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Diana Adams
Finding Aid to the Historymakers ® Video Oral History with Arthur Mitchell
Checklist for "DA 335: Dance & Society II" with Assistant Professor of Dance Jason Ohlberg the Frances Young Tang
The Balanchine Trust: Dancing Through the Steps of Two-Part Licensing
East by Northeast the Kingdom of the Shades (From Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena
Exegesis for Phd in Creative Practice SVEBOR SEČAK Shakespeare's Hamlet in Ballet—A Neoclassical and Postmodern Contemporary Approach
In 1968, at the Height of the Civil Rights Movement, Arthur Mitchell Founded Dance Theatre of Harlem. His Vision Remains One Of
DOCTORAL THESIS the Dancer's Contribution: Performing Plotless
Michael Langlois
Dorathi Bock Pierre Dance Collection, 1929-1996
The Nutcracker and the Mouse King” in the United States
Dance Theatre of Harlem: in Conversation with Brenda Dixon Gottschild
AMERICA DANCING This Page Intentionally Left Blank AMERICA DANCING
THE PATIENT IS BREATHING Again
DANCE for a CITY: FIFTY YEARS of the NEW YORK CITY BALLET New-York Historical Society Exhibition Curated by Lynn Garafola April 20 - August 15, 1999
Milestone Move: Oregon Ballet Theatre Debuts "Napoli"
1 Critical Race Theory, Gender, American Modern
Arthur Mitchell PIONEERING B
The Music Center's Study Guide to the Performing Arts
Top View
MURGA-CASTRO 2018 Dorothea Tanning Y El Ballet.Pdf
Choreographer in His Element
The Intimate, Habitable Poetics of Frank O'hara
American Movement: in the Steps of a National Style of Dance by Megan
An Analysis of Various Texts in Balanchine's Agon: Continuity And
The Balanchine Dilemma: “So-Called Abstraction” and the Rhetoric of Circumvention in Black-And-White Ballets
Teacher's Guide for Dance Theatre of Harlem
RACE and GENDER in the BROADWAY CHORUS by Kellee
Mitchell, Arthur