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Andrew Lamb (writer)
Early 20Th-Century Operetta from the German Stage: a Cosmopolitan Genre
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
3 Oskar Nedbal – Nástin Života a Díla
Curriculum Vitae
History Repeating Itself
ABSTRACT Developments in Viennese Operetta in Johann
Gustav Mahler's Third Symphony
Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant
Performing Masculinity in Johann Strauss's Die
Appendix 1 Productions of Operetta from the German Stage on Broadway and in the West End, 1900–1940
Viaje Y Aclimatación De La Opereta Europea En España
The Comic Operas of John Philip Sousa
A Survey of Professional Operatic Entertainment in Little Rock, Arkansas: 1870-1900 Jenna M
Turn of the Century British Musical Comedy in an American Performance Library Victoria Peters University of Wisconsin-Milwaukee
Alice May: Gilbert and Sullivan's First Prima Donna
The Musical Theater Style of Jason Robert Brown
THE ARTIST and the ENTERTAINERS: EMMANUEL CHABRIER and HIS IMITATORS by MARY HELEN STILL (Under the Direction of Dorothea Link)
Introduction
Top View
DOROTHY a Pastoral Comedy Cullagh • Mears • J.I
Offenbach's Operetta As Performance Practice
A Selective Study of the Art Songs of Franz Lehár Amy Nielsen
J & J LUBRANO MUSIC ANTIQUARIANS Musical
American & English Opera, Operetta, & Vocal Music
Operetta: a Sourcebook