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- Teaching BROADWAY with Standards Resources
- Washington University Record, March 14, 1985
- Irving Berlin Music Take-Home Packet
- Edens, Roger (1905-1970) by Linda Rapp
- Gypsy” (Original Cast Recording) (1959) Added to the National Registry: 2009 Essay by Cary O’Dell
- I'm Trapped in a Musical!
- Gypsy” (Original Cast Recording) (1959) Added to the National Registry: Essay by Cary O’Dell
- Study Guide 2005 Contains Ontario Curriculum Support Material
- ALVIN THEATER (Now Neil Simon Theater), 244-254 West 52Nd Street, Manhattan
- A-Chorus-Line-Study
- Confusion About Belting: a Personal Observation by Jeannette Lovetri
- Year Date Name of Production Description 1917 September 27, 28, 28 Have a Heart a Musical Comedy by Guy Bolton and P. G
- Alternate: Someone Who Occasionally Plays a Role in a Show in Order to Give the Regular Performer a Rest
- Betty Buckley “Hello, Dolly!”
- MUSICALS Musicals Stemmed from Operas, Operettas, and Musical
- Vocal Colour in Blue: Early Twentieth-Century Black Women Singers As Broadway’S Voice Teachers
- Old Fulton NY Post Cards by Tom Tryniski
- Ethel Merman
- 1936-04-05 [P F-5]
- Information to Users
- MASTER BOOK 3+3 NEW 15/5/07 5:56 PM Page 2
- A Problem Like Maria:Gender And
- Cole Porter (1934) Added to the National Registry: 2006 Essay by Cary O’Dell
- Wednesday, September 16, Family Trivia at 5:30 Pm!
- Amanda-Resume
- It's Time for Pitre to Take on Gypsy
- Male Belting: an Exploration of Technique and Style from 1967 to Current
- Healthy Belting for the Classically Trained Singer by Samantha Serrano Bassig Treatise Presented to the Faculty of the Graduat
- Theorizing the Golden Age Musical: Genre, Structure, Syntax
- Program Notes
- MAJESTIC THEATER, 245-257 West 44Th Street, Manhattan
- Ethel Merman's Broadway
- Sooners at Home and Abroad
- STUDENT GUIDE to the THEATRE MICHAEL GENNARO Executive Director
- Beginning Drama a Study of Appreciation
- Show Boat Starring Forrest Tucker Little Theatre on the Square
- 08 February 2010
- Beer Whiskey Digestifs Cocktails
- “You Can't Get a Man with A
- Musical Theatre Style Breakdowns