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Don Simpson
TOP GUN (1986) and the Emergence of the Post-Cinematic by MICHAEL LOREN SIEGEL
The Man Who Built a Billion Dollar Fortune Off Pirates of The
Beverly Hills, and Are You Ready for This? I Was a Security Guard
The Cinema of Michael Bay: an Aesthetic of Excess
17 the SOCIAL CONSTRUCTION of US NAVAL CAPABILITY in HOLLYWOOD FILMS ABSTRAK ABSTRACT Background When Talking About the Reach A
LISA FIELDS, CSA Updated As of 10/10/18
From Pitch to Production in Hollywood
Novo Trailer De 'Top Gun: Maverick'
Kathy Nelson
Performing Masculinity: the Star Persona of Tom Cruise Ruth O
High Concept Visions in Armageddon
Jerry Bruckheimer and MTV Games Appoint Jim Veevaert and Jay Cohen to Lead Jerry Bruckheimer Games Studio
2015Davidthornestatementbio.Pdf
The Criminological Cultivation of African American Municipal Police
CONGRESSIONAL RECORD— Extensions of Remarks E1565 HON
The Right to Final Cut Approval: the Struggle for Creative Control Between the Director and the Studio in Feature Filmmaking
5.4 Ride Into the Danger Zone: TOP GUN (1986) and the Emergence of the Post-Cinematic
Maine Alumnus, Volume 33, Number 3, December 1951
Top View
The Film Producer As a Creative Force
13-0715 Rpt Boe 06-05-2013.Pdf
Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K
An Interview with Donald Simpson
V\Vjh] Master of Arts