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Art theft
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
How to Plan a Successful Art Heist: a College Student's Contingency
Los Angeles Police Department
The Other Art World
Applying a Strict Discovery Rule to Art Stolen in the Past Tarquin Preziosi
An Avenue for Fairness: Disclosure-Based Compensation Schemes
The Nazi Art Theft Problem and the Role of the Museum: a Proposed Solution to Disputes Over Title
Prudent Provenance - Looking Your Gift Horse in the Mouth
The Gardner Heist: the True Story of the World’S Largest Unsolved Art Theft by Ulrich Boser
Redalyc.Pablo Picasso, Art Thief: the “Affaire Des Statuettes” and Its Role
The Criminal Dynamics of Art Crime in the European Union
NGA | 2012 Annual Report
Art Theft, Art Vandalism, and Guardianship in U.S. Art Institutions
Criminal and Victim Profiles in Art Theft: Motive, Opportunity and Repeat Victimisation Simon Mackenzie, Dept of Criminology, Keele University
Art's Most Popular: Exhibition and Museum Visitor Figures 2018
To Catch an Art Thief: Using International and Domestic Laws to Paint Fraudulent Art Dealers Into a Corner
Wakeup Call for a Uniform Statute of Limitations in Art Restitution Cases, A
Pablo Picasso, Art Thief: the “Affaire Des Statuettes” and Its Role in the Foundation of Modernist Painting
Top View
The Aftermath of Nazi Art Looting in the United States and Europe: the Quest to Recover Stolen Collections
Art Vandalism and Guardianship in US Art Institutions
An Avenue for Fairness: Disclosure-Based Compensation Schemes for Good Faith Purchasers of Stolen Art
The Business of Art Theft: Assessing Auction House Standard of Care and the Sale of Stolen Cultural Property
Stolen Art and the Art Loss Register
How the Theft of the Mona Lisa Made It the World's Most Famous Painting by Terence Mcardle October 21, 2019 — 2.33Pm
Pablo Picasso, Art Thief: the “Affaire Des Statuettes” and Its Role in the Foundation of Modernist Painting
Framing Art Vandalism: a Proposal to Address Violence Against Art M.J
In the Dark, All Art Dealers Are Grey: Discretion and Rationalisation in the Munch Art Market
Elizabeth Taylor's Van Gogh: an Alternative Route to Restitution of Holocaust Art? Stephen K
Motives of Art Theft: a Social Contextual Perspective of Value Marion Johnston Wylly
Patterns of Fine Art Theft in the United States
The Economics of Art Thefts: Too Much Screaming Over Munch’S the Scream?*