaire got his first taste of stardom while still teamed with his talented elder sister and longtime stage co-star, Adele. Both natural-born dancers with unbelievable technique and an innate sense of rhythm, the Astaires began performing as a brother-sister team in vaudeville in the 1900’s. Eventually, they worked their way up to the Orpheum Circuit. Filling their act with songs, sibling teasing and, of course, dance, the duo first appeared on Broadway, in the show “Over the Top,” in 1917. Meanwhile, though the brothers Gershwin, George and Ira, were each having some individual success as Tin Pan Alley tunesmiths in the early 1920’s, they achieved their greatest success when they teamed up together for the Broadway stage and wrote the musical “Lady, Be Good” in 1924. Along with composing that show’s long-enduring title tune, the Gerswhins also wrote “Fascinating Rhythm,” a bouncy duet that Fred and Adele would perform in the show in New York and in London’s West End. They would commit it to record, on Columbia, with George Gerswhin on piano, in 1926. This recording was named to the Library of Congress’ National Registry in 2004.