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Claude Lorrain

  • Eighteenth-Century English and French Landscape Painting

    Eighteenth-Century English and French Landscape Painting

  • Key to the People and Art in Samuel F. B. Morse's Gallery of the Louvre

    Key to the People and Art in Samuel F. B. Morse's Gallery of the Louvre

  • Full Press Release

    Full Press Release

  • Studio Notes: Why Classical and Contemporary Paintings Look So Different?

    Studio Notes: Why Classical and Contemporary Paintings Look So Different?

  • Observing Protest from a Place

    Observing Protest from a Place

  • THEMATIC TOURS This Itinerary Has Been Possible on Account of the Collaboration Of

    THEMATIC TOURS This Itinerary Has Been Possible on Account of the Collaboration Of

  • Coast View with the Abduction of Europa, Lorrain

    Coast View with the Abduction of Europa, Lorrain

  • To Rome and Back: Individualism and Authority in Art, 1500–1800

    To Rome and Back: Individualism and Authority in Art, 1500–1800

  • Master Drawings from the Courtauld Gallery

    Master Drawings from the Courtauld Gallery

  • Bachelor of Science in Art History and Theory Thesis Claude Lorrain's Great Escape

    Bachelor of Science in Art History and Theory Thesis Claude Lorrain's Great Escape

  • Claude Lorrain: an Old Man on the Sea Shore

    Claude Lorrain: an Old Man on the Sea Shore

  • Louise Josephine Sarazin De Belmont: Her Inspirations and Innovations Alexandria Samantha Guillory Louisiana State University and Agricultural and Mechanical College

    Louise Josephine Sarazin De Belmont: Her Inspirations and Innovations Alexandria Samantha Guillory Louisiana State University and Agricultural and Mechanical College

  • Seventeenth-Century Italian Painting

    Seventeenth-Century Italian Painting

  • The Landscapes of Gaspard Dughet: Artistic Identity and Intellectual Formation in Seventeenth-Century Rome

    The Landscapes of Gaspard Dughet: Artistic Identity and Intellectual Formation in Seventeenth-Century Rome

  • Presskit Poussintodavid.Pdf

    Presskit Poussintodavid.Pdf

  • Art UIL { Baroque Art Baroque Era 1600-1750 • Religion Was Not As an Important Focus in Art

    Art UIL { Baroque Art Baroque Era 1600-1750 • Religion Was Not As an Important Focus in Art

  • Claude Lorrain's Pastoral Landscape (1645) at the Barber Institute

    Claude Lorrain's Pastoral Landscape (1645) at the Barber Institute

  • Claude Lorrain—The Painter As Draftsman: Drawings from the British Museum! May 27, 2007 - August 12, 2007

    Claude Lorrain—The Painter As Draftsman: Drawings from the British Museum! May 27, 2007 - August 12, 2007

Top View
  • The Kunsthaus
  • 1941 Painting Today and Yesterday in the US (June 5-September 1)
  • Old Master & British Paintings Evening Sale
  • Picturing France 1830-1900
  • LANDSCAPE DRAWINGS in the FRICK COLLECTION June 9 Through September 13, 2015
  • Dissecting Landscape Art History with Information Theory
  • The Pastoral Landscape the Legacy of Venice the Modern Vision Press
  • The Dutch Italianates
  • 1 Musical Instruments in Western European Art an Iconographical
  • The Landscape Re-Imagined
  • Making Connections with Art: Landscape
  • The Influence of Claude Lorrain's Etchings on England
  • Etching Description Contextual Information Vocabulary Artist's
  • Dispelling the Myths Surrounding Nineteenth-Century British
  • Artists by Exhibition, 1903-1993
  • The Site of Rome
  • Among the Arboreal: Herman Van Swanevelt, Trees, and the Early Modern Landscape
  • Archived Press Release the Frick Collection


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