Displacing Androcracy: Cosmopolitan Partnerships in Bapsi Sidhwa's Water
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Cultural Shifts...Etc. [Macrohistory]
Feminist Critiques and Visions of the Future by Ivana Milojevic and Sohail Inayatullah “Feminist visions and Critiques of the future,” Futures Research Quarterly (Vol. 14, No. 1, Spring, 1998), 35-46 (with Ivana Milojevic). Rewritten and translated into Finnish in Futura (March, 2010), 19-31. Current trends One does not need to be an expert to realize that wherever we look, either into our past or into our present, either within our local community or around the world, one fact remains almost universal: society always treats its women worse than it treats its men. If current trends continue, women will continue to suffer from violence, poverty, malnutrition, legal and economical disadvantages well into the 21st century. Women will continue to face more difficulties than men in many areas of life, mostly because our societies are still controlled by men and male values. The crucial spheres for "controlling" the future, politics, as well as most institutional and personal decision making processes, will remain out of women's reach. According to the United Nations' future projections, women's position will improve a bit, but even in the year 2200, women will be far from reaching gender equality.1 According to these projections, the percentage of world income received by women will increase from current 10% to 20% in the year 2025, and then further to 40% in the year 2200. The 1 percentage of world property owned by women will increase from the "huge" 1% as it is today, to 3% in year 2025, and 20% in year 2200. In the year 2025, women will still outnumber men as poor (60%), illiterate (55%), refugees (70%), and sick (57%).2 Women can hope to still outlive men, as female life expectancy continue to be higher than male's, although this is not because of our social and "human" efforts to help the disadvantaged, but inspite of them. -
Gaia, the Planetary Religion : the Sacred Marriage of Art and Science
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1994 Gaia, the planetary religion : the sacred marriage of art and science. Doctress Neutopia University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Neutopia, Doctress, "Gaia, the planetary religion : the sacred marriage of art and science." (1994). Doctoral Dissertations 1896 - February 2014. 5144. https://scholarworks.umass.edu/dissertations_1/5144 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. GAIA, THE PLANETARY RELIGION: THE SACRED MARRIAGE OF ART AND SCIENCE A Dissertation Presented by DOCTRESS NEUTOPIA Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION February 1994 School of Education GAIA, THE PLANETARY RELIGION: THE SACRED MARRIAGE OF ART AND SCIENCE A Dissertation Presented by DOCTRESS NEUTOPIA Approved as to style and content by: o W. J.Jackson, Dejan 1 of Education Copyright by Doctress Neutopia 1994 All Rights Reserved DEDICATION GAIA The World Soul: Past, Present, and Future ACKNOWLEDGEMENTS My profound thanks to dame Phyllis Rodin for engaging me in long deep conversations about the life-force. I would also like to thank my committee members: Dr. Robert Baker for encouraging me to do a traditional work of scholarship; Dr. Jack Wideman for supporting my efforts after searching for one long year for an outside member; and especially Dr. -
Transforming Global Governance: Contesting Images of the Future from People on the Edge of the Periphery
1 Transforming Global Governance: Contesting Images of the Future from People on the Edge of the Periphery. Anita Kelleher, MLM, MFS Supervisors: Principal: Professor Joanne Scott Associate: Adjunct Professor Sohail Inayatullah Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Arts and Business University of the Sunshine Coast 2012 2 Keywords. Bioregionalism, critical futures studies, decision-making, feminism, future, global governance, globalisation, globalism, Global Digital Democracies, image, international relations, metaphor, multilateralism, myth, partnerships, planetary civilisation, United Nations, United Nations reform, Unrepresented Nations and Peoples Organisation, transformation, vision, world order, worldviews. ____________________________________________________________________________________________ Transforming Global Governance: Contesting Images of the Future from People on the Edge of the Periphery 3 Abstract. This thesis aims to bring unconventional perspectives to the global governance debates by developing multiple images of futures from contesting worldviews. Informed by futures research and the perspectives and stories of nations and peoples currently unrepresented in global decision-making forums such as the United Nations General Assembly, the thesis maps global governance philosophies, systems and structures, agencies, and their underlying worldviews and myths to produce possible futures for each of six actor groups contesting the current global governance system. The criteria used to construct these possible futures are then used to construct a model and story for the Unrepresented Nations and Peoples Organisation (U.N.P.O.) using their materials, collected at their 2010 General Assembly, as content. The model and story represent the preferred global governance future for U.N.P.O. evoking an image of ‘One World’. The thesis in its entirety provides U.N.P.O. -
The Feminine Eye: Lecture 5: WATER: 2006: 117M
1 The Feminine Eye: lecture 5: WATER: 2006: 117m: May 2: Women Directors from India: week #5 Mira Nair / Deepa Mehta Screening: WATER (Deepa Mehta, 2005) class business: last class: next week: 1. format 2. BEACHES OF AGNES 3. Fran Claggett 2 Women Directors from India: Mira Nair: [Ni-ar = liar] b. 1957: India: education: Delhi [Delly] University: India Harvard: US began film career as actor: then: directed docs 1988: debut feature: SALAAM BOMBAY! kids living on streets of Bombay: real homeless kids used won Camera d’Or: Cannes Film Festival: Best 1st Feature clip: SALAAM BOMBAY!: ch 2: 3m Nair’s stories: re marginalized people: films: focus on class / cultural differences 1991: MISSISSIPPI MASALA: interracial love story: set in US South: black man / Indian woman: Denzel Washington / Sarita Choudhury 2001: MONSOON WEDDING: India: preparations for arranged marriage: groom: Indian who’s relocated to US: Texas: comes back to India for wedding won Golden Lion: Venice FF 2004: VANITY FAIR: Thackeray novel: early 19th C England: woman’s story: Becky Sharp: Witherspoon 2006: THE NAMESAKE: story: couple emigrates from India to US 2 kids: born in US: problems of assimilation: old culture / new culture plot: interweaving old & new Nair: latest film: 2009: AMELIA story of strong pioneering female pilot: Swank 3 Deepa Mehta: b. 1950: Amritsar, India: father: film distributor: India: degree in philosophy: U of New Delhi 1973: immigrated to Canada: embarked on professional career in films: scriptwriter for kids’ movies Mehta: known for rich, complex -
Authority, Marriage, and Politics in Late-Medieval France
The Pennsylvania State University The Graduate School College of the Liberal Arts PERSUADING THE POLITY: AUTHORITY, MARRIAGE, AND POLITICS IN LATE-MEDIEVAL FRANCE A Dissertation in French and Women’s Studies by Elizabeth L. Kinne © 2013 Elizabeth L. Kinne Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 The dissertation of Elizabeth L. Kinne was reviewed and approved* by the following: Norris J. Lacy Edwin Erle Sparks Professor (Emeritus) of French and Medieval Studies Dissertation Advisor Co-Chair of Committee Bénédicte Monicat Professor of French and Women’s Studies Head of the Department of French and Francophone Studies Co-Chair of Committee Christine Clark-Evans Associate Professor of French, Women’s Studies, and African and African-American Studies Jean-Claude Vuillemin Professor of French Robert R. Edwards Edwin Erle Sparks Professor of English and Comparative Literature * Signatures are on file in the Graduate School Kinne ii Abstract Persuading the polity: Authority, marriage, and politics in late-medieval France In the later Middle Ages, texts on marriage proliferated, either works of conduct meant to make women good wives or more general reflections addressed to a wide spectrum of medieval society. These multiple and contradictory discourses regarding matrimony performed a variety of functions beyond attempting to regulate a household or persuade the audience of the worthiness, or lack thereof, of the institution. They are displays of power that seek to impose an idealized vision of society and one’s authority over others. An exploration of this subtext brings to light the difficulties of exerting individual agency in the face of myriad constraints, whether social, economic, or political. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Indi@Logs Vol 8 2021, Pp 11-28, ISSN: 2339-8523
Indi@logs Vol 8 2021, pp 11-28, ISSN: 2339-8523 https://doi.org/10.5565/rev/indialogs.178 -------------------------------------------------------------------------------------------- “IS GANDHI THE HERO?”: A REAPPRAISAL OF GANDHI’S VIEWS ABOUT WOMEN IN DEEPA MEHTA’S WATER PILAR SOMACARRERA-ÍÑIGO Universidad Autónoma de Madrid [email protected] Received: 26-11-2020 Accepted: 31-01-2021 ABSTRACT Set in 1938 against the backdrop of India’s anti-colonial movement led by Gandhi, the film Water (2005) by Deepa Mehta crudely exposes one of the most demeaning aspects of the patriarchal ideology of Hinduism: the custom of condemning widows to a life of self-denial and deprivation at the ashrams. Mehta has remarked that figures like Gandhi have inspired people throughout the ages. Nonetheless, in this essay I argue that under an apparent admiration for the figure of Gandhi in the context of the emancipation of India in general and widows in particular, Water questions whether Gandhi’s doctrines about the liberation of women were effective or whether, on the contrary, they contributed to restricting women to the private realm by turning them into personifications of the Indian nation. In this context of submission and oppression of women in India, Gandhi did try to improve their conditions though he was convinced that gender is destiny and that women’s chastity is connected to India’s national honour. I argue that Mehta’s film undermines Gandhi’s idealism by presenting images of him and dialogues in which he is the topic. As a methodological approach, I propose a dialogic (Bahktin 1981) reading of the filmic text which analyses how a polyphony of voices praise and disparage the figure of Gandhi in Water. -
Research Scholar ISSN 2320 – 6101 an International Refereed E-Journal of Literary Explorations Impact Factor 0.793 (IIFS)
Research Scholar ISSN 2320 – 6101 www.researchscholar.co.in An International Refereed e-Journal of Literary Explorations Impact Factor 0.793 (IIFS) THE CULTURAL GEOGRAPHY OF PUBLIC SPACE IN DEEPA MEHTA’S ELEMENTS TRILOGY Abhilash Dey M.Phil Scholar Department of English University of Burdwan, West Bengal, India Abstract The following article takes up the representation of heterotopic public places and lived spaces in the visual story arcs of (celebrated Indian- Canadian filmmaker) Deepa Mehta for a closer probe. She has made her mark in the map of world cinema with her outstanding and thought- provoking feminist movies such as Water, Fire and Earth. A spokesperson of Indian women's plight, she leaves no stone unturned in portraying the telling helplessness of Indian women, in times past and times present. This paper also travels across the theories propounded by Foucault, Marc Augé and Ray Oldenburg and frequently seeks its sustenance from the matchless erudition of film-critic, Roger Ebert. The lived experiences of the pivotal protagonists involved in the sad-glad process of lives and times take place more in the public space than in the home space, and therein lies the crux of this proposed investigation. The spatiality of the relationship dynamic that attains fruition in the home space actually finds its fountainhead in the public space abroad. Deepa Mehta's visual rhetoric adduces support to the points driven home in this article. This is the epoch of space, the epoch of simultaneity and juxtaposition—to reiterate Foucault from his 1967-published treatise on discursive other space, “Of Other Spaces: Utopias and Heterotopias”. -
Fire: a Critique of Hindu Patriarchy
INTERNATIONAL JOURNAL FOR INNOVATIVE RESEARCH IN MULTIDISCIPLINARY FIELD ISSN – 2455-0620 Volume - 3, Issue - 6, June - 2017 Fire: A Critique of Hindu Patriarchy Richa Sharma PhD Scholar, Department of English, University of Jammu, J & K, India. Email - [email protected] Abstract: Diversity of religions, languages, customs and traditions in India make it more beautiful and unique. Though the beauty, richness and uniqueness of India is appreciable but it has a darker side too i. e. Indian society is intrinsically patriarchal. The basis of this patriarchy can be traced in the Indian religions because Indians consider themselves as religious (so-called religious) and turn to the religion for guidance. As compared to the Vedic period or ancient times, the status and position of women has worsened over the period of time under the larger umbrella concepts of religion and patriarchy. Since time immemorial, literature and cinema has remained the mirrors of the society. They represent the vices and follies of their respective ages. Though the Indian cinema has always been criticized for its ignoring the issues of gender yet there are several films which represent gender disparity due to patriarchal society. In this article, I’ll be discussing Fire and Astitva as critiques of and against Hindu patriarchy. Key Words: Religion, patriarchy, discrimination, cinema, male chauvinism. 1. INTRODUCTION: India is a land of diversity of religions, languages, customs and traditions. This diversity makes India more beautiful and unique than any other nation of the world. Though the beauty, richness and uniqueness of India is appreciable but it has a darker side too i. -
Towards a Critical Bisexual Theology
UNIVERSITY OF WINCHESTER Faculty of Arts Department of Religious Studies Towards A Critical Bisexual Theology by Karin Elizabeth Smith Submitted for a degree of Doctor of Philosophy December 2010 UNIVERSITY OF WINCHESTER ABSTRACT FACULTY OF ARTS, DEPARTMENT OF THEOLOGY AND RELIGIOUS STUDIES Doctor of Philosophy TOWARDS A CRITICAL BISEXUAL THEOLOGY By Karin Elizabeth Smith My thesis is an investigation into the phenomenon of bisexuality and the problems, challenges and opportunities it presents towards traditional Christian theology. I examine the deconstructive challenge that bisexuality and queer theory presents to what Althaus-Reid calls ‘Totalitarian Theology’. My methodology is literature based, comes from a feminist liberationist perspective and my own personal experiences as a bisexual woman, adopting the analytical tools of philosophy, psychology and sociology. Through the utilization of this method, I hope to give a better understanding of this difficult and complex subject. During the course of my investigation, I have discovered that much of the research undertaken by theologians so far within the area of human sexuality has largely centred on the phenomenon of homosexuality and heterosexuality. Other than the work of Debra R. Kalodny and Queer Theologian Marcella Althaus-Reid, very little has been written about bisexuality. In contrast to their work mine is an autobiographical self - reflective account of the difficulties faced living in a culture based on monogamous heterosexuality. The points in which Althaus-Reid’s work and my own diverge is in both cultural style and context. My bi- interpretation goes beyond hers because I provide a critical analysis of heterosexuality. My work is therefore unique, as I am using bisexual identity in a sustained and self-critical way with a view toward the creation of a ‘critical bisexual theology’ in my particular culture. -
India in Film
INDIA IN FILM AL&C 30, Mead 115 (Stirn), T Th 2:00-3:20 Professor Emeritus David B. Reck Office hours: T Th 3:30-4:15 [email protected] in Schwemm snack bar Mail: Dept. of Asian Languages and Civilizations Or by appointment AC Box #2242, 110 Webster, AC Films: Except for films to be viewed in class Kal( Ho Naa Ho) you are expected to view all assigned films (marked byHH ) in their entirety in advance of the class in which they will be discussed. All films will be on reserve in Frost on DVD and/or VHS and available in streaming (DVD only). Reading: There will be a handout and reading for each of the starred HH films below, available along with the syllabus on the course website as an e-reserve, plus supplemental readings. Attendance: in class is expected & will be monitored and factored into grade. Papers: Keep a logbook with writings on each of the starred HH films in the course. The logbook will be turned in several times during the semester. Several short papers (2–3 pages on films and topics as assigned, due in class in which film is dis- cussed), hard copies only, 2 multiple choice exams in class and a final exam involving viewing of film segments. Papers may be e-mailed only as a backup copy. NB: Late work will be marked down. Syllabus Week 1 Tuesday, 26 January. Fantasy/(Un)Reality/ Filmic Reality Thinking about film; “reading” film. Screening in class and begin viewing/discussion ofKal Ho Naa Ho in class Thursday, 28 January. -
Reserving the Right to Be Complex: Gender Variance and Trans Identities in the Greek Legal Order
Reserving the Right to Be Complex: Gender Variance and Trans Identities in the Greek Legal Order R. KASAPIDOU PhD 2020 Reserving the Right to Be Complex: Gender Variance and Trans Identities in the Greek Legal Order Roussa Kasapidou A thesis submitted in partial fulfillment of the requirements of Manchester Metropolitan University for the degree of Doctor of Philosophy Department of Business and Law Manchester Metropolitan University 2020 Table of Contents Table of Contents Abstract 9 List of abbreviations 10 Acknowledgements 12 Chapter 1. Introduction 16 1.1. Having Questions 16 1.2. Thesis Structure and Chapter outline 23 Part A. Theories, Disciplines and Worlds 30 Chapter 2. Queer and Feminist Theorising and Trans Studies 31 2.1. Claiming a Voice, Establishing a Field 31 2.2. Epistemological Tensions, Gender Ontologies and Border Wars 37 2.3. Letting a Thousand Trans Theories Bloom 45 2.4. At the Same(?) Time, Somewhere Else… 51 Chapter 3. Theories of Trans Engagement with Law and the State 64 3.1. Trans Rights 65 3.2. Civil Registration, Gender Classification and the Modern State 77 3.2.a. Civil Registration as a (Gendered) Mode of Modern State Governance 78 3.2.b. Sexology, Law and the Categories in-between Categories 86 3.2.c. Interpretation as an Instance of Power 91 Chapter 4. Methodology 96 4.1. Accountable Epistemologies: 5 RESERVING THE RIGHT TO BE COMPLEX Positionality in Knowledge Production 97 4.2. Doing Trans Research from Somewhere Specific 99 4.3. Research and Analysis: The Reasons, the Ways, The Sources, The Challenges 105 4.3.a.