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Aljean Harmetz
The New School, Everybody Comes to Rick's
MEMORY of the WORLD REGISTER the Wizard of Oz
Ancient Tragedy, Echoed by a Chorus of Veterans - the New York Times
RFC's Library's Book Guide
“He'll Just Be Paul Newman Anyway”: Cinematic Continuity and the Star
Wizard of Oz Release
Children's Horror, PG-13 and the Emergent Millennial Pre-Teen
“The Creative Producer”: John Hughes, Synergy and Late 1980S Hollywood
Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St
“Broadway & Musicals” Showcase
Columbia Pictures: Portrait of a Studio
I-Xiv Kernan FM
American Exceptionalism in the Film Industry of the Middle Twentieth Century Bryan Everett University of North Georgia,
[email protected]
Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982
Why Hollywood Doesn't Make X-Rated Movies
Cinema's Unstable Texts
Film Technology, Adaptation, and a History of the Hollywood Novel, 1920-1950
PATRIARCHY and the WIZARD of OZ by Andrea J. Chalfin This Paper
Top View
'The Wizard of Oz' to 'Wicked': Trajectory of American Myth
United Artists
IPG Spring 2020 Film Titles - January 2020 Page 1
DICK GUTTMANMAN Pupubublicisti Rreedd Carrpet Bacack Stagagee Ppresss Rrorooommss Dick Guttman
The Critical Eye: Re-Viewing 1970S Television
De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta As Urban Superhero
UCLA Electronic Theses and Dissertations
The Essential Science Fiction Television Reader
The Golden Era of Hollywood: the Akm Ing of the Wizard of Oz and Gone with the Wind Kalie Rudolph Chapman University