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Elements Trilogy
The Feminine Eye: Lecture 5: WATER: 2006: 117M
Film Reference Guide
Indi@Logs Vol 8 2021, Pp 11-28, ISSN: 2339-8523
Research Scholar ISSN 2320 – 6101 an International Refereed E-Journal of Literary Explorations Impact Factor 0.793 (IIFS)
Fire: a Critique of Hindu Patriarchy
India in Film
Final Thesis Draft May 2010
Displacing Androcracy: Cosmopolitan Partnerships in Bapsi Sidhwa's Water
The Namesake
December 7, 2010 (XXI:15) Deepa Mehta, WATER (2005, 117 Min)
Deepa Mehta's Elemental Trilogy and the Depiction of Indian Culture In
Talking with Deepa Mehta
Maps and Movies: Talking with Deepa Mehta
UNIVERSITY of KWAZULU-NATAL Diasporic Identities, Divine Presences and the Dynamics of Power in Deepa Mehta's Filmography
The Partition of India
ECFG-India-2021R.Pdf
A Critical Analysis of Films, Literature and Culture As
Role Name Affiliation National Coordinator Subject Coordinator
Top View
Filming of Fiction: a Comparative Study of Bapsi Sidhwa's Ice-Candy-Man and 1947
South Asian Partition Fiction in English
Cinematic Representation of Gender Politics in Antarmahal and Water
Book Review Mathew P. John, Film As Cultural Artifact: Religious Criticism of World Cinema Minneapolis: Fortress Press, 2017, 148 Pages, ISBN: 978-1-5064-2169-8
Women's Bodies As Sites of Signification and Contestation: an Analysis of Deepa Mehta's Critique of Narratives of Home, Na
ODETTA 1930-2008 DEEPA MEHTA 1950-Present
Elements Trilogy
Reading Water As Film and Novel
Not Just Bollywood 2019 Programme Announced
Toward a Cinema of Multiplicity Petra Lenihan a Thesis Submitted for The
Mongrel Media Presents
Coupling Nature and Women a Queer Ecofeminist Reading Of