Minnesota Opera Presents the World Premiere of the Shining
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What Kubrick's Kelley O'brien University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 "He Didn't Mean It": What Kubrick's Kelley O'Brien University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation O'Brien, Kelley, ""He Didn't Mean It": What Kubrick's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7204 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “He Didn‟t Mean It”: What Kubrick‟s The Shining Can Teach Us About Domestic Violence by Kelley O‟Brien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts With a concentration in Humanities Department of Humanities and Cultural Studies College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Maria Cizmic, Ph.D. Amy Rust Ph.D. Date of Approval: March 8, 2018 Keywords: Patriarchy, Feminism, Gender Politics, Horror, American 1970s Copyright © 2018, Kelley O‟Brien Dedication I dedicate this thesis project to my mother, Terri O‟Brien. Thank you for always supporting my dreams and for your years of advocacy in the fight to end violence against women. I could not have done this without you. Acknowledgments First I‟d like to express my gratitude to my thesis advisor Dr. -
Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
Press Release April 30 Paul Sacher
! 6 Meyersville Road Chatham, New Jersey 07928 USA Ph/Fax 800.706.4182 [email protected] www.orchestranextcentury.org ! ! ! FOR IMMEDIATE RELEASE Contact: Gary Schneider 973-457-5724 March 15, 2013 [email protected] To the Point: Orchestra for the Next Century pays tribute to Paul Sacher in concert at New York’s Merkin Concert Hall. Orchestra for the Next Century, Gary M. Schneider, Music Director, follows up its acclaimed NY debut in February at the Ecstatic Music Festival with a tribute to the great Swiss conductor and musical philanthropist Paul Sacher in a concert on April 30, 2013 at 8:00 pm at Merkin Concert Hall in New York City. The concert features two works Sacher commissioned from Stravinsky and Martinů paired with recent works by distinguished American composers Margaret Brouwer and Paul Moravec. Tickets are $25 / $20 for students. For information and tickets, call 212- 501-3330 or online at www.kaufmanmusiccenter.org. Igor Stranvinsky’s Concerto in D for String Orchestra and Bohuslav Martinů’s Double Concerto for Two String Orchestras, Piano and Timpani are among the many important works Sacher commissioned for his Basel Chamber Orchestra. Through his commissioning of new works from many of the most important composers of the 20th century, Sacher is responsible for the existence of an amazing number of landmark compositions, many of which entered the repertory and are performed every year in concert halls around the world. The concert will also include the New York premier of Margaret Brouwer’s Concerto for Violin and Orchestra, featuring the acclaimed Japanese-American violinist Michi Wiancko, for whom it was written. -
Doctor Sleep : Film Tie-In PDF Book
DOCTOR SLEEP : FILM TIE-IN PDF, EPUB, EBOOK Stephen King | 512 pages | 19 Sep 2019 | HODDER & STOUGHTON | 9781529375077 | English | United Kingdom Doctor Sleep : Film Tie-In PDF Book Related Posts. Store Locations. This item will be sent through the Global Shipping Programme and includes international tracking. Another major connection is alcoholism. Description Details GoodReads Reviews Stephen King returns to the characters and territory of one of his most popular novels ever, The Shining, in this instantly riveting novel about the now middle-aged Dan Torrance the boy protagonist of The Shining and the very special year-old girl he must save from a tribe of murderous paranormals. Learn More - opens in a new window or tab. Tine minte cum ai ales sa iti folosesti datele cu caracter personal pe acest site. Tom Reimann Articles Published. People who viewed this item also viewed. Title of the book contains:. Memoreaza numarul comenzii pe care tocmai ati plasat-o pentru a va oferi optiuni suplimentare in pagina urmatoare. Contact seller. Replacement 15 days easy replacement. The consignee will be responsible for both customs clearance and payment of customs duties and local taxes where required. Description Postage and payments. Due to our competitive pricing, we may have not sold all products at their original RRP. He lives in Bangor, Maine, with his wife, novelist Tabitha King. Beneficiezi de preturi promotionale. All of our paper waste is recycled and turned into corrugated cardboard. So, both The Shining and Doctor Sleep begin with father and son respectively being given a second chance to stop destroying themselves with liquor. -
Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film. -
October 19, 2019 – 2:00 PM Smithsonian National Museum of the American Indian SOUTH DAKOTA SYMPHONY ORCHESTRA PRESENTS the LAKOTA MUSIC PROJECT
Lakota Music Project October 19, 2019 – 2:00 PM Smithsonian National Museum of the American Indian SOUTH DAKOTA SYMPHONY ORCHESTRA PRESENTS THE LAKOTA MUSIC PROJECT South Dakota Symphony Orchestra Emmanuel Black Bear, Lakota singer and hand drum Bryan Akipa, Dakota flute Dakota String Quartet | Dakota Wind Quintet Delta David Gier, Music Director Ronnie Theisz, Professor Emeritus of English & American Indian Studies Theodore Wiprud, composer-in-residence Jeffrey Paul Wind on Clear Lake (b.1977) Bryan Akipa, Dakota flute Dakota String Quartet, Dakota Wind Quintet Jeffrey Paul Desert Wind (b.1977) Emmanuel Black Bear, Lakota singer and hand drum Dakota Wind Quintet Jerod Tate Guide Me (b.1968) Emmanuel Black Bear, Lakota singer Dakota String Quartet Jeffrey Paul, oboe Bryan Akipa Meadowlark (b.1957) Bryan Akipa, Dakota flute Dakota Wind Quintet Alexander Trujillo The Little Boat (b.2003) Dakota String Quartet Teagan Bellonger Stolen Sisters (b.2003) Dakota Wind Quintet arr. Theodore Wiprud Amazing Grace (b.1958) Bryan Akipa, Dakota flute Emmanuel Black Bear, Lakota singer and hand drum Dakota String Quartet, Dakota Wind Quintet SOUTH DAKOTA SYMPHONY ORCHESTRA PRESENTS THE LAKOTA MUSIC PROJECT South Dakota Symphony Orchestra Emmanuel Black Bear, Lakota singer and hand drum Bryan Akipa, Dakota flute Dakota String Quartet | Dakota Wind Quintet Delta David Gier, Music Director Ronnie Theisz, Professor Emeritus of English & American Indian Studies Theodore Wiprud, composer-in-residence Jeffrey Paul Wind on Clear Lake (b.1977) Bryan Akipa, Dakota flute Dakota String Quartet, Dakota Wind Quintet Jeffrey Paul Desert Wind (b.1977) Emmanuel Black Bear, Lakota singer and hand drum ABOUT THE LAKOTA MUSIC PROJECT Dakota Wind Quintet The Lakota Music Project is the South Dakota Symphony Orchestra’s flagship Bridging Cultures program. -
An Analysis of Sound and Music in the Shining and Bridget Jones' Diary
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 2019 The oundS s Behind the Scenes: An Analysis of Sound and Music in The hininS g and Bridget Jones’ Diary Abby Fox Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Communication Commons, and the Film and Media Studies Commons Running head: THE SOUNDS BEHIND THE SCENES The Sounds Behind the Scenes: An Analysis of Sound and Music in The Shining and Bridget Jones’ Diary Abby Fox Communication Studies Advisor: Satish Kolluri December 2018 THE SOUNDS BEHIND THE SCENES 2 Abstract Although often subtle, music and sounds have been an integral part of the motion picture experience since the days of silent films. When used effectively, sounds in film can create emotion, give meaning to a character’s actions or feelings, act as a cue to direct viewers’ attention to certain characters or settings, and help to enhance the overall storytelling. Sound essentially acts as a guide for the audience as it evokes certain emotions and reactions to accompany the narrative unfolding on-screen. The aim of this thesis is to focus on two specific films of contrasting genres and explore how the music and sounds help to establish the genres of the given films, as well as note any commonalities in which the films follow similar aural patterns. By conducting a content analysis and theoretical review, this study situates the sound use among affect theory, aesthetics and psychoanalysis, which are all highly relevant to the reception of music and sound in film. Findings consist of analyses of notable instances of sound use in both films that concentrate on the tropes of juxtaposition, contradiction, repetition and leitmotifs, and results indicate that there are actually similar approaches to using sound and music in both films, despite them falling under two vastly different genres. -
Michael Christie
Michael Christie Michael Christie is a thoughtfully innovative conductor, equally at home in the symphonic and opera worlds, who is focused on making the audience experience at his performances entertaining, enlightening, and enriching. The New York Times reports, “Michael Christie is a director open to adventure and challenge,” and the Cincinnati Enquirer declares, “If Michael Christie represents the future of music in this country, the future looks promising indeed.” Christie, who was featured in Opera News in August 2012 as one of 25 people believed to “to break out and become major forces in the field in the coming decade,” began his tenure as the first‐ever Music Director of the Minnesota Opera with the 2012‐13 season. During the 2015‐2016 season with Minnesota Opera, he leads the world premiere performances of Pulitzer Prize‐winning composer Paul Moravec’s opera The Shining, based on the novel by Stephen King, plus productions of Ariadne auf Naxos, The Magic Flute, and Rusalka. In 2017, he leads the world premiere performances of The (R)evolution of Steve Jobs by Mason Bates with Santa Fe Opera. His appointments beyond the current season include major performances with the Lyric Opera of Chicago, Washington National Opera, and Opera Theatre of St. Louis. Deeply committed to bringing new works to life, Michael Christie has championed commissions by leading and emerging composers alike, including Mark Adamo, Mason Bates, Michael Daugherty, Osvaldo Golijov, Mark Grey, Daron Hagen, Matthew Hindson, Marjan Mozetich, Stephen Paulus, Kevin Puts, and more. In 2011, Christie led the Minnesota Opera in the world premiere performances of Kevin Puts’ Silent Night, which was awarded the 2012 Pulitzer Prize for Music. -
Jmaddalena 14
James Maddalena Baritone (Updated February 2014. Please discard previous materials.) The renowned baritone James Maddalena commands a large and varied repertoire ranging from Monteverdi to contemporary opera. He first gained international recognition for his notable portrayal of the title role in the world premier of John Adams’ Nixon in China, directed by Peter Sellars with Houston Grand Opera followed by performances at Netherland Opera, the Edinburgh Festival, Brooklyn Academy of Music, Washington Opera, Frankfurt Opera, Australia’s Adelaide Festival, the Chatelet in Paris, English National Opera, the Greek National Opera and most recently for his debut with the Metropolitan Opera. His association with John Adams continued in two more recent roles: the Captain in Adams’s The Death of Klinghoffer, which premiered at the Théâtre de la Monnaie in Brussels and received performances at the Opera de Lyon, the Brooklyn Academy of Music, San Francisco Opera, and at the Vienna Festival prior to being recorded by Nonesuch under Kent Nagano; and Jack Hubbard in Doctor Atomic for San Francisco Opera. Mr. Maddalena has appeared with many other leading international opera companies: New York City Opera, San Francisco Opera, Atlanta Opera, Santa Fe Opera, Opera Theatre of St. Louis, Opera Boston, the Lyric Opera of Kansas City, Frankfurt Opera, and Glyndebourne Festival Opera, as well as with the Chicago Symphony, Los Angeles Philharmonic, Boston Symphony, San Francisco Symphony, Brooklyn Philharmonic, the Royal Scottish Orchestra, Orchestra of the Accademia di Santa Cecilia in Rome and the London Symphony Orchestra. He is a frequent collaborator with director Peter Sellars and sang major roles in Sellars’ stagings of the Mozart/Da Ponte operas (the Count in Le nozze di Figaro and Guglielmo in Così fan tutte), as well as his productions of operas by Haydn, Handel and John Adams. -
Jack Torrance S Haunting in
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Ondřej Parýzek Jack Torrance’s Haunting in Stephen King’s The Shining Bachelor’s Diploma Thesis Supervisor: Mgr. Jan Čapek 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ……………………………………………… Author’s signature Acknowledgement I would like to thank my supervisor Jan Čapek for his guidance and invaluable advice. Table of Contents Introduction .............................................................................................................................. 5 1. Theoretical Section ............................................................................................................ 7 1.1. The Gothic .................................................................................................................. 7 1.1.1. The Haunted Place and its Place in the New American Gothic ..................... 7 1.1.2. The Ghost ............................................................................................................ 9 1.2. Psychoanalysis .......................................................................................................... 12 1.2.1. The Uncanny, Haunting and Mirroring ......................................................... 12 1.2.2. Narcissistic Injury ............................................................................................ 15 2. Analytical Section ........................................................................................................... -
When Good Mothers Go Bad: Genre and Gender in the Babadook
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) When Good Mothers Go Bad: Genre and Gender in The Babadook Paula Quigley David Ehrlich: There are a number of films about grief, but part of what makes The Babadook so interesting is that the horror genre allows it to have this element of audience interaction. I wonder if you’re attracted to the horror genre because of how palpable it encourages you to make a story? Jennifer Kent: I think so. Can you imagine this story as a domestic drama? It would be so melodramatic and stupid. I like films where I’m forced to feel something. –Interview with Jennifer Kent, December 20141 For a film that has been described as ‘startlingly original’ and widely celebrated for its ‘emotional realism’, Jennifer Kent’s The Babadook (2014) is in many ways very generic.2 While this might seem like a shortcoming, on the contrary, the film’s restaging of familiar generic tropes facilitates a highly effective cinematic experience. This article considers the ways in which The Babadook repurposes the horror film to produce a moving exploration of maternal ambivalence, mobilising elements of the maternal melodrama and female gothic in the process. In so doing, the film foregrounds issues of genre and gender that inhere and overlap in these categories. In particular, the film’s focus on the protagonist’s conflicted experience of motherhood explores what Molly Haskell identifies as the great unspoken of the ‘woman’s film’, namely, women’s guilt for their ‘inadmissible feelings’ about motherhood.3 Considering the film in this light draws on Sue Thornham’s reading of We Need To Talk About Kevin (dir. -
Newsletter 01/20 (Nr
ISSN 1610-2606 ISSN 1610-2606 newsletterDIGITAL EDITION Nr. 378 -01/20 Januar 2020 Michael J. Fox Christopher Lloyd Cordula Kablitz-Post Regisseurin („Weil Du nur einmal lebst - Die Toten Hosen auf Tour“) LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/20 (Nr. 378) Januar 2020 editorial Hallo Laserdisc- und DVD-Fans, besorgen wir Ihnen auch weiterhin alle PLACE – das neue Tonformat aus dem liebe Filmfreunde! international verfügbaren DVD-, BD- und Hause Dolby rockt! Einen kleinen Wer- UHD-Titel. Aber das wissen Sie ja be- mutstropfen müssen wir aber vorerst Falls Sie sich angesichts unseres Titel- reits. noch schlucken: es brummt aus unseren bildes jetzt fragen sollten, ob Sie womög- Lautsprechern. Nicht arg laut, aber für lich aufgrund zu hohen Alkoholkonsums Natürlich füttern wir auch nach wie vor feine Ohren wie die unseren trotzdem während des Jahreswechsels plötzlich unseren YouTube-Kanal “Laser Hotline” störend. Das wird noch einiges an de- alles doppelt sehen, so können wir Sie mit interessanten Interviews und tektivischer Arbeit erfordern, um den lä- beruhigen. Denn auf unserem Titelbild Featurettes zu aktuellen Kinofilmen. stigen Störer zum Schweigen zu bekom- sehen Sie tatsächlich zwei Personen. Kinofilme? Nicht nur! Denn erst kürzlich men. Aber wir sind zuversichtlich – allei- Oder besser ausgedrückt: zwei Persön- haben wir dort ein Video eingestellt, in ne an der Zeit fehlt es momentan. Jedoch lichkeiten. Denn die Zwillinge Jana und dem es um eine TV-Produktion geht, die freuen wir uns in diesem Zusammenhang Sophie Münster haben es in ihrer im Juli im SWR Fernsehen ausgestrahlt darüber, dass die Netflix-Produktion Schauspielerkarriere auf immerhin drei wird: DANCE AROUND THE WORLD, ROMA von Alfonso Cuaron endlich den HANNI UND NANNI Filme gebracht.