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Edward Warburg
Hans Ulrich Obrist a Brief History of Curating
1 1 December 2009 DRAFT Jonathan Petropoulos Bridges from the Reich: the Importance of Émigré Art Dealers As Reflecte
Felix Warburg's Magic and the Kirkland Case
THE U.S. STATE, the PRIVATE SECTOR and MODERN ART in SOUTH AMERICA 1940-1943 By
Declaration of Jonathan G. Petropoulos
Oral History Interview with Edward M. M. Warburg, 1971 May 13
American Paintings, 1900–1945
A Historical Perspective the Evolution of Historically Black Ballet Companies— from Katherine Dunham to Arthur Mitchell
The Stories of Serenade: Nonprofit History and George Balanchine's
Principles of Choreography As Exemplified in the Works of George Balanchine
In Search of a Jewish Audience: New York’S Guild Art Gallery, 1935-1937
Lincoln Kirstein's Modern Extended Labels This Portrait by George Platt
Salvage to Restitution: „Heirless‟ Jewish Cultural Property in Post-World War II
Edward M.M. Warburg (Ew)
PETROPOULOS Bridges from the Reich
Ballet Management and Funding 1964 1979
A Moment in Time: from the Digital Record of a Migrating Library
Reverence for the Object Art Museums in a Changed World by JANET TASSEL
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