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Alan Sepinwall

  • Binge-Reviews? the Shifting Temporalities of Contemporary TV Criticism

    Binge-Reviews? the Shifting Temporalities of Contemporary TV Criticism

  • Netflix and the Development of the Internet Television Network

    Netflix and the Development of the Internet Television Network

  • Preston Sturges Authenticity of the Image and of Testimonial “In-Person Reenactment” from Familiar and Big Time

    Preston Sturges Authenticity of the Image and of Testimonial “In-Person Reenactment” from Familiar and Big Time

  • The Seven Dirty Words You Should Be Allowed to Say on Television

    The Seven Dirty Words You Should Be Allowed to Say on Television

  • OCTOBER 2017 PRESIDENT's MESSAGE Melissa Tice We Kicked

    OCTOBER 2017 PRESIDENT's MESSAGE Melissa Tice We Kicked

  • Quality TV As Liberal TV

    Quality TV As Liberal TV

  • 10 / National Identity and Global Television: Re-Making Australia's

    10 / National Identity and Global Television: Re-Making Australia's

  • Criminal Procedure, the Police, and the Wire As Dissent

    Criminal Procedure, the Police, and the Wire As Dissent

  • TV (The Book): Two Experts Pick the Greatest American Shows of All Time Free

    TV (The Book): Two Experts Pick the Greatest American Shows of All Time Free

  • Texture, Realism, Performance: Exploring the Intersection of Transtexts and the Contemporary Sitcom

    Texture, Realism, Performance: Exploring the Intersection of Transtexts and the Contemporary Sitcom

  • VIFF Forum and the Directors Guild of Canada “Breaks Bad” with Director Michelle Maclaren for Immediate Rele

    VIFF Forum and the Directors Guild of Canada “Breaks Bad” with Director Michelle Maclaren for Immediate Rele

  • James Gandolfini Last Will and Testament

    James Gandolfini Last Will and Testament

  • Complex Narrative Escalation in AMC's

    Complex Narrative Escalation in AMC's

  • "The Strong, Silent Type": Tony Soprano, Don Draper, and the Construction of the White Male Antihero in Contemporary Television Drama

  • Mad TV: a History of Mental Illness on Narrative American Television By

    Mad TV: a History of Mental Illness on Narrative American Television By

  • Critically Acclaimed and Cancelled: FX's the Bridge, Cable Channel As

    Critically Acclaimed and Cancelled: FX's the Bridge, Cable Channel As

  • A Night of Love Songs to Benefit WHS Choir Continuo Arts

    A Night of Love Songs to Benefit WHS Choir Continuo Arts

  • Critically Acclaimed and Cancelled

    Critically Acclaimed and Cancelled

Top View
  • Sleeping with the Television On: How Popular Culture Content Implicitly Informs Political Reality
  • Cultural Criticism
  • The Reemergence of NBC's Must-See TV in the Streaming Era
  • Invocations of Feminism: Cultural Value, Gender, and American Quality Television
  • Therapy and the Sopranos
  • The Sopranos
  • Alan Sepinwall, the Revolution Was Televised: the Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever, New York, NY: Touchstone, 2013, $16.99 (Paperback)
  • Television As New Media: Post-Network Reception Practices and the Splintering of the Mass Audience
  • Review: Alan Sepinwall, the Revolution Was Televised
  • Download Sepinwall on Mad Men and Breaking Bad: an Eshort from the Updated Revolution Was Televised PDF
  • Looking at Damon Lindelof and the Television Auteur
  • Meditations in an Emergency: E Trouble with AMC


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