BULETIN 6Th AGKF 2018 .Pdf

Total Page:16

File Type:pdf, Size:1020Kb

BULETIN 6Th AGKF 2018 .Pdf Dear Soke / President / Hanshi / Shihan / Sensei of AGKF Country Members, It is a great pleasure and honor to invite you and your delegation leaders, honorable guests, officials, and contestants to attend the 6th AGKF Championships in Jakarta, Indonesia, 22 – 25 November 2018. The championships will take place at GOR POPKI, Jakarta, the capital city of Indonesia. This championship is sanctioned by the World Goju Ryu Karate Federation (WGKF). This is the first time for us to be the host for the AGKF Championships at Jakarta, Indonesia. May we assure you that all who are responsible for this event will do their utmost to make your stay pleasant with full of Goju-Ryu friendship, joy and treasured memories. All of us will perform together a high quality competition and we hope that you will enjoy your stay in Jakarta, Indonesia, that offers an unique opportunity to visit other many possibilities of beautiful cities, islands, cultural places and recreation centers in Indonesia. Through this International Championship we wish to create an opportunity for our GOJU RYU members to continue to develop and progress in the Karate arena, while building brotherhood amongst the Karate-kas. In the enclosed documents you will find all necessary information in our first bulletin, regarding official registration, accommodation, the competition venue and programme. We hope also that this event we can get new member among Asia’s countries. We wish all of you, particularly the participants, a successful tournament and achieve your best performance. We look forward to your participation and support to make this a successful championship. I look forward to welcome you all at Jakarta, Indonesia. Best Regards, Barnabas Ricky Budhi Kusumo, S.Si Chairman - Organising Committee GENERAL RULES AND REGULATIONS 1. RULES The 6th AGKF Championship will be conducted in accordance with the New Rules of the World Karate Federation (WKF), which were adopted on January 2018 for Senior, Juniors & Cadets with Card Rules exception. Children under 13 years will be use COMPETITION RULES. a. In case of a disagreement in the interpretation of rules, the English text of the rules shall prevail. Any unforeseen incident not covered by the Rules shall be dealt with accordingly in the following manner: b. Technical questions shall be resolved in accordance with the WKF or Competition Rules. c. Cases of general nature shall be resolved in accordance with the WKF Statutes and Rules. 2. DATE 22nd – 25th November 2018 3. VENUE POPKI Sports Hall, Cibubur – East Jakarta, INDONESIA 4. EVENTS Appendix B 5. SCHEDULE a. 21st November 2018 - Arrival of All Foreign Participants - Registration of All Participants (Referee Seminar, Karate Festival, Championship) b. 22nd November 2018 - Arrival of All Foreign Participants - Registration of All Participants (Referee Seminar, Karate Festival, Championship) - Coaches and Managers Meeting - Referee Seminar & Exam - AGKF DC Meeting & Congress - Welcome Dinner (Invited Guest) c. 23rd November 2018 - AGKF Karate Festival - Kumite Practical Exam d. 24th – 25th November 2018 Competition 6. VICTORY CEREMONIES a. The Victory Ceremonies shall normally be held after the completion of event. b. First Prize : Gold Medals and Diplomas to the first winner in each category. Second Prize : Silver Medals and Diplomas to contestant placed in the second in each category. Third Prize : Two Bronze Medals and Diplomas to the losing semifinalists in each category. 7. CLOSING DATE a. The Closing Date for all entries will be on October 31st, 2018 b. The organizing committee whises to have your reply on participation, once you have received the Championship Details (e-mail – [email protected]) 8. TECHNICAL ORGANIZATION The AGKF is responsible for and full control of the technical organization of the Karate competition, in consultation with the international technical delegates when necessary. 9. DRAWING OF LOTS The drawing of lots will be conducted by officials appointed by the Organizing Committee. The draw will be computerized 10. DURATION OF BOUT The official duration of Kumite matches will be three (3) minutes for men, two (2) minutes for women, Junior, Cadet and for under 13 years will be 1.5 minutes. For Karate Festival will be 1 minutes 11. DRESS CODE All contestants and team officials (coaches, managers, etc.), Referees and judges must wear the prescribed uniforms as defined in Appendix 1 of the WKF Rules. 12. CHAMPIONSHIP FEES a. Participation Fees : USD 80.00 per contestant (1 event) USD 120.00 per team (Kata or Kumite) b. Additional Categories : USD 40.00 per individual category c. AGKF Karate Festival : USD 20.00 per individual category 13. REFEREE SEMINAR FEE Referee Seminar : USD 60.00 14. SAFETY EQUIPMENT a. Mitts, foot protection, mouth guards, belts, body protectors are compulsory for all categories. b. Mitts, foot protection, mouth guards, belts, facemask and body protection shall be provided by the athletes themselves c. According to the WKF rules, every kumite categories below 14 years must wearing Facemask. 15. INSURANCE All participants and members of delegations must arrange their own medical insurance and personal trip insurance. Organizing Committee is not liable for this purpose. 16. ACCOMODATION 1. HEADQUARTER - HOTEL CIPUTRA CIBUBUR Hotel Ciputra Cibubur is a 4-star International hotel strategically located in the center of Cibubur and easily reached from the Jagorawi toll road. Offering easy access to business and entertainment areas, Hotel Ciputra cibubur boasts a range of facilities to make your stay comfortable and memorable. The smile, warmth, friendliness and professionalism of our employees represent the characteristics and culture of Indonesia. Hotel Ciputra Cibubur boasts 107 stylish guestrooms, all in a contemporary design. Featuring 103 Deluxe, 3 Business Suites and 1 Executive Suite. Non-smoking options and specially appointed rooms for the disabled are also available. Indulge in the delicacies of The Gallery Restaurant on the lobby level. The restaurant offers Indonesian, Chinese and International dishes as well as a buffet breakfast and an a la carte menu for lunch and dinner. The Gallery seats up to a 100 guests including a smoking area on the outdoor terrace. Broadband Internet is accessible for free in the area. Relax in the the cozy ambiance at The Lounge and Bar, offering a selection of beverages and snacks throughout the day. It is the ideal venue to unwind and mingle with colleagues or friends. 2. HOTEL SANTIKA TAMAN MINI INDONESIA INDAH Hotel Santika Taman Mini Indonesia Indah - Jakarta is connected to Taman Mini Indonesia Indah (TMII), a national treasure and cultural icon displaying the grandeur of Indonesia in "beautiful miniature", and showcasing Indonesia's rich cultural and natural diversity. With easy access from the city's toll road system, and unsurpassed facilities including a restaurant and lounge, swimming pool, and extensive outdoor space, Hotel Santika TMII is an ideal holiday destination as well as a convenient venue for business meetings and conventions. TMII hosts 26 regional pavilions, a giant- sized map of the Indonesian archipelago, a Science and Technology Exhibition Centre, Indonesian Children's Palace, and a total of 11 different parks featuring aviaries, a freshwater aquarium, the Golden Snail Garden and the soon-to-be-completed Indonesian-Chinese Cultural Park. There are also no less than 15 museums, including the Indonesian Museum, the Transportation Museum, and the Oil and Natural Gas Museum. Other exciting recreational diversions include the Golden Snail IMAX Theater, a cable car ride, the Aeromovel, the Miniature Train, and Snow Bay Water Park. HOTEL RATE OFFICIAL HOTEL Distance Rate (USD $) Name To Room Type Queen / Twin Bed Venue King Size Deluxe Room $ 75 $ 75 (103 Rooms) Hotel Ciputra Cibubur 10 Minutes Business Suite Room (Swiss-Bell Hotel ****) $ 100 Drive (3 Rooms) HEADQUARTER HOTEL Executive Suite Room $ 160 (1 Room) Superior Room $ 80 $ 80 (70 Rooms) Hotel Santika TMII 20 Minutes Deluxe Room $ 95 $ 95 (****) Drive (40 Rooms) Deluxe Suite Room $ 120 (5 Room) Note: If your team want accommodation with special need (Not Official hotel), Please contact us, we will assist you. 17. TRANSPORTATION a. Transportation fee from Airport to OFFICIAL HOTEL – USD 30.00/ person (round trip) b. All International participant will get free transportation from OFFICIAL HOTEL to VENUE for those who stay and book through Organizing committee 18. COMPETITION REGULATION a. All payments must be received by organizing committee before the Championship starts. b. Each country or team may enter any number of participants in each category. c. All Kumite contestants must wear gum shields and must supply their own red and blue mitts and belts. Shin and foot protection, body protector is COMPULSORY for all categories but need not be of WKF approved type so long as it is safe and within reasonable dimensions. d. All competitors are responsible for providing their own medical insurance. e. The rules are the rules of the World Karate Federation, with some exceptions as to Card Rules, weights, ages and categories. For children the rules will be those of AGKF (Absolutely no face contact allowed). f. The official duration of Kumite matches will be three (3) minutes for men senior, two (2) minutes for women senior, Junior, Cadets and for under 13 years will be 1.5 minutes. g. The competition area will be a square with sides of 8 meters for those who are 13 years of age and over. For those up to and including 13 years of age the area will be 6 meters each side. h. In children’s kata categories under fourteen years, the first two kata performed must all be different. If competitor numbers are such that more than two kata are required, then the third and subsequent kata may be repeats. No kata may be performed more than twice. For fourteen years and over WKF Rules apply. i. In children’s kumite categories under thirteen years, must wearing body protector and facemask.
Recommended publications
  • Your New Life in Bali: How to Slash Your Cost-Of-Living and Live Well on “!E Island of !E Gods”
    Your New Life In Bali: How to Slash Your Cost-of-Living And Live Well On “!e Island Of !e Gods” An International Living Australia Report www.ilaustralia.com International Living Australia 1 Your New Life in Bali: How to Slash Your Cost-Of-Living and Live Well On “The Island Of The Gods” An International Living Australia Report Authors: Kirsten and Mark Raccuia Editors: Laura Doyle and Barbara Ross Copyeditor: Katherine Beem Designer: Ian Fleming Cover Photo: ©iStockphoto.com/Cn0ra ©iStockphoto.com/nakonechnyy ©iStockphoto.com/kapulya ©flickr.com/Eoin Bassett ISBN: 978-1-911260-11-0 126STBALR ©Copyright 2017. International Living Australia Publishing Ltd., Woodlock House, Carrick Road, Portlaw, Co. Waterford, Ireland. All rights reserved. No part of this report may be reproduced by any means without the express written consent of the publisher. The information contained herein is obtained from sources believed to be reliable, but its accuracy cannot be guaranteed. Registered in Ireland No.285214 Table of Contents Intoduction ........................................................................................................ 1 Chapter One ....................................................................................................... 5 Bali: An Overview ......................................................................................5 Hinduism Shapes the Island .......................................................................5 European In!uence .....................................................................................6
    [Show full text]
  • Glossary.Herbst.Bali.1928.Kebyar
    Bali 1928 – Volume I – Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu by Edward Herbst Glossary of Balinese Musical Terms Glossary angklung Four–tone gamelan most often associated with cremation rituals but also used for a wide range of ceremonies and to accompany dance. angsel Instrumental and dance phrasing break; climax, cadence. arja Dance opera dating from the turn of the 20th century and growing out of a combination of gambuh dance–drama and pupuh (sekar alit; tembang macapat) songs; accompanied by gamelan gaguntangan with suling ‘bamboo flute’, bamboo guntang in place of gong or kempur, and small kendang ‘drums’. babarongan Gamelan associated with barong dance–drama and Calonarang; close relative of palégongan. bapang Gong cycle or meter with 8 or 16 beats per gong (or kempur) phrased (G).P.t.P.G baris Martial dance performed by groups of men in ritual contexts; developed into a narrative dance–drama (baris melampahan) in the early 20th century and a solo tari lepas performed by boys or young men during the same period. barungan gdé Literally ‘large set of instruments’, but in fact referring to the expanded number of gangsa keys and réyong replacing trompong in gamelan gong kuna and kebyar. batél Cycle or meter with two ketukan beats (the most basic pulse) for each kempur or gong; the shortest of all phrase units. bilah Bronze, iron or bamboo key of a gamelan instrument. byar Root of ‘kebyar’; onomatopoetic term meaning krébék, both ‘thunderclap’ and ‘flash of lightning’ in Balinese, or kilat (Indonesian for ‘lightning’); also a sonority created by full gamelan sounding on the same scale tone (with secondary tones from the réyong); See p.
    [Show full text]
  • Disclosure Guide
    WEEKS® 2021 - 2022 DISCLOSURE GUIDE This publication contains information that indicates resorts participating in, and explains the terms, conditions, and the use of, the RCI Weeks Exchange Program operated by RCI, LLC. You are urged to read it carefully. 0490-2021 RCI, TRC 2021-2022 Annual Disclosure Guide Covers.indd 5 5/20/21 10:34 AM DISCLOSURE GUIDE TO THE RCI WEEKS Fiona G. Downing EXCHANGE PROGRAM Senior Vice President 14 Sylvan Way, Parsippany, NJ 07054 This Disclosure Guide to the RCI Weeks Exchange Program (“Disclosure Guide”) explains the RCI Weeks Elizabeth Dreyer Exchange Program offered to Vacation Owners by RCI, Senior Vice President, Chief Accounting Officer, and LLC (“RCI”). Vacation Owners should carefully review Manager this information to ensure full understanding of the 6277 Sea Harbor Drive, Orlando, FL 32821 terms, conditions, operation and use of the RCI Weeks Exchange Program. Note: Unless otherwise stated Julia A. Frey herein, capitalized terms in this Disclosure Guide have the Assistant Secretary same meaning as those in the Terms and Conditions of 6277 Sea Harbor Drive, Orlando, FL 32821 RCI Weeks Subscribing Membership, which are made a part of this document. Brian Gray Vice President RCI is the owner and operator of the RCI Weeks 6277 Sea Harbor Drive, Orlando, FL 32821 Exchange Program. No government agency has approved the merits of this exchange program. Gary Green Senior Vice President RCI is a Delaware limited liability company (registered as 6277 Sea Harbor Drive, Orlando, FL 32821 Resort Condominiums
    [Show full text]
  • Term-List-For-Ch4-Asian-Theatre-2
    Asian Theatre: India, China, Korea, Japan, Indonesia, & Cambodia Cultural Periods and Events Theatrical Developments Persons Aryan migration & caste system Natya-Shastra (rasas & the Bharata Muni & Abhinavagupta Vedic & Gandhara Periods spectator’s liberation) Shūdraka & Kalidasa Hinduism & Sanskrit texts Islamic invasions actor-manager (sudtradhara) Buddhism (promising what?) shamanic rituals jester (vidushaka) Hellenistic influence court entertainments with string-puller (sudtradhara) Classical Period & Ashoka Jester Ming sheng, dan, jing, & chou (meanings) Theravada & Mahayana wrestling & Baixi men & women who played across gender Gupta golden age impersonations, dances, & women who led troupes Medieval Period acrobatics, sword tricks Guan Hanqing Muslim invasions small plays of song and dance Tang Xianzu Chola Dynasty Pear Garden & adjutant Li Yu Early Modern Period plays Kan’ami & Zeami Mughal Empire red light districts with shite & shite-tsure (across gender), waki, Colonial Period with British East southern dramas & waki-tsure, & kyogen India Company variety show musicals chorus of 8 men, musicians, & onstage British Raj with one star singing per stagehand (kuroko) Dramatic Performances Act act Okuni Contemporary Period complex, poetic dramas onnagata Shang, Zhou, Qin, Han, Jin, kun operas with plaintive Chikamatsu Northern & Southern, Sui, Tang, music & flowing Danjuro I Song, Yuan, Ming, & Qing melodies/dancing chanter, 3 puppeteers per puppet, & Dynasties Beijing Opera (jingju) as shamisen player nationalist & communist rulers
    [Show full text]
  • The Origins of Balinese Legong
    STEPHEN DAVIES The origins of Balinese legong Introduction In this paper I discuss the origin of the Balinese dance genre of legong. I date this from the late nineteenth century, with the dance achieving its definitive form in the period 1916-1932. These conclusions are at odds with the most common history told for legong, according to which it first appeared in the earliest years of the nineteenth century. The genre Legong is a secular (balih-balihan) Balinese dance genre.1 Though originally as- sociated with the palace,2 legong has long been performed in villages, espe- cially at temple ceremonies, as well as at Balinese festivals of the arts. Since the 1920s, abridged versions of legong dances have featured in concerts organized for tourists and in overseas tours by Balinese orchestras. Indeed, the dance has become culturally emblematic, and its image is used to advertise Bali to the world. Traditionally, the dancers are three young girls; the servant (condong), who dances a prelude, and two legong. All wear elaborate costumes of gilded cloth with ornate accessories and frangipani-crowned headdresses.3 The core 1 Proyek pemeliharaan 1971. Like all Balinese dances, legong is an offering to the gods. It is ‘secu- lar’ in that it is not one of the dance forms permitted in the inner yards of the temple. Though it is performed at temple ceremonies, the performance takes place immediately outside the temple, as is also the case with many of the other entertainments. The controversial three-part classification adopted in 1971 was motivated by a desire to prevent the commercialization of ritual dances as tourist fare.
    [Show full text]
  • 04 Days Bali Exploration
    Booth no: 7H12 NATAS offer -200/- Per couple Tour Code: E3N-DPS Incredible Odyssey 04 Days Bali exploration Bali: Indonesia’s most famous island, is located to the west of Java in the Lesser Sunda Islands. It is world-renowned for its scenic rice terraces, fragrant cuisine, stunning beaches and a galore of culture and tradition. With its elaborate temples, endless coastline, some of the world's best coral reefs, waterfalls and retreats, Bali combines leisure and adventure, spiritual awakening and hard-partying all into one island that people from all over the world come to lose themselves in. The island boasts some of the best sunsets and sunrises, enough to captivate and entice you into never leaving this place. Home to the coral reefs of Tulamben, the mountain peaks of Kintamani, the beaches and scenic routes of Seminyak and Kuta, with ancient temples and traditional village life of Ubud, Bali's charm is boundless, as are its opportunities for fun. I T I N E R A R Y Day 01: ARRIVE BALI INTERNATIONAL FLIGHT + SUN SET TOUR D Arrive Bali airport and met by your English-speaking driver. Meet & greet and transfer to your land transport to reach your hotel for freshening up. Depending upon the landing time of your flight, we may proceed directly to Uluwatu for the majestic Sun set. Visit the Uluwatu temple or known as the rock cliff temple in the southern Bali islands. You will admire the beautiful view of sunset view and the Indian ocean. Further we will enjoy and be apart of the dance performance of Kecak dance near the temple.
    [Show full text]
  • Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung
    Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu 2 Introduction 6 A Sketch of the Time Period of these Recordings 11 Emergence of Kebyar 29 The Balinese Gamelan Recordings from Bali, 1928: a track–by–track discussion: 33 Gamelan Gong Kebyar of Belaluan, Denpasar 46 Gamelan Gong Kebyar of Pangkung, Tabanan 50 Gamelan Gong Kebyar of Busungbiu, Northwest Bali 57 List of Silent Archival Films 58 Acknowledgments 61 References Cited and Further Readings * Glossary on Separate PDF File1 1 The spellings in this article follow modernized Balinese orthography of dictionaries such as Kamus Bali Indonesia, by I Nengah Medera et.al. (1990). Although this system was proposed as early as 1972 it has been applied irregularly in writings on the arts, but we have chosen to adhere to it so as to reflect a closer relationship to actual Balinese aksara ‘letters of the alphabet, language’. For instance, many words with prefixes frequently spelled pe or peng are spelled here with the prefixes pa and pang. 1 Introduction These historic recordings were made in 1928 as part of a collection of the first and only commercially–released recordings of music made in Bali prior to World War II. This diverse sampling of new and older Balinese styles appeared on 78 rpm discs in 1929 with subsequent releases for international distribution. The records were sold worldwide (or not sold, as it happened) and quickly went out of print. It was a crucial time in the island’s musical history as Bali was in the midst of an artistic revolution with kebyar as the new dominant style of music.
    [Show full text]
  • Event Detail
    SPECIAL EVENT FOR THE ASIA SOCIETY PHILIPPINES FOUNDATION AT THE BALI PURNATI CENTER FOR THE ARTS 1. WELCOME music is played for the arriving guests from Jalan Gunung Abang to the Purnati. 2. In the entrance area a white “wall” of fabric is a stage for a PUPPET SHADOW SHOW and puppet performers with attractions involving about10 children-actors. 3. Single BARIS Dance by a12 years old performer is followed by six KAKANG-KAKANG dancers coming down the stairs and dancing at the entrance area while guests enjoy a welcome drink 4. After finishing Kakang-Kakang the dancers are guiding the guests up the stairs followed by KODOK, twenty FROG DANCERS (wearing frog masks), guiding everyone through the gardens to the pool side for a cocktail party 5. The cocktail party is accompanied by a KERONCONG singer. The guests are then slowly lead by the pavilion to hear instrumental music similar to that composed for I La Galigo 6. Flute music for PAKARENA dance from Makassar and Pencak Silat (of South Sulawesi) is then coming from the amphitheatre, accompanied by traditional drums with new composition for this famous, traditional female dance with fans 7. A male traditional fire dance from Makassar, TUTU-PEPEKA RI MAKKAH is then performing on the wooden covers over the small river as guests are coming down from the amphitheater followed by a procession of musicians 8. Balinese BARONG dance is staged atop a small hill next to the pavilion 9. Barong is followed by BARIS GEDE Dance of ten male dancers at the amphitheater and the show is continued with a grand finale, a contemporary new dance that includes all the PAKARENA dancers 10.
    [Show full text]
  • Designing a Course Book for the Reception Staff of Vidi Hotel Yogyakarta
    DESIGNING A COURSE BOOK FOR THE RECEPTION STAFF OF VIDI HOTEL YOGYAKARTA A Thesis Submitted as partial fulfillment of the requirements for the attainment of SarjanaPendidikan Degree in English Education By: Septian Damara A. 08202244053 ENGLISH EDUCATION DEPARTMENT FACULTY OF LANGUAGES AND ARTS STATE UNIVERSITY OF YOGYAKARTA 2014 PERNYATAAN Yang bertandatangan di bawah ini, saya : Nama : Septian Damara Adhiantto NIM : 08202244053 Program Studi : Pendidikan Bahasa Inggris Jenjang : S1 Fakultas : Bahasa dan Seni JudulKaryaIlmiah : Designing a Course Book for the Reception Staff of Vidi Hotel Yogyakarta menyatakan bahwa karya ilmiah ini adalah hasil karya saya sendiri dan sepanjang pengetahuan saya tidak berisi materi yang dipublikasikan atau ditulis oleh orang lain atau telah digunakan sebagai persyaratan pada penyelesaian studi di perguruan tinggi lain kecuali pada bagian-bagian tertentu yang saya ambil sebagai acuan dengan mengikuti tatacara dan etika penulisan karya ilmiah yang lazim. Apabila terbukti pernyataan saya tidak benar, hhal ini akan menjadi tanggung jawab saya sepenuhnya. Yogyakarta, 25 Mei 2014 iii MOTTOS “You either die a hero or live long enough to see yourself become a villain” – Harvey Dent (The Dark Knight movie) “Hardworks will never betray you” – Kang Gary iv DEDICATION To myself, Septian Damara Adhianto and my parents Rusmiyantoro and Yuni Ekawati v ACKNOWLEDGMENTS First of all I would like to express my gratitude to my coulselors, Mr. Agus Widyantoro and Mr. Ari Purnawan. They have patiently guided me in writing this thesis. I would also like to express my gratitude to Mrs. Lusi Nurhayati for encouraging me and helping me complete this thesis. Secondly, I would like to thank the management of Vidi Hotel Yogyakarta who gave me a chance to conduct my research there and o the reception staff of Vidi Hotel who participated in this research.
    [Show full text]
  • Bali Introduction
    UNIMA CONGRESS & WORLD PUPPETRY FESTIVAL 13-19 APRIL 2020, GIANYAR-BALI INTRODUCTION The official Website of Indonesia Tourism. Bali is a popular tourist destination, which has seen a significant rise in tourists since the 1980s.Tourism-related business marks 80% of its economy. It is renowned for its highly developed arts, including puppetry, traditional and modern dance, sculpture, painting, leather, metalworking and music. In March 2017, TripAdvisor named Bali as the world's top destination in its Traveler's Choice award (source: Wikipedia) For further information, please visit the official website of Tourism Wonderful Indonesia: www.Indonesia.travel MAP OF BALI CONGRESS UNIMA Congress in Bali 2020 will be held at PRIME PLAZA HOTEL in Sanur Bali, 4-Star Hotel with 329 rooms (30 minute-drive from Ngurah Rai airport, Denpasar Bali) I.PROGRAM- CONGRESS –SEMINAR FESTIVAL • 13 April - Executive Committee Meeting • 13 April - Opening Ceremony at Astina Square • 14 to 18 April - Congress • 16 April - Gala Dinner (free of charge for the registered participants) • 17 April - Anniversary of Gianyar (Parade) • 17 April - Excursion • 18 April – 8:00-11:00 Congress 15:00-21:00 Seminar • 19 April: Seminar @ Indonesian Art Institute, Denpasar New Executive Committee meeting • 19th April - Closing Ceremony at Astina Square SEMINAR SEMINAR at Indonesian Art Institute Denpasar{ISI} The seminar theme: - Puppetry Uniting/Unifying People. - Puppetry as an Imagined Community or - Puppetry as Community of Hope . Possible sub themes include: 1. Affiliation, friendship, and love among puppeteers. 2. Conflict negotiation and resolution through puppetry. 3. Formulating and implementing multiculturalism and humanistic values through puppetry. 4. Puppetry in pursuit of world peace and universal communities.
    [Show full text]
  • Place Attachment, Place Identity and Tourism in Jimbaran and Kuta
    Place Attachment, Place Identity and Tourism in Jimbaran and Kuta, Bali Luh Micke Anggraini Thesis submitted to fulfil the requirements of the degree of Doctor of Philosophy Institute for Culture and Society University of Western Sydney July 2015 This thesis is dedicated to Bali and the Balinese people, and to the geographically bounded communities whose places have been exposed to tourism ii Acknowledgements Praise Ida Sang Hyang Widhi Wasa the Creator, the Universe, and the Sacred Spirits. Many people have made this study possible. One person who has been pivotal is my husband Gde Prasetiawan, for enriching my life in many ways, providing the opportunity for me to advance my knowledge by giving his kind agreement to undertake further education overseas (noting that this chance rarely happens to a married woman within a Balinese family). The journey that has brought me to this point began in 2006 when I studied my Masters in Tourism Planning at the University of Western Sydney lectured by Associate Professor Robyn Bushell, who is now also my Principal PhD Supervisor. Since then I developed much interest in the field of tourism planning, as this subject is also an important issue in tourism development in Bali and Indonesia. Robyn encouraged and supported me in the Australian Development Scholarship (Australia Awards Scholarship) application to undertake the PhD program in 2010, and eventually this scholarship brought me back to Australia. Her role in directing me to the research topic on values-based approach to tourism planning is significant, and I would say that this thesis was very much inspired by her scholarly works.
    [Show full text]
  • A Third Balinese Journal 1980 and 1983 Rosemary Hilbery Southeast
    A Third Balinese Journal 1980 and 1983 by Rosemary Hilbery Southeast Asia Paper No. 29 Southeast Asian Studies Center for Asian and Pacific Studies University of Hawaii 1986 ~ 1986 Rosemary Hilbery Published by the Southeast Asian Studies Program Center for Asian and Pacific Studies University of Hawaii at Manoa Honolulu, Hawaii ii Contents List of Illustrations v ~bp of Puri Saren Complex vi Glossary vii Foreword ix Introduction 3 Part I: 1980, The Second Cremation Ceremonies for Tjokorda Gde Agung Sukawati .5 Part II: J983, The Wedding of Tjokorda Gde Putra Sukawati and Tjokorda Istri Sri Tjandrawati. 29 Appendix: The Royal Wedding, Napi Orti Newspaper, Ubud, Bali 89 Hi List of Illustrations PART 1: 1980 The Purl Saren-the main gateway as seen from the outer courtyard 2 Man carrying coconuts 4 Two small offerings made by children 7 The Puri Saren as seen from the wantilan opposite 8 ~~ng molded rice offerings in the temple 10 1be Pergembal offering of rice cakes 13 1~oth filing 17 l)edandas praying on the high 18 Flooded rice fields at Campuan 22 1be back verandah of Agung's palace 24 Pemangku making offerings to the evil spirits 26 PART II: 1983 Pm offering of flowers and cakes 30 1be gateway from Agung's courtyard to the middle courtyard 32 The market at Ubud 34 A very large Balinese pig 40 Temple in the rice fields on the way to Saren 44 1be Baris Gde in the temple at Batur 46 P~gda and the Barong at Batubulan 50 A dancer in the Barong Dance at Batubulan 52 1be Barong displayed in the temple 54 ~Bn carrying a symbol in a cremation procession 58 1be Pura Saraswati at Sangsit 62 1be wedding invitation of Tj.
    [Show full text]