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Daniel Hopfer
Empire of Prints. the Imperial City of Augsburg and the Printed Image In
Unequal Lovers: a Study of Unequal Couples in Northern Art
Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
Mildred Lane Kemper Art Museum Washington University in St. Louis Sam Fox School of Design & Visual Arts
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Sebald Beham: Entrepreneur, Printmaker, Painter
The Renaissance of Etching
Engraving and Etching; a Handbook for The
Historical Armor a Picture Book
Berlin & Leipzig
Italian Art at the Utah Museum of Fine Arts (UMFA) Spans Several Centuries, from the Late 1300S to the 1900S
Printmaking in Early Modern Europe
Proverbs in Early Sixteenth-Century Woodcut Illustrations
National Gallery of Art Presents First U.S. Exhibition to Explore Renaissance Augsburg's Rich Traditions and Innovations in Works on Paper
Title Albrecht Dürer's the Desperate Man: Fleeting Images and The
Contamination and Purity in Early Modern Art and Architecture
November 2010 Newsletter
Engravings and Their Value : a Guide for the Print Collector
Top View
Dürer to Goya: Three Centuries of Printmaking from the Needles Collection
Text and Image in Northern Renaissance & Baroque Prints
Fall/Winter 2014/15 Cutting-Edge Art in the Sixteenth Century on VIEW Imperial Augsburg: Renaissance Prints and Drawings, 1475–1540 September 19 – December 14, 2014