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Douglas Watt (critic)
The Inventory of the Sam Shepard Collection #746
University Microilms International 300 N
Volume 69, Number 01 (January 1951) John Briggs
“Isn't It Swell... Nowadays?”: the Reception History of Chicago On
Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
Meg Bussert Curriculum Vitae 1/28/19 1 MEG BUSSERT 1085 Warburton Ave #223 Yonkers NY 10701
[email protected]
Cell: 914.71
Integration and the American Musical: from Musical Theatre to Performance Studies
JUMP for JOY for Duke, to Get Much Other Work Done
Alvin Ailey | February 28-29, 2020 | Andrew Jackson Hall Solomon Dumas
Female Vocality in Kurt Weill's Street Scene Mckenna Tessa Milici
The Ideology and Aesthetics of Andrew Lloyd Webber's Musicals
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
Information to Users
Connecting the Dots: a History of Stephen Sondheim’S
A Performance Study and Analysis of the Role of Soot in the Marriage of Bette and Boo
Death of a Salesman – Critical Reception on Viennese Stages”
The Broadway Musical of Today
Hollow Men: Subordinate Masculinities in Contemporary American Drama
Top View
Appendix: the Liebling-Wood Agency's Client List of Playwrights, 1938–1958
Mattiwilda Dobbs: a Study of Race, Class, and Gender in Opera