Lime Rock Gazette

Total Page:16

File Type:pdf, Size:1020Kb

Lime Rock Gazette •——rvRMstten------ ---------SuISSCTUrTJON--------- J O II N P O R T E R . ONE DOLLAR FIFTY I TS. A I0WM3OB, 3JMV0TKB TO M fSB A W & X AW» VOLUME V. EAST THOMASTON, MAINE, THURSDAY MORNING, MAY 24, 1819. NUMBER XVIII, — T'.~~ .. ~~ ■ rr: r-?—. ' _ t y \ . t .......................... i . T H E M U S E . thirst for knowledge, had deeply interested ‘dding, little brown curls of her grand-,laughter, who, aye, fascinated him, and the three Autumn ed Iter brother, sat in theirea«y chairs, Harrington held n book , linrd bread, after which wr spread our blmt- our sweetest gongs ere those that tetl o f sad­ springing from her sent,threw her nrms about mouths had passed sw iftly on, and lie hnd j 111 Ilis band. Jessie sat by bis side, nttd Evelyn kets on the ground mid “ turned in, ” the blue dest thought. (iray, I believe. Tite young lady's name : Iter companion’s neck, exclaiming, opened many springs of knowled to Iter is Vernon,— w hy do you start, Ernest. How- 1 and Alien were drawing. expanse above, serving us lorn covering.— Cheer Up. •Dear grandma, forgive me, for 1 do love wondering mind. mi are,’ mid site sprang to his sitli Jessie smiled mid begged Io bear, so Evelyn lly day-brenk. we were again on our jo u rn e y. you very dcnrly.’ Never go gloom)-, man with a mind; Hut now winter, with his snowy sceptre irnest could not but smile as lie pushed Iter ’" ’g ""- Three years ago, my brother Ernest , not reaching Gorgona till Saturday follow ing Hope is n better companion than fear; I At a little distance stood two men, wnteh- wns approaching, mid Ernest felt that he must gently away and said, *1 have not quite re- RPc"t mouths among the White —making in all, three days and nights ns- Providence, ever benignant and kind, ing earnestly this scene in the cottage door.— return to his city home. coct red from my illness, Eva, mid I am rather , Mountains ol Notv Hampshire, lie rcttlFhcd rending tite river. 1 lie first thirty miles, is Gives with a smile what you take with a tear; ' ^'u elder o f the tw o was Jacob G rey, who, ‘W ill you keep litis to remember me hv, fatigued. 1 feel quite interested in these new o f a lovely young girl In; had met there free from shoals mid snags, lin t the last th irty All will be right; when he saw his wifo in tears, rushed tow- Jcssic?’ he asked ns he placed a ring upon •uri>-vpls. W ill you not tell me more about j "horn lie intended to bring home tite next i is very tind on account of tite shoals, Look to the light; , arils her, exclaiming, Iter finger, the morning Ito left tite cottage.— i l f ^ , w hile 1 lie on the sofa ?' summer its his bride. By tite way Ernest, nnrruws fee. The width of thh river will m- ! ‘Deborah, wluit is the matter? Jessie, toll Yes, the young Indy ns I told von before, | " l,-V tl1'1 ",,t "H -vo" 'I'rentcned? Hid Morning is ever the daughter of night; Jessie answered not, lint bursting into tears rnge about forty yards, mid tite elearest wa- All that was black w ill be all that is bright, me, quickly.’ left the room without saying farewell. , is Very lovely, so spiritua l, so graceful, so gen- -v,’ " r H nr, ‘»g'<’» rise up Io prevent you ' Inr | PVPr „ „ „ . Tbe natural beatitv and ‘Nay, Evil, when I reached the cage, thejsccncrv of Chccrly, chccrly, then? cheer up! Jessie turned nt the sound of her grandfath­ lie. Her face is very pale, and though site er’s voice; hut meeting tire earnest guze o f CHAPTER III. bird hail flown. Do go on w ith your story, I Many a foe is n friend in disguise; - lias a sweet smile ever ready for either grand cn.initEs nivEn his young com panion, who had advanced and ‘Deborah, I have a letter to rend to you Jessie is much interested.’ Many a sorrow a blessing most true, pni i-nt yet the general expression o f Iter conn-1 lias tint, nor never can lie truthfully described, stood leaning on the gate, her face suffused and Jessie;’ and tile old lim iter snt down in W ell, ns I was telling you, be was Very Ilclp ingthc heart to be happy and wise, tciumcu is sad. Then those large, dark brown ' lor language is wanting in words to convey his arm -chair, wiped his spectacles, and began much fascinated bv this charming little bnrit- W ith lore ever precious and joys ever new w ith crim son, and w ith o u t speaking she ' eves tiro so full o f expression and deep thought I to the imagination, tho real liemtty of its to read aloud as follow s: .. , , . .. , . i looted country g irl, ami it was only the after- Stand in the van; sprang into the cottage, and, shutting herself turn never tires ol looking at them tint il site' , , . scenery. From the edge of the water, bnck 1 noon before he met you for the fust time in Strive like a niatt; into her little room, hurst into n fresh flood “ Mr.. Jacor Grey, finds herself observed, she veils them quickly . , . , , , , , , , , on tite banns ns far ns tite eye can extend, is i_,„ , , , , , , , the evening, be repented, 1 should oleilge, for This is the bravest mid cleverest plan; o f tears. Silt Samuel Grey, Esq., of —-— l-” ' In-in-mb Iter long lashes, w hile a taint blush . , ......... ...... .. one complete mnss o f in xtiran t folinge, stud- ly deceased, bequeathed ins whole form tin: ninety-flint II time, Ins resolution of never , , , „ , __ , , . ... , ,, , Trusting in God, while volt do what you can, Mrs. Grey wiped her eyes on tite corner of . J , ... ,, '"‘il ami overloaded w ith [eaves, flowers nttd mounting to nbout five hundred thnusniiil dollar . I marrying any other but iter.V 1 enrsofjoy till- <•:. 'i«t.„ i . i. e .i • Chccrly, chccrly, then! cheer up: Iter cheeked apron, mid smiled one of her to you. You aro requested Io come mid take arc said to he very wealthy indeed, she is their ® J • Irtlit. I he banks o f the rive r rise from ten ' ed tite beautiful eyes ol Jessie us she lo o k e d ............... e . i <• , own gentle, loving smiles, ns she said simply. voUr csmle ''"m ediately. Inclosed repu,C(j heiress, so 1 presume site w ill l.e tite • . , , to twenty feet above (be surface, ut a gradun- 1500 for present use. eonfidentlv m the face of her husband, and ‘ O ur Jessie has been w ishing for a mother, Von re, respect fit lly, star o f the season. Hut now Ernest I shall ..steep slope, well covered with vegetation, and wits sad, poor orphan!’ NOGG & I-'OGG, Alt'ys at Law. leave you to dream of tite fair maiden, for I Eve suddenly exclaimed, ‘now brother what S() nVerlon(|C(I, ns t...uise thp An intellectual repast, composed of the choicest was that g irl’s name? M y story is incompleie :|in i, iS ()f sonw n|i(, tops ()f ot,lor;() |Q ,)en(| Jacob drew Jtis bard, bony hand across bis Mrs. Grey wns stupifled for a few moments, want you to be rested in season to seek Iter, ‘viands’ of the Literary market. without it, and Jessie will wish to hear.’— ‘ , , . eyes; nnti stooil silent for a moment by the and Jessie could not ltnve been more aston­ with ns, in the drawing rooms this evening.— ’ t , over and batlw and kiss the cfirvstal waters ‘Her name, my dear sister, was Jessie \ e r - I ... n n side of his wife; witilo the stranger could not ished had iter lirightcsl dreams of fairy land I dare venture to say that you will not once . * . , I below. Cocoa, Orange, (lUnva, Banana, Frcin the Exeter News Letter. non, and is now Jessio 1 lari ington? was the . ... but feel interested in the young girl whose think of your country beauty, while in tite , ° is amongst tho variety o f fru it trees. I.ig iiu n i- been realized. Alter the first surprise was quick reply of her brother. ... , M .. JESSE VERNON, character had been revealed to him by those over, n long conversation followed, and the 1 presence of Miss A crttoli.’ Ami Evelyn left vita! and Mahogany grow hern in great on THE few artless words of the matron, ‘Our Jessie old folks rejoiced over their good fortune.— 'be room. jnhiindiinci*, especially the latter. This river Maid of the White Mountains- has been w ishing fo r a m other, and was sail, ‘ It w ill be such mt ndvnntngo to Jessie,’ said T lie evening came soon, but not soon ORIGINAL LETTERS, is also a favorite place for wild Turkics. Tur- poor orphan 1’ enough for tiic impatient llarriugtoii. Tlie ky Buzzards, Parrots, Monkies and Tigers; IIY “ COUSIN EMMA. ” they. It was a linrd task, however, to sever Ernest Harrington was perhaps twenty- spacious drawing rooms were brillinntly light­ Gleanings from lie - .loiirn.il of flic East Thom­ various species o f the Gat kind, are also in the dear tics which bound them to their hum­ aston and California M ining Co.’ CHAPTER 1. tliree years old. Mis feature, though not Itand- ble home.
Recommended publications
  • The Cuban Heiress, Or, the Prisoner of La Vintresse
    ^RXCEOS ROUTLEDGE & SONS, THE BROADWAY. LUDG^ THE CUBAN HEIRESS: OR, Mli^ pmmri of la ^initn5ss^. LONDON: GEORGE ROUTLEDGE AND SONS THE BROADWAY, LUDGATE. THE PRISONER OF LA VINTRESSE; OR, THE FORTUNES OF A CUBAN HEIRESS. CHAP TER I. ESCAPE AND DISAPPOINTMENT. THE moonlight streamed broadly down upon the " Pasec De Ysabel Segunda"—the grand avenue of the city of Havana. Its two carriage-drives—its two walls for foot-passengers, glit­ tered Uke sflvcr in the splendors of the night; and the tree- branches that lined its sides were white with the glory of the full-orbed mooiL The soft air was loaded with the scents of flowers that came from near and distant gardens. The blue field of stars glittered above, and the soft harmony of a fufl band of music, playing perhaps before the Governor's house, their farewell march, came gently on the night-wind. Two figures lightly but hurriedly crossed the lower end of tbc beautiful avenue. "We did well with the guards, Minerva, now we have passed all danger, and I shall soon put y3u on board—good heavens!" The lady looked up hastily at this exclamation. ' Do you not see, Minerva, in the hurry and excitement, * have quite forgotten my portmanteau, containing all my pa­ pers—my drafts. In fact, I could not go without it. How unfortunate !" _" What wHl you do, dear Herman ?" It was the musical voice of 9 young girL 6 THE PRISONER OF LA VINTRES8E. " There is but one thing I can do: put you on board and come back for it, then hasten to the ship, I don't think the tide is up.
    [Show full text]
  • Madonna - 1982 - 2009 : the Lyrics Book - 1 SOMMAIRE
    Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 1 SOMMAIRE P.03 P.21 P.51 P.06 P.26 P.56 P.09 P.28 P.59 P.10 P.35 P.66 P.14 P.40 P.74 P.15 P.42 P.17 P.47 Madonna - 1982 - 2009 : The Lyrics Book - www.madonnalex.net 2 ‘Cause you got the best of me Chorus: Borderline feels like I’m going to lose my mind You just keep on pushing my love over the borderline (repeat chorus again) Keep on pushing me baby Don’t you know you drive me crazy You just keep on pushing my love over the borderline Something in your eyes is makin’ such a fool of me When you hold me in your arms you love me till I just can’t see But then you let me down, when I look around, baby you just can’t be found Stop driving me away, I just wanna stay, There’s something I just got to say Just try to understand, I’ve given all I can, ‘Cause you got the best of me (chorus) Keep on pushing me baby MADONNA / Don’t you know you drive me crazy You just keep on pushing my love over the borderline THE FIRST ALBUM Look what your love has done to me 1982 Come on baby set me free You just keep on pushing my love over the borderline You cause me so much pain, I think I’m going insane What does it take to make you see? LUCKY STAR You just keep on pushing my love over the borderline written by Madonna 5:38 You must be my Lucky Star ‘Cause you shine on me wherever you are I just think of you and I start to glow BURNING UP And I need your light written by Madonna 3:45 Don’t put me off ‘cause I’m on fire And baby you know And I can’t quench my desire Don’t you know that I’m burning
    [Show full text]
  • Madonna E Seu Acervo Multiartístico: Os Fetichismos Visuais Na Obra Do Maior Mito
    Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 41º Congresso Brasileiro de Ciências da Comunicação – Joinville - SC – 2 a 8/09/2018 Madonna e seu Acervo Multiartístico: os fetichismos visuais na obra do maior mito 1 pop do século XX Rafael Nacif de Toledo PIZA2 Universidade do Estado do Rio de Janeiro - UERJ Resumo O presente artigo pretende fazer uma retrospectiva da carreira da cantora Madonna, tendo como ponto de tensionamento os fetichismos visuais, conceito desenvolvido pelo italiano Massimo Canevacci em 2008. Nosso intuito é analisar o desenvolvimento cronológico da obra da cantora, relacionando suas iniciativas ao escopo teórico criado pelo sociólogo italiano, oferecendo pistas para decifrarmos os segredos de sua longevidade e do sucesso por trás de sua persona pública. Palavras-chave Madonna, cronologia, fetichismos visuais. Introdução Ser fã de Madonna é um privilégio e uma honra. Acompanhar a carreira de uma cantora, atriz, produtora, diretora de cinema, celebridade e personalidade é uma tarefa das mais prazerosas e dispendiosas. Montar uma coleção de objetos da Madonna pode custar alguns bons reais que poderiam ser investidos em outras coisas, como carros, roupas e outros itens de consumo. Mas deixando o lado mercantil de lado e focando na parte estética, o que Madonna nos apresenta é uma coleção de hits para as pistas de dança e baladas empacotados em formatos correspondentes às tecnologias do período, sempre com fotografias riquíssimas e figurinos ousados, tipologias inovadoras e designs de cair o queixo. Madonna e os fetichismos visuais de Canevacci Em 2008, Massimo Canevacci desenvolve “Fetichismos visuais: corpos erópticos e metrópole comunucacional” (Ateliê Editorial, 2008).
    [Show full text]
  • Augsome Karaoke Song List Page 1
    AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co.
    [Show full text]
  • Rodrigo Ribeiro Barreto.Pdf
    UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E CULTURA CONTEMPORÂNEAS A FABRICAÇÃO DO ÍDOLO POP: A ANÁLISE TEXTUAL DE VIDEOCLIPES E A CONSTRUÇÃO DA IMAGEM DE MADONNA RODRIGO RIBEIRO BARRETO Salvador 2005 2 RODRIGO RIBEIRO BARRETO A FABRICAÇÃO DO ÍDOLO POP: A ANÁLISE TEXTUAL DE VIDEOCLIPES E A CONSTRUÇÃO DA IMAGEM DE MADONNA Dissertação apresentada ao Programa de Pós- Graduação em Comunicação e Cultura Contemporâneas, Faculdade de Comunicação, Universidade Federal da Bahia, como requisito para obtenção do título de Mestre em Comunicação e Cultura Contemporâneas. Orientador: Prof. Dr. Wilson da Silva Gomes Salvador 2005 3 AGRADECIMENTOS A meu pai e minha mãe, pela paciência, apoio e carinho ilimitados. A Rosana e Luís Roberto, minha irmã e meu irmão sempre presentes. A Gabriela, a Greice e Ludmila, não podia desejar melhores companheiras de pesquisa. A Luiz, Romulo, Cristiano, Roger, Felix, Sergio e Biagio, que, na hora do aperto, tornaram menos sofrido o percurso de elaboração da dissertação. Aos professores Wilson Gomes – meu orientador oficial há quase cinco anos –, Maria Carmem Jacob de Souza, José Benjamim Picado, Jeder Janotti Jr. e José Francisco Serafim, cujas orientações eventuais foram imprescindíveis para o meu trajeto de pesquisa. Ao Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq), que viabilizou minha pesquisa com a oferta de bolsa durante o Mestrado. 4 RESUMO A trajetória videográfica de Madonna, iniciada há mais de 20 anos, confunde-se com o próprio desenvolvimento do videoclipe, cuja consolidação aconteceu também a partir dos anos 1980. Desde então, a contínua popularidade da artista deu a ela e a seus colaboradores respaldo para executar inovações tanto estilísticas quanto temáticas neste formato.
    [Show full text]
  • Madonna, Dear Jessie Baby Face Don't Grow So Fast Make a Special Wish That Will Always Last Rub This Magic Lantern He Will Make Your Dreams Come True for You
    Madonna, Dear Jessie Baby face don't grow so fast Make a special wish that will always last Rub this magic lantern He will make your dreams come true for you Ride the rainbow to the other side Catch a falling star and then take a ride To the river that sings and the clover that Brings good luck to you, it's all true [Chorus:] Pink elephants and lemonade, dear Jessie Hear the laughter running through the love parade Candy kisses and a sunny day, dear Jessie See the roses raining on the love parade If the land of make believe Is inside your heart it will never leave There's a golden gate where the fairies all wait And dancing moons, for you Close your eyes and you'll be there Where the mermaids sing as they comb their hair Like a fountain of gold you can never grow old Where dreams are made, your love parade [chorus] Your dreams are made inside the love parade It's a holiday inside the love parade On the merry-go-round of lovers and white turtle doves Leprechauns floating by, this is your lullaby Sugarplum fingertips kissing your honey lips Close your eyes sleepy head, is it time for your bed Never forget what I said, hang on you're already there Close your eyes and you'll be there Where the mermaids sing as they comb their hair Like a fountain of gold you can never grow old Where dreams are made, your love parade [chorus] Madonna - Dear Jessie w Teksciory.pl.
    [Show full text]
  • The Four Happy Days
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com )A"X S FRANCES RIDLEY HAVERGAL THE FOUR HAPPY DAYS. THE FOUR HAPPY DAYS. BY FRANCES RIDLEY HAVERGAL Author o/^Bmey, a Utile Worker/or Christ.' ' LONDON: JAMES NISBET AND CO., BERNERS STRERT '874- 2f/. f MURRAY AND GIBB, EDINBURGH, PRINTERS TO HER MAJESTY'S STATIONERY OFFICE TO £lEME]VT yVND JJRNEjST, AUNT FANNY'S LOVE. The Four Happy Days. CHAPTER I. ARCH at last ! I wish it was April. No; I wish it was May!' said Annie. ' Oh dear, what a long time it takes to get to the end of a month ! ' She said it to a lady who had lately come to live in her father's parish, and to whom she had taken a great fancy, partly because she was so very kind and pleasant, and partly because she would sometimes leave the grown-up people and have what Annie called 'a nice talk' with her, submitting to be asked s 8 FOUR HAPPY DAYS. questions by the dozen about all sorts of things, great and small, which Annie ' wanted to know about,' and which never came in her lesson-books. Miss Allen laughed at this great grievance of the long months, which had once or twice before been spoken of in the same tone. 'You ought not to complain now; Feb ruary finished two or three days sooner than any other month, and yet you are not a bit grateful.
    [Show full text]
  • Council for the City of Waynesboro, Virginia, Held a Regular Meeting on Monday, March 10, 2003, at 7:00 P.M
    FIRST DRAFT 03/10/03 Council for the City of Waynesboro, Virginia, held a regular meeting on Monday, March 10, 2003, at 7:00 P.M. in Council Chambers of the Charles T. Yancey Municipal Building, 503 West Main Street, Waynesboro, Virginia, with Mayor Charles L. Ricketts III presiding and calling the meeting to order: PRESENT: Council Members: Charles L. Ricketts III, Esq., Mayor R. Jack Higgs, Vice Mayor Nancy M. Dowdy, Councilwoman Reo B. Hatfield, Councilman Thomas W. Reynolds, Councilman Planning Commission Members: Harold B. Stepp, Acting Chairman Harry Colman Pamela E. Reynolds (Reo B. Hatfield, Councilman) Staff: Douglas C. Walker, City Manager Michael G. Hamp II, Assistant City Manager J. B. Yount III, Esq., City Attorney Bonnie S. Hamby, Clerk of Council ********** MAYOR'S OPENING REMARKS: Mayor Ricketts welcomed all in attendance and asked that they stand and join in the pledge of allegiance to the flag. Mayor Ricketts asked if there were any high school (or other) students present and asked that if there were that they all please stand, give their name and where they go to school. Mayor Ricketts stated that if anyone present had matters to bring to Council that were not items on the agenda, there would be an opportunity for them to do so at item #11 on the agenda. Mayor Ricketts stated that he had received a message from Mr. Hatfield who had been contacted by Scott Rogers of the Waynesboro Post Office who complimented the Department of Public Works for the excellent job of snow removal during the recent storms.
    [Show full text]
  • The Mountain Sylph
    THE MOUNTAIN SYLPH A romantic grand opera. Text by Thomas James Thackeray Music by John Barnett First performance: 25 August 1834, London. www.operalib.eu 1 / 36 Informazioni The Mountain Sylph Cara lettrice, caro lettore, il sito internet www.librettidopera.it è dedicato ai libretti d©opera in lingua italiana. Non c©è un intento filologico, troppo complesso per essere trattato con le mie risorse: vi è invece un intento divulgativo, la volontà di far conoscere i vari aspetti di una parte della nostra cultura. Motivazioni per scrivere note di ringraziamento non mancano. Contributi e suggerimenti sono giunti da ogni dove, vien da dire «dagli Appennini alle Ande». Tutto questo aiuto mi ha dato e mi sta dando entusiasmo per continuare a migliorare e ampliare gli orizzonti di quest©impresa. Ringrazio quindi: chi mi ha dato consigli su grafica e impostazione del sito, chi ha svolto le operazioni di aggiornamento sul portale, tutti coloro che mettono a disposizione testi e materiali che riguardano la lirica, chi ha donato tempo, chi mi ha prestato hardware, chi mette a disposizione software di qualità a prezzi più che contenuti. Infine ringrazio la mia famiglia, per il tempo rubatole e dedicato a questa attività. I titoli vengono scelti in base a una serie di criteri: disponibilità del materiale, data della prima rappresentazione, autori di testi e musiche, importanza del testo nella storia della lirica, difficoltà di reperimento. A questo punto viene ampliata la varietà del materiale, e la sua affidabilità, tramite acquisti, ricerche in biblioteca, su internet, donazione di materiali da parte di appassionati.
    [Show full text]
  • 1872-01-11, [P ]
    • '»«» A :- v s.. - I+W -J trrrrrrr'?*? • Skt iipun ^«.wtiw mJ •wf J^K .a ... - Bik'f . I . ^T' .1 L ,-%K To ex[ ' " " _ ' ' V* v»" /M Z.U". • • !wi d« V 1 „„*»! » M- ' A: lt<!l i X' *• '• " * IS t;yfA0ap.:± heart In Ut] riill>ke4 every Tfcsrsdaj For phj temperanc MULFORDA LONGLEV,* money In tbe happy| J8 M .W. f\fft*m evsr H. L. Deal's Baa* £ Mb-C KISMYM • K Teetotal! North of the Court House." <il t a, -,rj ill: I:;- V: t! /»»<•>»;• mew [ »«fl V> v»-At*h" S(4i ^ «?r ')} (»<«. •*« ItlMWI^'i» tv msv;i«T: iu bold up itsl •JLATJaOITJJ j f r':-^ Advertiser.r f "<l tit 0,* .t-slttf* »»»,' 'It . ». •, ««, , . Itf.. -4- •m c- -.if nt fn~ !-/!> "1, J*|* ;' ' VWH Wjf3» 1 +.y x>v T rOA^.T r1/. i . If sHft ; A. > Jtf*' M 'I'M I IVilf+mi*! .*• of the or t '«'it ' »« *iA • -<i •«. nil. i • - mvu •?' 'Jt:» ' '• •> -Itl ») . •««>! ,•'( ( ",ii n* b-f Ht»-»- « ! •l. HI rn ) t' •• f .'JM. n**t <, I >^1 • I; TBKMHI ' • '• • -tTuM >. tics sbatins Onc COPY, OWE Ykab $1.60 ~ ; i i:a I'l'lf «;<» t *1' r» j • If •»t 4-'!-,, j Von Moltk •* 8ix MONTHS 7fi Tbs N« toils of " THKKK MONTHS ......... .40 fit T" :Iji 4* II'.. it,.1 «f. it'I U I . •»»/>•> I I '•?>' VOL. lWt TIPTON, IQWA, JANUAEY 11, 1872. NO. 2. somebody English INVARIABLY IN^ADVANCE. ''it«l* tt*f. '* ,t«< i.•»i<t! ss--ix beer shop rrn retsiler of •ad to* Lodges.
    [Show full text]
  • MADONNA E OS MEIOS MASSIVOS DE COMUNICAÇÃO: Pactos Para a Construção De Uma Persona
    UNIVERSIDADE ANHEMBI MORUMBI VALESKA FONSECA NAKAD MADONNA E OS MEIOS MASSIVOS DE COMUNICAÇÃO: Pactos Para a Construção de Uma Persona SÃO PAULO 2008 VALESKA FONSECA NAKAD MADONNA E OS MEIOS MASSIVOS DE COMUNICAÇÃO: Pactos Para a Construção de Uma Persona Dissertação de Mestrado apresentada à Banca Examinadora, como exigência parcial para a obtenção do título de Mestre do Programa de Mestrado em Comunicação área de concentração em Comunicação Contemporânea da Universidade Anhembi Morumbi, sob a orientação do Prof. Dr.Vicente Gosciola. SÃO PAULO 2008 AGRADECIMENTOS Agradeço ao Professor Dr. Vicente Gosciola, meu orientador, exemplo de dedicação e competência que me inspirou, cuja serenidade foi essencial para que eu acreditasse que esse trabalho seria possível. Agradeço ao Professor Dr. Gelson Santana, modelo de excelência no ensino, que me revelou outras perspectivas e me conduziu por caminhos nunca percorridos para a elaboração das minhas correlações entre a comunicação contemporânea e a moda. Agradeço igualmente ao Prof. Dr. Sérgio Basbaum pelas observações valiosas na banca de qualificação. À Profa. Dra. Bernadette Lyra pelo conhecimento passado em cada encontro, pelo entusiasmo, carinho e dedicação ao Programa de Mestrado e sua primeira turma. Ao Prof. Dr. Rogério Ferraraz , Profa. Dra. Maria Ignês Carlos Magno, e ao Prof. Dr. Marcelo Tassara, modelos de seriedade, que tanto contribuíram com suas aulas e conselhos, e com quem a convivência foi sempre tão doce e agradável. Aos demais professores e funcionários do Programa de Mestrado em Comunicação, também, muito obrigada. Aos meus pais, Berenice Fonseca Nakad e Jamil Nakad, agradeço pelo amor e dedicação de uma vida toda. Pelo estímulo e financiamento dos meus estudos e minhas viagens em busca de cultura e conhecimento.
    [Show full text]
  • Jessie and Morgiana by Alexander Grin
    jessie and morgiana by Alexander Grin йййййййййййй for Nina Nikolaevna Grin Bell & Bett Main Street Brosna County Kerry V92 C9XE Ireland First published in 1929 as Джесси и Моргиана translation: Eoin Flynn © 2019 Reason has nothing to say in the matter; and I must not let you squander any of yours. It will be enough to tell you this is an affair of the heart. St. Ives Robert Louis Stevenson 5 Chapter I There is an age-old way of foretelling the future by way of mirrors: you look through a mirror into another mirror that is placed in front of the first so that they reflect one another, creating an infinite shining corridor filled with parallel rows of candles. The young sorceress (it is only girls who cast their fortunes in this way) looks down that corridor. What she sees there ± that is what will happen to her. One day ± this was in the springtime, at half eleven at night ± Miss Jessie Trengan was sitting alone in her bedroom and amusing herself with the method described above. She placed a second mirror opposite her dressing table mirror, lit two candles and stared down the glittering tunnel of the reflection. In a month's time Jessie Trengan was to turn twenty-one years old. She was a wilful, cheerful, good-hearted girl. To describe her outward appearance is no easy matter. The innumerable literary attempts there are of that sort are the best evidence of this. No one has so far been able to make us see a woman through descriptions given in printer's ink.
    [Show full text]