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Carlotta Grisi
Cesare Pugni: Esmeralda and Le Violon Du Diable
Romantic Ballet
The Viewpointe May-June 2006 Single Pages.Indd
Giselle Saison 2015-2016
Marie Taglioni, Ballerina Extraordinaire: in the Company of Women
Les Ballets Trockadero De Monte Carlo
Review of Artistic Education No
Perrot-Grisi Article
T H E B a L L E T B L a N
Polkas with Rising Cadence Gestures
Giselle Media Kit
Dancing out of Line: Ballrooms, Ballets, And
Russian National Ballet
13 Russian Ballet in the Age of Petipa Lynn Garafola
PROGRAM NOTES Giselle WILLIAM INTRILIGATOR, Music Director & Conductor
THE EVOLUTION of the ROMANTIC BALLET: the LIBRETTI and ENCHANTER CHARACTERS of SELECTED ROMANTIC BALLETS from the 1830S THROUGH the 1890S
Giselle History
Ballet History PP.Pdf
Top View
The Travesty Dancer in Nineteenth-Century Ballet
P a S D E Q U a T
A "Giselle" Fan and a Neophyte Talk by Lynn Matluck Brooks and Lisa Kraus
Representations of the Dancer in the Works of Théophile Gautier
Daniel-François-Esprit Auber
Article Adam Mazerolle 8
Giselle Clil2
State Ballet of Georgia Notes.Indd
Les Ballets Trockadero De Monte Carlo
Timeline / 1840 to After 1930 / FRANCE
Marius Petipa
Marius Petipa
Timeline / 1820 to Before 1800 / FRANCE
Visages De Marbre Et D'airain
Cesare Pugni: Music from Five Ballets Ondine Esmeralda Pas De Quatre Catarina, Ou La Fille Du Bandit Théolinda, Ou Le Lutin De La Vallée