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Contralto

  • A Comparison of the Alto Voice in Early and Modern Opera

    A Comparison of the Alto Voice in Early and Modern Opera

  • The Voice and Singing Sample Pages.Pdf

    The Voice and Singing Sample Pages.Pdf

  • A Countertenor's Reference Guide to Operatic Repertoire

    A Countertenor's Reference Guide to Operatic Repertoire

  • OPERA GLOSSARY – the CULTURE CONCEPT CIRCLE Aficionado - a Devoted Fan Or Enthusiast

    OPERA GLOSSARY – the CULTURE CONCEPT CIRCLE Aficionado - a Devoted Fan Or Enthusiast

  • Voice Types Are Soprano, Mezzo Soprano, Tenor and Baritone

    Voice Types Are Soprano, Mezzo Soprano, Tenor and Baritone

  • Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of

    Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of

  • Composing for Classical Voice Voice Types/Fach System

    Composing for Classical Voice Voice Types/Fach System

  • Contralto: Rossini, Gautier and Gumilyov1

    Contralto: Rossini, Gautier and Gumilyov1

  • An Analysis and Discussion of Zwischenfach Voices by Jennifer

    An Analysis and Discussion of Zwischenfach Voices by Jennifer

  • Turandot: Good to Know 5 Production Information 6 Synopsis 7 the Principal Characters 9 the Principal Artists 10 the Composer 11 Turandot the Librettists 12

    Turandot: Good to Know 5 Production Information 6 Synopsis 7 the Principal Characters 9 the Principal Artists 10 the Composer 11 Turandot the Librettists 12

  • SOLOISTS, CONDUCTORS, CHORUS MASTERS, 1873–Present

    SOLOISTS, CONDUCTORS, CHORUS MASTERS, 1873–Present

  • Voice Classification in Opera and the German Fach System

    Voice Classification in Opera and the German Fach System

  • Download Press

    Download Press

  • Vocal Health and Repertoire for the Dramatic Mezzo-Soprano

    Vocal Health and Repertoire for the Dramatic Mezzo-Soprano

  • Defining the Contralto Voice Through the Repertoire of Ralph Vaughan

    Defining the Contralto Voice Through the Repertoire of Ralph Vaughan

  • Study Guide 2019-2020 Season

    Study Guide 2019-2020 Season

  • Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss

    Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss

  • Vocal Pedagogy Resources - Print

    Vocal Pedagogy Resources - Print

Top View
  • Voice Types of Opera Villains: Collaborative Study of Vocal Tessituras of Villains and Heroes in Opera Michael Cantrell University of Nebraska at Kearney
  • Opera Ensemble Cedarville University
  • German Opera and Operetta at the New Orleans National Theatre, 1866--1878
  • Contralto Marian Anderson As Goodwill Ambassador Jolie Rocke University of Connecticut - Storrs, Jolie.Rocke [email protected]
  • Male Treble Roles in Handel's Operas
  • Frequently Asked Questions
  • Where Have the Great Big Wagner Voices Gone?
  • Opera Vocabulary
  • Opera for Beginners 1 Guidebook
  • Voice Classification and Fach: Recent, Historical and Conflicting Systems of Voice Categorization
  • Expanding Definitions of Woman
  • Opera Voices
  • A Sampling of Repertoire for Solo Voice and Orchestra
  • Contrabass Bass Baritone Tenor Countertenors Contralto Alto
  • Technique for the Developing Dramatic Soprano
  • The Mezzo-Soprano Voice
  • A Brief Discussion on Problems and Countermeasures of the Vocal Singing Modes in Opera
  • Transcending Fach: a Search for Identity Inside and out of Mezzo-Soprano Repertoire


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