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DEFA
Our Own James Bond for Eyes Only 19.06.13 16:36 1 Seite 16:36 19.06.13 Only Eyes Our Bond for Own James Co-Authoring the Script, Suggested Asking Harry Thürk
GDR Films Various Authors
Copyright by Sebastian Heiduschke 2006
DEFA Directors and Their Criticism of the Berlin Wall
Mediatized Indians in Socialist Hungary: Winnetou, Tokei-Ihto, and Other Popular Heroes of the 1970S in East-Central Europe
Cold War Rivalry and the Perception of the American West
Auf Dem Weg Nach Ostern Medienliste
Introduction
Cold War Rivalry and the Perception of the American West
LEUCHTKRAFT N Editorial: 20 Jahre DEFA-Stiftung Jeder Tag Ein Abenteuer
STRENG GEHEIM GDR 1962/63 Spy Film
Reports and Announcements Various Authors
In Animation Film Everything Is Possible. Fairies, Witches, Wizards, Ogres and Other Figments of the Imagination Bring a Fairytale Universe to Life
N E W S L E T T
Sorbischer Film
Friday Film Fest Series Der Untertan
DEFA's Afterlife in Unified Germany1 Sebastian Heiduschke, Oregon
Annette Deeken Wenn Man Doch Ein Indianer Wäre, Gleich Bereit
Top View
Engendering the GDR: DEFA Cinema 1956-1966
A Photogenic Set Design
Tracing an Absence of Jewish Survivors
Die Bedeutung Der DEFA Film Library Im Ostdeutschen Erinnerungsdiskurs
Setting the Scene in Prague • Beethoven Duet • a DVD Release by the DEFA Film Library Setting the Scene in Prague the Flying Dutchman 06.05.14 08:12 Seite 2
GDR Cinema As Commodity: Marketing DEFA Films Since Unification
Here / and If He Does / the Devil Will Take Him Off.”
Depictions of Daily Life in the East German Cinema, 1949–1989 the Joshua Feinstein Triumph of the Ordinary
L'adaptation Cinématographique Du Roman De Heinrich Mann Der
DEFA's Positive Heroes
The Gay and Lesbian Movement in East Germany.Indd
Der Untertan – Reflex Und Reaktion. Staudtes Filme Im Unmittelbaren Nachkriegsdeutschland
DEFA FILM LIBRARY [East] German Cinema & Beyond Since 1993
Zeige Mir, Wie Du Wohnst Und Ich Will Dir Sagen, Wer Du Bist
Race in the DEFA Film 'Osceola'
Kurt Maetzig's Das Kanninchen Bin Ich: Lessons from A
Historical Sketches of the DEFA Film Studios
Re-Imagining East German Cinema
1. German Cinema and the Neoliberal Turn : the End
Berlin Chapter Iv
Film Censorship in a "Clean State": the Case of Klein and Kohlhaase’S Berlin Um Die Ecke 1