December 7, 2010 (XXI:15) Deepa Mehta, WATER (2005, 117 Min)
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Jodhaa Akbar
JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote -
Myth and Patriarchy in Deepa Mehta's Heaven on Earth
223 Manjeet Roden: Deepa Mehta Myth and Patriarchy in Deepa Mehta’s Heaven on Earth Manjeet Ridon University of Nottingham _______________________________________________________________ This article analyses how Heaven on Earth (2008) uses Indian mythology to expose the reality of culturally driven violence against Sikh Punjabi women in Canada, occurring as a result of transnational marriages between diaspora-based Non-Resident Indian (hereafter NRI) men and Sikh Punjabi women. Referring to Bruce Lincoln’s theory of myth as ideology, I argue that the film explores how some of these women have experienced marginalisation and how a discourse of abuse can be challenged through myth. _____________________________________________________________ My analysis of Deepa Mehta’s Heaven on Earth (2008) focuses on the fictional depiction of a poor, working-class, first-generation Indian family, living in Brampton, Ontario, which provides a microcosm of the pressures and realities of everyday immigrant life affecting the family from within. The text represents the ancient Indian myth of the Sheesh Naag, the King Cobra, with the ability to shape-shift and transform into human form, to raise awareness about the issue of culturally driven violence against women in South Asian Canadian communities, which is on the increase in Canada’s immigrant communities (Papp) and, along with the incidence of gang rape,1 an even more alarming trend in India (Lakhani). Mehta’s interpretation of the myth is based on Naga-Mandala (1994), a popular play by Girish Karnad, a South Indian dramatist heavily influenced by ancient Indian mythology. Karnad’s play is a story about the mythical figure of a cobra, which, in human form, rescues a lonely bride from an abusive husband and empowers her through storytelling. -
Bollywood As National(Ist) Cinema Violence, Patriotism and the National- Popular in Rang De Basanti
Third Text, Vol. 23, Issue 6, November, 2009, 703–716 Bollywood as National(ist) Cinema Violence, Patriotism and the National- Popular in Rang De Basanti Neelam Srivastava This essay sets out to explore the relationship between violence, patrio- tism and the national-popular within the medium of film by examining the Indian film-maker Rakeysh Mehra’s recent Bollywood hit, Rang de Basanti (Paint It Saffron, 2006). The film can be seen to form part of a body of work that constructs and represents violence as integral to the emergence of a national identity, or rather, its recuperation. Rang de Basanti is significant in contemporary Indian film production for the enormous resonance it had among South Asian middle-class youth, both in India and in the diaspora. It rewrites, or rather restages, Indian nationalist history not in the customary pacifist Gandhian vein, but in the mode of martyrdom and armed struggle. It represents a more ‘masculine’ version of the nationalist narrative for its contemporary audiences, by retelling the story of the Punjabi revolutionary Bhagat Singh as an Indian hero and as an example for today’s generation. This essay argues that its recuperation of a violent anti-colonial history is, in fact, integral to the middle-class ethos of the film, presenting the viewers with a bourgeois nationalism of immediate and timely appeal, coupled with an accessible (and politically acceptable) social activism. As the 1. Quoted in Namrata Joshi, sociologist Ranjini Majumdar noted, ‘the film successfully fuels the ‘My Yellow Icon’, Outlook middle-class fantasy of corruption being the only problem of the coun- India, online edition, 20 1 February 2006, available try’. -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Télécharger La Lettre 271 (Pdf)
janvier 2017 la lettre n° 271 n g i s e D k o p E © e h c i f f a ' l e d e u q i h p a r g n o i t p e c n o C L'AF C p 17 e Micro Salon de l'AFC vendredi 27 eT samedi 28 vou s p résenT e janvier 2017 ses m eilleur s v œux La fémis 6, rue Francœur - Paris 18 e pou r 2 017 ! inscripTion obligaToire e s i e e a u i Films AFC sur les éCrAns > p. 2 ACtivités AFC > p.4 ç q h i n p h a a r s p r r F a g u r miCro sAlon 2017 > p. 6 à 15 FestivAls > p. 16 çà et là > p. 14, 17 à 19 n o e g t o t i o o c t t e h a a r i p i c m in memoriAm > p. 20 à 24 teChnique > p. 25, 37 nos AssoCiés > p. 30 à 36 d a o é l s s n s i e e C d d A internet > p. 37 leCture > p. 38 vie proFessionnelle > p. 39 sur les éCrAns : 3000 nuits de Mai Masri, photographié par Gilles Porte AFC Avec Maisa Abd Elhadi, Nadira Omran, Dictionnaire de traductions de termes techniques du cinéma Raida Adon et de l’audiovisuel Sortie le 4 janvier 2017 [ p. 26 ] Avec le soutien du CNC , de Film France et de la commission Île-de-France Le Cinedico devient une application entièrement installé e sur Le Divan de Staline votre iphone ou ipad ne nécessitant plus de connexion à Internet de Fanny Ardant, photoghraphié par AFC http://www.lecinedico.com / Renaud Personnaz et Renato Berta Avec Gérard Depardieu, Emmanuelle Seigner, Paul Hamy Sortie le 11 janvier 2017 Lumières n°5, esT Toujours disponible Jamais contente d’Emilie Deleuze, photoghraphié par à la venTe, AFC passez commande Jeanne Lapoirie Avec Léna Magnien, Patricia Mazuy, dès mainTenanT ! Philippe Duquesne Sortie le 11 janvier 2017 Des direcTeurs de la La Mécanique de l'ombre phoTographie de Thomas Kruithof, photoghraphié par parlenT de cinéma, Alex Lamarque AFC leur méTier Avec François Cluzet, Denis Podalydès, Sami Bouajila www.cahierslumieres.fr Sortie le 11 janvier 2017 [ p. -
44Th Convocation University of Sri Jayewardenepura
44th Convocation University of Sri Jayewardenepura Gamhewa Manage Pesala Madhushani Gamage Wijayalathpura Dewage Poornimala Madushani FACULTY OF HUMANITIES Hansani Nisansala Gamage Madugodage Dinusha Madushani AND SOCIAL SCIENCES Meepe Gamage Chathurika Hansamali Gamage Peduru Hewa Harshika Madushani Panawenna Ranadewage Thayomi Dulanji Gansala Amaraweera Wikkrama Gunawardana Lasuni Madushika Liyanagamage Gayan Diyadawa Gamage Niluka Maduwanthi Parana Palliyage Thisara Gayathri Herath Mudiyanselage Shanika Maduwanthi Kongala Hettiarachchige Koshila Gimhani Hewa Rahinduwage Ruwani Maduwanthi Kalubowila Appuhamilage Nipuni Wirajika Gunarathna Sikuradhi Pathige Irosha Maduwanthi Aluth Gedara Champika Prabodani Gunathilaka Wijesekara Gunawardhana Gurusinha Arachchige Maheshika Ahangama Vithanage Maheshika Gunathilaka Dissanayake Mudiyanselage Nadeeka Malkanthi Mestiyage Dona Nihari Manuprabhashani Gunathilaka Hewa Uluwaduge Nadeesha Manamperi Withana Arachchillage Gaya Thejani Gunathilaka Gunasingha Mudiyanselage Rashika Manel Ayodya Lakmali Guniyangoda Widana Gamage Shermila Dilhani Manike Nisansala Sandamali Gurusingha Koonange Mihiri Kanchana Mendis Kariyawasam Bovithanthri Prabodha Hansaji Nikamuni Samadhi Nisansala Mendis Kanaththage Supuni Hansika Warnakulasooriya Wadumesthrige Nadeesha Chathurangi Ranagalage Pawani Hansika Mendis Gama Athige Harshani Morapitiyage Madhuka Dhananjani Morapitiya Rambukkanage Kaushalya Hasanthi Munasinghe Mudiyanselage Uthpala Madushani Munasinghe Henagamage Piyumi Nisansala Henagamage Ella Deniyage Upeksha -
The Feminine Eye: Lecture 5: WATER: 2006: 117M
1 The Feminine Eye: lecture 5: WATER: 2006: 117m: May 2: Women Directors from India: week #5 Mira Nair / Deepa Mehta Screening: WATER (Deepa Mehta, 2005) class business: last class: next week: 1. format 2. BEACHES OF AGNES 3. Fran Claggett 2 Women Directors from India: Mira Nair: [Ni-ar = liar] b. 1957: India: education: Delhi [Delly] University: India Harvard: US began film career as actor: then: directed docs 1988: debut feature: SALAAM BOMBAY! kids living on streets of Bombay: real homeless kids used won Camera d’Or: Cannes Film Festival: Best 1st Feature clip: SALAAM BOMBAY!: ch 2: 3m Nair’s stories: re marginalized people: films: focus on class / cultural differences 1991: MISSISSIPPI MASALA: interracial love story: set in US South: black man / Indian woman: Denzel Washington / Sarita Choudhury 2001: MONSOON WEDDING: India: preparations for arranged marriage: groom: Indian who’s relocated to US: Texas: comes back to India for wedding won Golden Lion: Venice FF 2004: VANITY FAIR: Thackeray novel: early 19th C England: woman’s story: Becky Sharp: Witherspoon 2006: THE NAMESAKE: story: couple emigrates from India to US 2 kids: born in US: problems of assimilation: old culture / new culture plot: interweaving old & new Nair: latest film: 2009: AMELIA story of strong pioneering female pilot: Swank 3 Deepa Mehta: b. 1950: Amritsar, India: father: film distributor: India: degree in philosophy: U of New Delhi 1973: immigrated to Canada: embarked on professional career in films: scriptwriter for kids’ movies Mehta: known for rich, complex -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Tirupathi Priyasakhi Kanaa Kanden Sachein Chellame Thirutta Payale
Thirutta Payale Kanaa Kanden STARRING : Jeevan, Abbas,Sonia Agarwal, Vivek STARRING : Srikanth, Gopika,Prithviraj DIRECTOR : Susi Ganeshan MUSIC : Vidyasagar YEAR OF PRODUCTION : 2003 DIRECTOR : K.V Anand YEAR OF PRODUCTION : 2005 SYNOPSIS : The story revolves around Manickam, a good for nothing youth, who throws his weight around his house with his violent attitude. One day in a fit of rage, he injures his younger brother, following which he is sent SYNOPSIS :The movie begins with Bhaskar (Srikanth) visiting his village for his friend off to Madras to his maternal uncle's house. Archana's (Gopika) wedding. But he ends up in returning to city with Gopika herself for His uncle an upright policeman loves Manickam very much and welcomes him home hoping to change him with she comes to know of the bridegroom's bad past in the village just before the marriage. his soft approach. At his uncle's place, Manickam whiles away his time on the terrace with a pair of binoculars in Friends since their childhood days, the couple begins to live in a small house owned by hand. A young couple, Roopini and Santosh playing golf everyday catch his fancy while surveying the Vivek in Chennai. Meanwhile, Bhaskar, a research scholar in Chemistry, succeeds in neighbourhood through the binoculars. The duo is in a clandestine relationship carried on behind their spouses coming out with a prototype of a desalination plant which he wants to give to the back and this is closely followed by Manickam everyday. government and solve the water crisis in Chennai. One evening, he video records their intimate relationship and with that he begins to blackmail Roopini, who is married to a young He eventually gets discouraged by the government authorities and even the State Minister. -
Ewan Mcgregor Tilda Swinton
Presents Ewan McGregor Tilda Swinton YOUNG ADAM “…the best performance of Ewan McGregor's career” Peter Bradshaw, The Guardian WINNER of 4 SCOTTISH BAFTA AWARDS Best Actor (Ewan McGregor) | Best Actress (Tilda Swinton) Best Director (David Mackenzie) | Best Film Nationally in Select Cinemas April 7, 2005 Rating: MA High Level Sex Scenes, Nudity Running Time: 94 minutes www.madman.com.au/incinemas ALL IMAGES AVAILABLE AT: www.image.net Exhibitor contact (and VIC publicity): Publicity (all states excluding VIC) Anna McLeish Edweana Wenkart Theatrical Distribution Manager Director Madman Cinema Tsuki Publicity [email protected] | +61 3 9417 0977 [email protected] | +61 3 8354 1830 RECORDED PICTURE COMPANY, HANWAY, FILM COUNCIL, SCOTTISH SCREEN and SVENO MEDIA present a JEREMY THOMAS production a film by DAVID MACKENZIE EWAN MCGREGOR, TILDA SWINTON, PETER MULLAN, EMILY MORTIMER YOUNG ADAM Casting by DES HAMILTON Costume designer JACQUELINE DURRAN Production designer LAURENCE DORMAN Film editor COLIN MONIE Director of photography GILES NUTTGENS Music by DAVID BYRNE Associate producers PETER WATSON, STEPHAN MALLMANN, GILLIAN BERRIE Based on the novel by ALEXANDER TROCCHI Co-producers ALEXANDRA STONE, NICK O’HAGAN, JIM REEVE Produced by JEREMY THOMAS Written and directed by DAVID MACKENZIE YOUNG ADAM Written and directed by the award-winning short filmmaker David Mackenzie, Young Adam is a hauntingly faithful adaptation of the novel by the Scottish Beat writer Alexander Trocchi. Featuring a strong cast headed by Ewan McGregor, Tilda Swinton, Peter Mullan and Emily Mortimer, Young Adam is a moody, sensual thriller that takes place on the canals between Glasgow and Edinburgh during the 1950s. -
LAND of TRIUMPH 21-23 Siri Daru Heladiva Purathane Ananda Samarakoon 13.01.1916-05.04.1962
C ONTENTS Page 1. SRI LANKA - LAND OF TRIUMPH 21-23 Siri Daru Heladiva Purathane Ananda Samarakoon 13.01.1916-05.04.1962 2. A CHRISTMAS SONG 24 Seenu Handin Lowa Pibidenava Rev. Father Mercelene Jayakody 3. IN THIS WORLD 25 Ira Ilanda Payana Loke. Sri Chandraratnc Manawasinghe 19.06.1913-04.10.1964 4. LIFE IS A FLOWING RIVER 26 Galana Gangaki Jeevithe Sri Chandraratne Manawasinghe 5. HUSH BABY 27 Sudata Sude Walakulai Arisen Ahubudu 6. BEHOLD, SWEETHEART 28 Anna Sudo Ara Pata Wala Herbert M Senevirathne 24.04.1923-07.06.1987 7. A NIGHT SO MILD 29 Me Saumya Rathriya Herbert M Seneviratne 11 8. SPRING FLOWERS 30 Vasanthaye Mai Pokuru Mahagama Sekara 07.04.1924-14.01.1976 9. LONELY BLUE SKY 31 Palu Anduru Nil Ahasa Mamai Mahagama Sekara 10. THE JOURNEY IS NEVER ENDING 32 Gamana Nonimei Lokaye Mahagama Sekara 11. VILLAGE BLOSSOM 33 Hade Susuman Dalton Alwis 07.12.1926-01.08.1987 12. PEERING THROUGH THE WINDOW 34 Kaurudo Ara Kauluwen Dalton Alwis 13. BEAUTIFUL REAPERS 35 Daathata Walalu C.DeS.Kulathilake-14.12.1926-22.11.2005 14. JOY 36 Shantha Me Ra Yame W. D. Amaradeva 15. SERENADE OF THE HEART 37 Mindada Hee Sara Madawala S Rathnayake 05.12.1929-09.01.1997 12 16. I'M A FERRYMAN 38 Oruwaka Pawena Karunaratne Abeysekara 03.06.1930-20.04.1983 17. WORLD OF TRANSIENCE 39 Chanchala Anduru Lowe Karunaratne Abeysekara 18. THE GO BETWEEN 40 Enna Mandanale Karunarathne Abesekara 19. SINGLE GIRL 41 Awanhale. Karunaratne Abeysekara 20. INFINITY. 42 Anantha Vu Derana Sara Sugathapala Senerath Yapa 21.