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Cornelis van Haarlem
CORNELIS CORNELISZ. VAN HAARLEM (1562 – Haarlem – 1638)
Reserve Number: E14 Name: Spitz, Ellen Handler Course: HONR 300 Date Off: End of Semester
The Unification of Violence and Knowledge in Cornelis Van Haarlem’S Two Followers of Cadmus Devoured by a Dragon
Mars and Venus Surprised by Vulcan
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
Center 5 Research Reports and Record of Activities
In 1590, the Dutch Painter and Printmaker Hendrick Goltzius (Fig. 1)
Jaarverslag 2013
Mlincoln Thesis Formatted
Supported by the Vereniging Rembrandt Dutch Museum Acquisitions (2015–19) Supported by the Vereniging Rembrandt
Codart Courant 8/June 2004
Dutch Masterpiece by Cornelis Van Haarlem Donated to Worcester Art Museum by Collector Hester Diamond
Opening Reception: Tuesday, January 29, 6–8Pm January 30–April 12, 2019 19 Place De Longemalle, Geneva
Michael Sweerts (1618-1664) and the Academic Tradition
A Quest for Beauty and Meaning
Cornelis Cornelisz. Van Haarlem
HNA April 2014 Cover.Indd
Reputation and Rivalry the Still Life Painter Pieter Claesz and His Competition in Haarlem
Top View
Art at Auction in Th Century Amsterdam
Rivalry in Rendering Violence
May 2002 Newsletter
Prints and Biblical Illustrations, Incorporating Their Subjects and Motifs Into His Paintings
The Frans Hals Museum Presents 'The Dutch Michelangelo', Cornelis Van Haarlem, with Audio Tour by Imagineear
Art and Religion in Karel Van Mander's Oeuvre God and the Gods in the Schilder-Boeck
The Painting Technique Offour Paintings Hy Hendrick Goltzius and the Introduction Ofcoloured Ground
Goltzius, Holy Family
Courant 8/June 2004
November 2015 Newsletter