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Dick Hallorann
March 30, 2010 (XX:11) Stanley Kubrick, the SHINING (1980, 146 Min)
Stephen King 1947—
Female Characters in Psychological Horror
Blockbuster Culture : the Nuclear Family in Meltdown
Lyric Opera of Kansas City Receives Grant for Panel Discussion
Masculinity As an Open Wound in Stephen King's Fiction
Over the Course of Many Films Explored in Family Publications Like
The Haunted House of Memory in the Fiction of Stephen King
Elevator to Nostalgia
Minnesota Opera Presents the World Premiere of the Shining
End of Watch El Final De La Trilogía Del Detective Hodges
“This Is an Overlook Where No One Can Ever Come” a Narratological Analysis of the Representation of the Uncanny in the Shining
DAVIS-MASTERSREPORT-2020.Pdf
Att Utläsa Mönster På Ett Blodigt Lapptäcke
The Shine of the Shining: Domestic Violence and Deterministic Trauma
Teen-Age Identity Construction in Stephen King: a Gendered View
Doctor Sleep 2019
The Fears of Children in Stephen King's Horror
Top View
Kubrick's Shining
Inquiries Into Horror and Fantasy Through the Works of Stephen King an Honors Thesis (HONR 499) Tory Ellen Fields Thesis Advisor
University of Szeged Faculty of Arts
Stephen King’S Fiction a Masculinidade E O Outro: Sexualidade E Sociabilidade Na Ficção De Stephen King
X YOLANDA ACKER, : : Plaintiff, : : V
Patterns of Creating Suspense in Stephen King's
Overlook. Room 237 and the Dismemberment of the Shining Marco Lovisato
Die Funktionen Von Märchenelementen Im Zeitgenössischen Englischsprachigen Horror-Roman
THE SHINING FONT: Anavio Regular ( Nthets.Com) SHINING About the Book About the Book in Brief