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Charles Burney

  • Eighteenth-Century Reception of Italian Opera in London

    Eighteenth-Century Reception of Italian Opera in London

  • Susan Rutherford: »Bel Canto« and Cultural Exchange

    Susan Rutherford: »Bel Canto« and Cultural Exchange

  • Diplomats As Musical Agents in the Age of Haydn

    Diplomats As Musical Agents in the Age of Haydn

  • Operatic Reform in Turin

    Operatic Reform in Turin

  • Music in Art Xliv/1–2 International Journal for Music Iconography

    Music in Art Xliv/1–2 International Journal for Music Iconography

  • La Conversione Di Sant' Agostino by Maria Antonia Walpurgis and Johann Adolf

    La Conversione Di Sant' Agostino by Maria Antonia Walpurgis and Johann Adolf

  • Frances Burney (1752-1840) by Valerie Patten

    Frances Burney (1752-1840) by Valerie Patten

  • Viewed the Thesis/Dissertation in Its Final Electronic Format and Certify That It Is an Accurate Copy of the Document Reviewed and Approved by the Committee

    Viewed the Thesis/Dissertation in Its Final Electronic Format and Certify That It Is an Accurate Copy of the Document Reviewed and Approved by the Committee

  • The Reception of the Castrati in Early Eighteenth-Century London

    The Reception of the Castrati in Early Eighteenth-Century London

  • Blazing Baroque

    Blazing Baroque

  • Arne: Artaxerxes

    Arne: Artaxerxes

  • THE NEW STYLE of VINCI and the NEW SCIENCE of VICO According

    THE NEW STYLE of VINCI and the NEW SCIENCE of VICO According

  • The Histories of Charles Burney and John Hawkins: a Cultural Context

    The Histories of Charles Burney and John Hawkins: a Cultural Context

  • George Frideric Handel's 1749 Letter to Charles Jennens

    George Frideric Handel's 1749 Letter to Charles Jennens

  • Mozart in Italy’ – an Immersive Exploration of the 14-Year-Old Composer’S Tour of Italy in 1770 Cadogan Hall, 6-8 March 2020

    Mozart in Italy’ – an Immersive Exploration of the 14-Year-Old Composer’S Tour of Italy in 1770 Cadogan Hall, 6-8 March 2020

  • University Microfilms

    University Microfilms

  • The Secular Solo Cantatas of Thomas A. Arne (1710-78)

    The Secular Solo Cantatas of Thomas A. Arne (1710-78)

  • Gender, Genre, and Gossip in Burney's the Witlings And

    Gender, Genre, and Gossip in Burney's the Witlings And

Top View
  • Musical Institutions and Czech Identity in Nineteenth
  • Women and Music in the Venetian Ospedali
  • UNIVERSITY of LONDON THESIS J\Lv& AA
  • 1 Storace's Collection of Original Harpsichord Music As a Harbinger
  • Quantifying Music Genius, Or Handel on the Balance: a Scale of Musical Merit from 1776
  • Moods, Madness, and Music. II. Was Handel Insane? Author(S): William A
  • The Fitzwilliam Music Collection (1763-1815)
  • Representations of Monteverdi in Charles Burney's a General History
  • Interconnecting Music and the Literary Word
  • Sir Watkin Williams Wynn and the Rutgers Handel Collection*
  • Farinelli and Burney Write Music History
  • Charles Burney's Musical Tour
  • Rousseau, Burney, Hawkins
  • Luigi Marchesi: Life and Voice
  • The Evolution of Charles Burney's Musical
  • Introduction
  • Quantifying Music Genius, Or Handel on the Balance: a Scale of Musical Merit from 1776
  • Society for Eighteenth-Century Music Newsletter


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