Cambiata Soloists, Thursday, November 5, 1987, 8:00 P.M

Total Page:16

File Type:pdf, Size:1020Kb

Cambiata Soloists, Thursday, November 5, 1987, 8:00 P.M THURSDAY, NOVEMBER 5 CAMBIATA SOLOISTS 8:00 p.m., Hamman Hall Of Thee I Sing ­ A Tribute to George Gershwin GEORGE GERSHWIN Preludes for Piano (1926) Lyrics by Ira Gershwin That Lost Barber Shop Chord (1926) Love Walked In from "Lady Be Good" (1924) Love Is Here To Stay from "Goldwyn Follies" (1938) Fascinating Rhythm from "Lady Be Good" (1924). Nobody But You from "La La Lucille" (1919) (Lyrics by Arthur Jackson and !;3 .G. Sylva) Blah-Blah-Blah (1930) But Not For Me from "Girl Crazy" (1930) Hangin' Around With You from "Strike Up The Band" (1930) How Long Has This Been Going On? from "Rosalie" (1928) Slap That Bass from "Shall We Dance" (1937) Naughty Baby from "Primrose" (1924) Someone To Watch Over Me from "Oh, Kay!" (1926) By Strauss (1936) INTERMISSION CAMBIATA SOLOISTS (continued) GEORGE GERSHWIN Cuban Overture (1932) Lyrics by Ira Gershwin Just Another Rhumba (1938) Ein Mann FUr Mich from "Lady Be Good" (1924) Mischa, Yascha, Toscha, Sascha (c. 1921) Sophia from "Kiss Me, Stupid" (1964) All The Livelong Day and the Long, Long Night from "Kiss Me, Stupid" (1964) Rhapsody in Blue (1924) Of Thee I Sing from "Of Thee I Sing" (1930) SHARON LEY and ANN CHADWICK, piano duo PATTI SPAIN , soprano ISABELLE GANZ, mezzo-soprano ROBERT M. GERBER, tenor ROY ALAN WILSON, baritone DORCEAL DUCKENS, bass-baritone Special thanks to Mr. Peter Perrin , director of the Alliance for American Song in New York, for his arrangement of " That Last Barber Shop Chord" and copies of music otherwise difficult to locate. This concert is funded in part by a grant from the City of Houston through the Cultural Arts Council of Houston. .
Recommended publications
  • The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information
    Cambridge University Press 978-1-108-42353-3 — The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information Index Aarons, Alex, 7 Barkleys of Broadway (1949) film, 206, 214 Ager, Cecelia, 294 Bartók, Bela, 119 Ager, Milton, 294 “Battle Hymn of the Republic,” 36 Albee, Edward, 67 Bauer, Marion, 222 Alberts, Charles S., 138 “Beale Street Blues,” 238 Alda, Robert, 134 Beethoven, Ludwig van, 9, 35, 76, 225 Alexander III, Czar of Russia, 5 Rondo a Cappricio, Op. 129, 37 Allen, Gracie, 207, 212, 213 Sonata in F Minor, Op. 57 (“Appassionata”), Americana (1928) musical, 10 37 An American in Paris (1951) film, 214, 240, 262 Sonata Op. 110, 37 An American in Paris (2015) musical, 262, 264, Sonata Op. 81, 37 265, 266, 267, 269, 270 String Quartet, Op. 18, No. 4, 37 Anchors Aweigh (1945) film, 254 “ ” Anderson, Marian, 191 Symphony No. 3 ( Eroica ), 37 Antheil, George, 155–56, 229 Symphony No. 5, 248 Ballet mécanique, 155, 156 Symphony No. 7, 37 Jazz Symphony, 156 Bennett, Robert Russell, 47, 199, 201, 211, 212, Anything Goes (1936) film, 200 214, 216 Arcadelt, Jacques, 36 Bennett, Tony, 238 Arden, Victor, 93, 97, 268 Benton, Thomas Hart, 162 Arlen, Harold, 9, 47, 49, 199, 276, 277 Berg, Alban, 162, 225, 229 “Stormy Weather,” 277 Lyric Suite, 33, 162 Arlen, Michael, 154 Wozzeck, 231 Armitage, Merle, 48, 53, 291 Bergere, Valerie, 72 Armstrong, Louis, 244, 277 Berkeley, Busby, 45 Arvey, Verna, 25 Berlin, 161 Asian American Jazz Orchestra, 256 Berlin, Irving, 44, 48, 53, 61, 64, 68, 69, 93, 154, Askins, Harry, 132 225, 239, 244,
    [Show full text]
  • Guide to Ella Fitzgerald Papers
    Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996.................................................................
    [Show full text]
  • Mixed Folios
    mixed folios 447 The Anthology Series – 581 Folk 489 Piano Chord Gold Editions 473 40 Sheet Music Songbooks 757 Ashley Publications Bestsellers 514 Piano Play-Along Series 510 Audition Song Series 444 Freddie the Frog 660 Pop/Rock 540 Beginning Piano Series 544 Gold Series 501 Pro Vocal® Series 448 The Best Ever Series 474 Grammy Awards 490 Reader’s Digest Piano 756 Big Band/Swing Songbooks 446 Recorder Fun! 453 The Big Books of Music 475 Great Songs Series 698 Rhythm & Blues/Soul 526 Blues 445 Halloween 491 Rock Band Camp 528 Blues Play-Along 446 Harmonica Fun! 701 Sacred, Christian & 385 Broadway Mixed Folios 547 I Can Play That! Inspirational 380 Broadway Vocal 586 International/ 534 Schirmer Performance Selections Multicultural Editions 383 Broadway Vocal Scores 477 It’s Easy to Play 569 Score & Sound Masterworks 457 Budget Books 598 Jazz 744 Seasons of Praise 569 CD Sheet Music 609 Jazz Piano Solos Series ® 745 Singalong & Novelty 460 Cheat Sheets 613 Jazz Play-Along Series 513 Sing in the Barbershop 432 Children’s Publications 623 Jewish Quartet 478 The Joy of Series 703 Christian Musician ® 512 Sing with the Choir 530 Classical Collections 521 Keyboard Play-Along Series 352 Songwriter Collections 548 Classical Play-Along 432 Kidsongs Sing-Alongs 746 Standards 541 Classics to Moderns 639 Latin 492 10 For $10 Sheet Music 542 Concert Performer 482 Legendary Series 493 The Ultimate Series 570 Country 483 The Library of… 495 The Ultimate Song 577 Country Music Pages Hall of Fame 643 Love & Wedding 496 Value Songbooks 579 Cowboy Songs
    [Show full text]
  • AC;T I - SCENE 1 No.1 Overture Seep
    7 AC;T I - SCENE 1 No.1 Overture Seep. 85 IOrchestra) Music seg11es as one. No. 2 Sweet And Lowdown 5-.:e p. 85 (Jimmy, Jeannie, Cirls & Cuys) Lights Up: A speakeasy in New York Cih;. JEANNIE leads a gaggle of CHORUS GIRLS. The surrounding tables are full of handsome YOUNG MEN. We are at a society bachelor party - rich boys having fun. JEANNIE & GIRLS. Grab a cab and go down To where the band is playing; Where milk and honey flow down Where ev'ry one is saying "Blow that sweet and low-down!" Busy as a beaver, You'll dance until you totter; You're sure to get the fever For nothing could be hotter Oh, that sweet and low-down! JEANNIE. (Over music) All right, peoples, peoples - listen up! Now this is a very sad occasion, 'cause tomorrow morning, our own Jimmy Winter is gettin' married for the third time! JIMMY. (Stands up) Fourth time! EVERYBODY cheers. JlMMY. (Continued) But this time, I'm not marrying some cheap chorus girl! JEANNIE & GIRLS. Awww. JIMMY. Sorry, cheap chorus girls. EVERYBODY cheers. JIMMY. (sung) There's a cabaret in this city I can recommend to you; Peps you up like electricity When the band is blowing blue. \:IC - l'rompt Book 8 .. I (JJ MY. They play nothing classic, Oh no• Down there, They crave nothing e se Bu he low-down there I you need a on·c nd he need is chron c If you're in a crisis. my advice is }EA lE & L Grab a cab and go down Grab a cab and go down To where the band 1s playin : Where he band i playing; Where milk and honey flow down Where ev'ry one is sayin' E IR Blow Blow that eet and low-d wnl" Low low down t Busy as a beaver, Busy as a beaver.
    [Show full text]
  • Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru
    BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU Contents ALL THE I-IVELONG DAY (And The Long, Long Night), 141 THE BACK BAY POLKA, 119 BESS YOU IS MY WOMAN, 9 (I've Got) BEGINNER'S LUCK, 66 BY STRAUSS, 131 A FOGGY DAY, 87 FOR YOU, FOR ME, FOR EVERMORE, 123 I CAN'T BE BOTHERED NOW, 91 I GOT PLENTY 0' NUTTIN', 17 I LOVE TO RHYME, 103 I WAS DOING ALL RIGHT, 107 IT AIIV'T NECESSARILY SO, 23 THE JOLLY TAR AND THE MILK MAID, 95 JUST ANOTHER RHUMBA, 53 LET'S CALL THE WHOLE THING OFF, 70 LOVE IS HERE TO STAY, 11 1 LOVE WALKED IN, 11 5 MY MAN'S GONE NOW, 29 NICE WORK IF YOU CAN GET IT, 99 OH BESS, OH WHERE'S MY BESS, 35 PROMENADE (Piano Solo), 74 THE REAL AMERICAN FOLK SONG (Is A Rag), 4 SHALL WE DANCE, 78 SLAP THAT BASS, 61 SOPHIA, 136 SUMMERTIME, 40 THERE'S A BOAT DAT'S LEAVIN' SOON FOR NEW YORK, 44 THEY ALL LAUGHED, 82 THEY CAN'T TAKE THAT AWAY FROM ME, 127 A WOMAN IS A SOMETIME THING, 48 For all works contained herein: International Copyright Secured ALL RIGHTS RESERVED Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. THE REAL AMERICAN FOLK BOOGIEWOOGIE.RUSONG (Is A Ras)* Lyrics by IRA GERSHWN Music by GEORGE GERSH WIN 1 " Near Bar - ce - io - na the Deas - int cioons The old tra - di - tion - a1 I You may dis - like, or you 'may a - dore, The na - tire songs from a A Fm6 C Cmaj7 Am7 C dim Span - ish tunes; The Ne - a - pol - i - tan Street Song sighs, You for - eign shore; They may be songs that you can't for - get,- They I I Written for "Ladies First" (1918) The first George and In Gershwin collaboration used in a Broadway show Copyright @ 1959 by Gershwin Publishing Corporation Assigned to Chappell & Co., Inc.
    [Show full text]
  • 99 Stat. 288 Public Law 99-86—Aug. 9, 1985
    99 STAT. 288 PUBLIC LAW 99-86—AUG. 9, 1985 Public Law 99-86 99th Congress Joint Resolution To provide that a special gold medal honoring George Gershwin be presented to his Aug. 9, li>a5 sister, Frances Gershwin Godowsky, and a special gold medal honoring Ira Gersh- [H.J. Res. 251] win be presented to his widow, Leonore Gershwin, and to provide for the production of bronze duplicates of such medals for sale to the public. Whereas George and Ira Gershwin, individually and jointly, created music which is undeniably American and which is internationally admired; Whereas George Gershwin composed works acclaimed both as classi­ cal music and as popular music, including "Rhapsody in Blue", "An American in Paris", "Concerto in F", and "Three Preludes for Piano"; Whereas Ira Gershwin won a Pulitzer Prize for the lyrics for "Of Thee I Sing", the first lyricist ever to receive such prize; Whereas Ira Gershwin composed the lyrics for major Broadway productions, including "A Star is Born", "Lady in the Dark", "The Barkleys of Broadway", and for hit songs, including "I Can't Get Started", "Long Ago and Far Away", and "The Man That Got Away"; Whereas George and Ira Gershwin collaborated to compose the music and lyrics for major Broadway productions, including "Lady Be Good", "Of Thee I Sing", "Strike Up the Band", "Oh Kay!", and "Funny Face"; Whereas George and Ira Gershwin collaborated to produce the opera "Porgy and Bess" and the 50th anniversary of its first perform­ ance will occur during 1985; Whereas George and Ira Gershwin collaborated to compose
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
    DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*.
    [Show full text]
  • The Great American Songbook in the Classical Voice Studio
    THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been
    [Show full text]
  • Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log On, Get Your Coffee, Listen, Relax
    Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log on, get your coffee, listen, relax. • “I Got a Crush on You” recorded by Nat Adderley in 1960 on Work Song. Written in 1928 for Treasure Girl. • “Nice Work If You Can Get It” recorded by Sarah Vaughn in 1950 on Sarah Vaughn with George Treadwell and his All Stars. Written in 1937 for Damsels in Distress. • “Isn’t It A Pity” recorded by Cheryl Bentyne in 2010 on The Gershwin Songbook. Written in 1933 for Pardon My English. • “I Loves You, Porgy” recorded by Billie Holiday, accompanied by Bobby Tucker. Written in 1935 for Porgy & Bess. • “Let’s Call The Whole Thing Off” recorded by Ella Fitzgerald and Louis Armstrong with the Oscar Peterson Trio in 1957 on Ella and Louis Again. Written in 1937 for Shall We Dance. • “They Can’t Take That Away From Me” recorded by Frank Sinatra in 1962 on Sinatra and Swingin’ Brass. Written in 1937 for Shall We Dance. • “Do It Again” recorded by Beverly Kenney accompanied by Ellis Larkins in 1958 on Beverly Kenney Sings for Playboys. Written in 1922 for The French Doll. • “Love is Here to Stay” recorded in 1955 by Carmen McRae. Written in 1937 for The Goldwyn Follies. • “My One and Only” recorded in 1950 by Ella Fitzgerald with Ellis Larkin on Ella Sings Gershwin. Written in 1927 for Funny Face. • “I Got Rhythm” recorded in 1964 in Sweden by Sarah Vaughn. Written in 1930 for Girl Crazy. Class Begins at 930AM The Gershwins Part 1: “I Got Rhythm” Course Agenda showing the music 1.
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]
  • The Dale Warland Singers Presents GLORIOUS GERSHWIN MUSIC by GEORGE GERSHWIN LYRICS by IRA GERSHWIN
    The Dale Warland Singers presents GLORIOUS GERSHWIN MUSIC BY GEORGE GERSHWIN LYRICS BY IRA GERSHWIN FRIDAY, MAY 13, 1988 ORCHESTRA HALL 8:00 P.M. THE DALE WARLAND SINGERS Dale Warland, Music Director Sigrid Johnson, Assistant Conductor "jerry Rubino, Pianist and Cabaret Singers Conductor GUEST ARTISTS MOORE BY FOUR Sanford Moore, director/piano Ginger Commodore, soprano Yolande Bruce-Crim, mezzo-soprano Connie Evingson, alto Dennis Spears, baritone Soli Hughes, guitar Jay Young, bass Robert Commodore, drums Paul Oakley, piano Don Stille, synthesizer Tom Hubbard, bass Gordy Knudtson; drums Randy Winkler, production SPECIAL MUSICAL ARRANGEMENTS Steve Barnett Jerry Rubino •This evening's concert is the result of the creative collaboration of many in- dividuals. Particular recognition is extended toJerry Rubino of the DWS ar- tistic staff for his leadership in providing the program conception and musical direction to this event as well as his outstanding musical arrangements. Glorious Gershwin is sponsored by IDS Financial Services Inc. and WAYL Radio . AM 980-FM94 (Special thanks to jefferson Transporunton Group for providing hus servic-e••for (he: pre-concert gala dinner; All musical arrangements are byJerry Rubino unless otherwise noted. I. Strike Up the Band I Got Rhythm Fascinating Rhythm (Mattson) Cabaret Singers By Strauss (Gershwin) Sigrid Johnson, soprano Strike Up the Band (King) II. He Loves and She Loves Nice Work If}fJu Can Get It Soon Ruth Spiegel, soprano; David Benson, bass Looking for a Boy Melissa O'Neill, soprano The Man I Love Lynette johnson, alto Oh, Lady Be Good Tim Sawyer, tenor; Gary Kortemeier, tenor; Michael Dailey, baritone; Brad Bak, bass Somebody Loves Me (Lyrics by B.G.
    [Show full text]