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Dmitri Shostakovich

  • PROGRAM NOTES Witold Lutosławski Concerto for Orchestra

    PROGRAM NOTES Witold Lutosławski Concerto for Orchestra

  • Building Cultural Bridges: Benjamin Britten and Russia

    Building Cultural Bridges: Benjamin Britten and Russia

  • Comparison and Contrast of Performance Practice for the Tuba

    Comparison and Contrast of Performance Practice for the Tuba

  • Britten Connections a Guide for Performers and Programmers

    Britten Connections a Guide for Performers and Programmers

  • Edinburgh International Festival 1962

    Edinburgh International Festival 1962

  • Soviet Censorship Policy from a Musician's Perspective

    Soviet Censorship Policy from a Musician's Perspective

  • Dmitri Shostakovich's Viola Sonata

    Dmitri Shostakovich's Viola Sonata

  • Garrick Ohlsson

    Garrick Ohlsson

  • Modern Art Music Terms

    Modern Art Music Terms

  • Shostakovich's Fourth and Fifth Symphonies: a Comparative Analysis

    Shostakovich's Fourth and Fifth Symphonies: a Comparative Analysis

  • Tchaikovsky Fourth

    Tchaikovsky Fourth

  • R06 Muzikologija 68-78.P65

    R06 Muzikologija 68-78.P65

  • A New American Development in Music: Some Characteristic Features Extending from the Legacy of Charles Ives

    A New American Development in Music: Some Characteristic Features Extending from the Legacy of Charles Ives

  • The Symbiosis of Music and Poetry

    The Symbiosis of Music and Poetry

  • Shostakovich's Ninth Symphony: an Analytical Exploration and Keys to Interpretation

    Shostakovich's Ninth Symphony: an Analytical Exploration and Keys to Interpretation

  • Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record

    Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record

  • Dmitri Shostakovich

    Dmitri Shostakovich

  • Outline of Introduction to Contemporary Music, 2Nd Edition Joseph Machlis

    Outline of Introduction to Contemporary Music, 2Nd Edition Joseph Machlis

Top View
  • Shostakovich in His Studio
  • The Piano Prelude in the Early Twentieth Century: Genre and Form
  • Levon Hakobian. Music of the Soviet Age, 1917-1987. Stockholm: Melos Music Literature, 1998
  • Shostakovich Symphony No.4 JAMES EHNES PLAYS KHACHATURIAN
  • THE SHOSTAKOVICH WARS a Thesis Submitted in Partial Fulfilment Of
  • Red Insight: Socio-Tonal Battles of Dmitri Shostakovich
  • Works of Dmitri Shostakovich by Miriam
  • Writings.Pdf
  • The Evolution of the Xylophone Through the Symphonies of Dmitri Shostakovich Justin Lane Alexander Florida State University
  • Symphony 1 Symphony
  • An Examination of Vissarion Shebalin's Concertino for Horn Op
  • PROGRAM NOTES Detlev Glanert
  • Sources of Inspiration in Selected Piano Works By
  • SAN DIEGO SYMPHONY ORCHESTRA PAYARE and WEILERSTEIN a Jacobs Masterworks Concert Rafael Payare, Conductor January 11, 12 And
  • Censorship and Creative Freedom in Shostakovich’S Compositional Style: Music As a Tool for the State, Or the Soul?
  • Dmitri Shostakovich (1906-1975)
  • A Master's Recital in Conducting
  • HISTORICAL and ANALYTICAL OVERVIEWS on DMITRI SHOSTAKOVICH's TWENTY-FOUR PRELUDES and FUGUES by Jihong Park a Thesis Submitte


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