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Classical unities
Greek Theory of Tragedy: Aristotle's Poetics
“From Strange to Stranger”: the Problem of Romance on the Shakespearean Stage
Writing Emotions
“A Me Non Venderà Egli Vesciche”: Questionable Medici and Medicine Questioned in Machiavelli’S Mandragola
Online Lecture Note from Dr. Anita Ghosh; HOD Department of English
Neoclassical Theatre
Monika Turner
The Representation of Domestic Servants in Eighteenth-Century Spanish Theatre
THE STRANGE and the FAMILIAR SHAKESPEARE AS a POINT of ANGLO-GERMANIC CULTURAL EXCHANGE a Thesis Presented to Th
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Paper 2 Classical and Neo-Classical Critical Theories
A Day in the Life of a Hero: the Three Unities in C.S. Lewis's Neo-Classical Romance Joe R
Modern Dramatic Tragedy and Aristotle's Poetics: a Comparison
Autonomous), Thanjavur- 613007 Department of English Iii Ba English Literature Title of the Paper – Literary Criticism : Aristotle to T.S.Eliot Subject Code – 18K5e09
Perception, Truth and Christ As the Causal Exemplar: a Metaphysical and Ontological Speculation of the Human Soul
Deception and Truth
The Everyday As Revisionist Content in Contemporary Westerns by Erica Stein
Postdramatic Theatre
Top View
A History of Spanish Golden Age Drama
Ben Jonson's Application of Aristotle's Concept
James Joyce's Play with Dramatic Conventions in Ulysses (1922
A Semiotic Analysis of Russian Literature in Modern Russian Film Adaptations
Sir John Davies, Orchestra Brief Chronicles VII (2016) Ii
Ben Jonson's Horatian Theory And
The Meaning of Tragedy: Literary Pattern Vs. Performance Form
Modern Saints' Plays
Combining Political Theory and Theatre History Richard A
Hiwa Michaeli Goethe's Faust and the Divan of Ḥāfiẓ
A Tale of Two Tragedies: Catharsis of Hero and City in Milton's Samson
The Fictionality of Time in Modern Tragedy
The Performance Orientation of Dramatic Texts
Plagiarism and Proprietary Authorship in Early Modern England, 1590-1640
Literary Criticism from Plato to the Present