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Bass arpeggiation
Further Considerations of the Continuous ^5 with an Introduction and Explanation of Schenker's Five Interruption Models
Wadsworth, Directional Tonality in Schumann's
Structural and Ornamental Diatonic Harmony in Western Music, C.1700 – 1880
Prolongation of Seventh Chords in Tonal Music, by Yosef Goldenberg
Structural Analysis Through Ordered Harmony Transformations in the Early Works of Arnold Schoenberg
Carl Schachter's Critique of the Rising Urlinie
A Wagnerian Ursatz; Or, Was Wagner a Background Composer After All?
Schenker's Conception of Musical Structure Author(S): Allen Forte Source: Journal of Music Theory , Apr., 1959, Vol
Why I Am Not a Schenkerian
The Cognitive Reality of Prolongational Structures in Tonal Music
Basic Concepts and Principles in Modern Musical Analysis
Schenker's Leading Linear Progressions
ANALYSIS of TONAL MUSIC: a Schenkerian Approach THIRD EDITION
A Structural Approach to the Analysis of Rock Music
Unraveling Schenker's Concept of the Auxiliary Cadence 161
The Problem of Prolongation in Post-Tonal Music Author(S): Joseph N
MTO 18.4: Goldenberg, the Interruption-Fill and Corollary
5~79 //£/ Applications of Reductive Analytical
Top View
Challenges to Classical Foreground Structures in the Music of Gustav Mahler
A Diminished-Seventh Bassbrechung: Tonal Ambiguity and the Prolongation of Function in Edward Elgar’S String Quartet, 1St Movement
Drafts, Page Proofs, and Revisions of Schenker's
Prolongation in Post-Tonal Music: a Survey of Analytical
To View/Download Sample Questions from Past Exams
Counterpoint of Lines Or Voices Mart Humal
Schenker's Leading Linear Progressions
Part I: a Nighttime Trilogy for Saxophone and Piano A
31295002538063.Pdf (5.170Mb)