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- ARTH 16(2) Interactivity: Contemporary Art and New Media, 1975
- Collaboration and Conflict in the Fresno Feminist Art Program: an Experiment in Feminist Pedagogy Laura Meyer with Faith Wilding
- Categories of Second-Wave Feminist Performance Art
- For Your Viewing (Dis)Pleasure: Investigating Power, Bodies, and Objectification Through Performance-Based Video Art Alice E
- Bay Area Conceptualism: Two Generations Bay Area Conceptualism
- Mierle Laderman Ukeles: a History of Feminist Art and Social Change in the United States
- Diplomarbeit
- Corporeality, Subjectivity, and Empathy in Contemporary American Art Elissa Yukiko Weichbrodt Washington University in St
- Considerations on Pain and Suffering in Vestandpage's Performance
- Fleshy Politics in the Performance Art of Rebecca Belmore and Leah Lakshmi Piepzna-Samarasinha
- Mapping Intermediality in Performance Andy Lavender & Robin Nelson
- Case Study 02 Final Report: Performance Artist Stelarc
- Whatcanabodydo 1-1.Pdf
- TERRY FOX Born 1943, Seattle, WA Died 2008, Cologne, Germany
- Athey.Pagnes.In Conversation. Edited by Newman
- The Significance of a Body in Contemporary Arts
- Wall Text Labels
- Mapping Europe
- Body and Self: Performance Art in Australia 1969-1992 Was Initially Europe and North America There Has Been Written to Fill a Gap in Australian Art History
- Art and Authorship from 1945 to Present
- The Visual Culture of Twentieth Century Feminism in the United States
- Verena Stenke (*1981). Bad Friedrichshall, Germany. Lives in Neckarsulm (DE) and Venice (IT). Andrea Pagnes (*1962). Venice
- Artists Respond American Art and the Vietnam War, 1965–1975
- Hawk-Eyed and Amorphous (Buzz)
- Valie Export, Gina Pane, and Orlan: Pain, Body Art, and the Question of the Feminine
- On the Body As an Artistic Material