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Beat (acoustics)

  • Significance of Beating Observed in Earthquake Responses of Buildings

    Significance of Beating Observed in Earthquake Responses of Buildings

  • Helmholtz's Dissonance Curve

    Helmholtz's Dissonance Curve

  • Neural Tracking of the Musical Beat Is Enhanced by Low-Frequency Sounds

    Neural Tracking of the Musical Beat Is Enhanced by Low-Frequency Sounds

  • Thomas Young the Man Who Knew Everything

    Thomas Young the Man Who Knew Everything

  • Large Scale Sound Installation Design: Psychoacoustic Stimulation

    Large Scale Sound Installation Design: Psychoacoustic Stimulation

  • The Concept of the Photon—Revisited

    The Concept of the Photon—Revisited

  • PSYCHOACOUSTICS: Software Package for Psychoacoustics

    PSYCHOACOUSTICS: Software Package for Psychoacoustics

  • Musical Acoustics Timbre / Tone Quality I

    Musical Acoustics Timbre / Tone Quality I

  • The Perception of Pure and Mistuned Musical Fifths and Major Thirds: Thresholds for Discrimination, Beats, and Identification

    The Perception of Pure and Mistuned Musical Fifths and Major Thirds: Thresholds for Discrimination, Beats, and Identification

  • Discovery of Beat Cepheids in the Small Magellanic Cloud and the Effect of Metallicity on Pulsation

    Discovery of Beat Cepheids in the Small Magellanic Cloud and the Effect of Metallicity on Pulsation

  • Kindergarten

    Kindergarten

  • Demonstration of Acoustic Beats in the Study of Physics

    Demonstration of Acoustic Beats in the Study of Physics

  • The Sounds of Music: Science of Musical Scales∗ 1

    The Sounds of Music: Science of Musical Scales∗ 1

  • Length of Monochord: 1 Rneter (100 Cm) in Length, This Length Gives Sustancial Tone for an

    Length of Monochord: 1 Rneter (100 Cm) in Length, This Length Gives Sustancial Tone for an "A"110 Or "G'098. It A

  • Genevieve Mathieson

    Genevieve Mathieson

  • 16 Jun 2005 Physical Consonance Law of Sound Waves

    16 Jun 2005 Physical Consonance Law of Sound Waves

  • Correlation Between the Frequencies of Harmonic Partials Generated from Selected Fundamentals and Pitches of Supplied Tones

    Correlation Between the Frequencies of Harmonic Partials Generated from Selected Fundamentals and Pitches of Supplied Tones

  • Overtone Singing: History, Development, and Influence in Contemporary Music

    Overtone Singing: History, Development, and Influence in Contemporary Music

Top View
  • Musical Acoustics Research Library (MARL) M1711
  • Title: Human Sperm Steer with Second Harmonics of the Flagellar Beat
  • Instruments of Music Theory
  • The Beat Cepheids in the Magellanic Clouds: an Analysis from the EROS-2 Database,
  • The Physics of Music and Musical Instruments
  • Why Does the Meter Beat the Second?
  • Waves, History and Applications
  • Musical Acoustics Pitch & Frequency
  • A Psychophysical Study of the Perception of Consonance and Dissonance
  • Psychoacoustic Approaches for Harmonic Music Mixing †
  • Beat Theories of Musical Consonance
  • Marin Mersenne: Educator of Scientists
  • Student Assessment Rubrics
  • PHY140-Spring-2007-01-Oscillations.Pdf
  • A Timely Musical Discourse, Or a Music Treatise from Lost Times, Part I
  • Visualizing Acoustical Beats with a Smartphones
  • The University of Connecticut
  • Musical Notation Terminology


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