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Amanda Strydom
2020 Annual Report Testifies to Much Resilience and Innovation, Yielding Improvement in 18 Key Performance Indicators of at Least 5% When Compared to 2019 (Table Xx)
Sounds of Young Afrikaners
Die Liedtekste Van Bok Van Blerk, Fokofpolisiekar, the Buckfever Underground En Karen Zoid
The Dynamics of the Interaction Between Music and Society in Recorded Popular Afrikaans Music, 1900 – 2015
FIN Laurika-Verdana-Version-Of
Welkom by Ons Us Woordfees: 6 – 15 Maart 2015
FACULTY of HUMANITIES Fakulteit Geesteswetenskappe Lefapha La Bomotho
A Critique of the Survival Anxieties That Inform South African Discourses About Western Art Music
37633 19-5 Legalbp1 Layout 1
Kabaret in Suid-Afrika: Kabarett of Cabaret ?
Reshaping Remembrance
Die Pad Van Vernie February (1938-2002) February, V.A
Liminality, Transformation and Communitas Afrikaans Identities As Viewed Through the Lens of South African Arts Festivals: 1995 – 2006
Bearing Whiteness
1 from Voëlvry to De La Rey: Popular Music, Afrikaner
Laurika Rauch Extended Biography February/March 2020
Johannes Kerkorrel En Postapartheid- Afrikaneridentiteit
CV Bridget Rennie-Salonen Feb 2021
Top View
Narrative and Structural Characteristics of South African One-Person Musicals
Page HELENA HETTEMA ACTRESS, SINGER, SONGWRITER
SAMA Calls for Judicial Review of Compensation Fund Free Resources for SA Doctors
Mar 2011 on Song
CV Bridget Rennie-Salonen Feb 2021