04 Days Bali Exploration
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Indonesia Insights
Indonesia Insights CELESTIAL VOYAGERS, Inc 27-28 Thomson Ave., Suite WS 11, Long Island City, NY 11101 Tel: +1 212-203-1021 www.celestialvoyagers.com May 27 - June 10, 2020 Indonesia Insights: Java, Bali, & Lombok DAY 1&2 WEDNESDAY, THURSDAY MAY 27, 28 DEPARTURE & TRAVEL TIME Trip price $3250- per person Departure from JFK. SQ#25 leaves JFK AT 8:55 PM from terminal 4. Single room supplement + $520. - DAY 3 FRIDAY MAY 29 JAKARTA, JAVA (D) Arrival Singapore at 6:50 AM. Connection with SQ # 952 lv. at 7:40 AM, arr. Jakarta 8:25 AM. Assistance,guided city tour, check-in at hotel for 1 night. Dinner at Padang Restaurant. DAY 4 SATURDAY MAY 30 YOGYAKARTA TEMBI JAVA(B, L, D) This price includes: Morning flight to Yogyakarta. On arrival drive to Domah Yogya Hotel in the village of Tembi. Check-in for 4 nights. Rest ● International flights from JFK with Singapore Airlines after lunch. Signature Rijsttafel Dinner with traditional music. ● Domestic flights within Indonesia DAY 5 SUNDAY MAY 31 YOGYAKARTA / TEMBI, JAVA (B, D) ● 11 nights hotel accommodation with double occupancy Full day guided tour: Keraton Ngayogyakarta Hadiningrat, Palace of Yogyakarta, Tamansari Watercastle. Lunch at ● Buffet breakfast daily Sentra Gudeg Wijilan (not included); Malioboro street to explore stalls and shops. Return for dinner at Domah Yogya. ● 3 Lunches and 8 dinners as per itinerary DAY 6 MONDAY JUNE 1 PRAMBANAN / TEMBI. JAVA (B, D) ● All sightseeing and entrance fees as per itinerary Morning guided tour: Prambanan Temple and Candi Rato Boko ruins. Return to Domah Yogya for lunch (not included). -
Kumpulan Teks Descriptive the Beautiful Kuta Bali Kuta Is the Exciting Tourist Area on the Southern Part of Bali
Kumpulan teks descriptive The Beautiful Kuta Bali Kuta is the exciting tourist area on the southern part of Bali. It is located in southwestern Bali, just minutes from the airport. Kuta is one of the world's most famous beaches. It first attracted Western surfers with its world renowned surf break followed closely behind by sun worshipers and party goers attracted to its wide stretches of white sandy beach. Kuta, In addition to being the sunset site number one, is also the center of night life activities. Kuta has a shopping mecca, with its lines of shops, boutiques, and galleries. Restaurants line up the streets as well as the beachfront hotels, ranging from a small, inexpensive home stay to a luxurious resort There are many night clubs along Jalan Legian and Jalan Pantai Kuta. The busiest time for all night clubs are around from 22:00 and will close until down. Easter Island Do you know Easter Island? Well, Easter Island is in the South Pacific, 3,700 kilometres from the coast of Chile. On the island, there are 600 large statues. We don’t know who built them but they were probably constructed between 1150 and 1500. We don’t really know why they are there, The Easter Island. Norwegian explorer, Thor Heyerdahl, believed that they were built by people from South America. To prove this, he made a simple raft and sailed there, all the way from Peru. Archaeologists think that the statues represent dead tribal leaders. We don’t know why the statues left alone on the island. -
Glossary.Herbst.Bali.1928.Kebyar
Bali 1928 – Volume I – Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu by Edward Herbst Glossary of Balinese Musical Terms Glossary angklung Four–tone gamelan most often associated with cremation rituals but also used for a wide range of ceremonies and to accompany dance. angsel Instrumental and dance phrasing break; climax, cadence. arja Dance opera dating from the turn of the 20th century and growing out of a combination of gambuh dance–drama and pupuh (sekar alit; tembang macapat) songs; accompanied by gamelan gaguntangan with suling ‘bamboo flute’, bamboo guntang in place of gong or kempur, and small kendang ‘drums’. babarongan Gamelan associated with barong dance–drama and Calonarang; close relative of palégongan. bapang Gong cycle or meter with 8 or 16 beats per gong (or kempur) phrased (G).P.t.P.G baris Martial dance performed by groups of men in ritual contexts; developed into a narrative dance–drama (baris melampahan) in the early 20th century and a solo tari lepas performed by boys or young men during the same period. barungan gdé Literally ‘large set of instruments’, but in fact referring to the expanded number of gangsa keys and réyong replacing trompong in gamelan gong kuna and kebyar. batél Cycle or meter with two ketukan beats (the most basic pulse) for each kempur or gong; the shortest of all phrase units. bilah Bronze, iron or bamboo key of a gamelan instrument. byar Root of ‘kebyar’; onomatopoetic term meaning krébék, both ‘thunderclap’ and ‘flash of lightning’ in Balinese, or kilat (Indonesian for ‘lightning’); also a sonority created by full gamelan sounding on the same scale tone (with secondary tones from the réyong); See p. -
Confirmed Itinerary
PT. NIRWANA CERIA WISATA BALI (License: 551.21/12546/IV/BPMP) Jl. Sekar Tunjung (3rd Floor) Denpasar, Bali Tel. +62.361.7432001, 467618 | Fax. +63.361.467618 Email. [email protected] [email protected], [email protected] Website. www.nicetourbali.com Campaign Rate: Less another 10% from the rate below 4 DAYS 3 NIGHTS BALI TOUR PACKAGE / QUOTE IN USD PRICE / PERSON Package Price 1 2 3-5 6-9 10-15 16-19 20-25 26-30 Full Board (With Hotel) 386.00 226.00 202.00 192.00 176.00 167.00 162.00 157.00 Half Board (Without hotel) 247.00 156.00 136.00 122.00 106.00 97.00 92.00 87.00 Peak Season Period (22 Dec 2017 – 05 Jan 2018) surcharge another USD 26.00/Person The above Full Board net price, quote based on 3 Nights Stay @ hotel chosen below KUTA/LEGIAN/SEMINYAK LOVINA AREA UBUD AREA * Neo+ Hotel Legian *** - * Kertiyasa Bungalow Ubud*** * Adi Dharma Cottage/Hotel *** * Saren Indah Hotel Ubud*** * Zia Hotel Kuta *** * Maxone Hotel Ubud*** * Santika Hotel Seminyak *** We available for 4 star / 5 star or any others hotel /Villa choices, just let us know for any requested, and the new net rate will be adjusting accordingly. Confirmed Itinerary Day 1 : Airport – Hotel (Lunch/Dinner) Hotel Stay: As on chosen @Kuta Highlight : Padang Padang Beach + Uluwatu Temple 00.00pm Arrive at Ngurah Rai Airport 00.00pm Pick up at Airport & depart for lunch at Pawon Pasundan Restaurant – set menu lunch 02.00pm After lunch, start for half day tour by visiting : 1) Padang Padang Beach 2) Uluwatu Temple – Temple on the cliff 07.00pm Candle light dinner at -
Term-List-For-Ch4-Asian-Theatre-2
Asian Theatre: India, China, Korea, Japan, Indonesia, & Cambodia Cultural Periods and Events Theatrical Developments Persons Aryan migration & caste system Natya-Shastra (rasas & the Bharata Muni & Abhinavagupta Vedic & Gandhara Periods spectator’s liberation) Shūdraka & Kalidasa Hinduism & Sanskrit texts Islamic invasions actor-manager (sudtradhara) Buddhism (promising what?) shamanic rituals jester (vidushaka) Hellenistic influence court entertainments with string-puller (sudtradhara) Classical Period & Ashoka Jester Ming sheng, dan, jing, & chou (meanings) Theravada & Mahayana wrestling & Baixi men & women who played across gender Gupta golden age impersonations, dances, & women who led troupes Medieval Period acrobatics, sword tricks Guan Hanqing Muslim invasions small plays of song and dance Tang Xianzu Chola Dynasty Pear Garden & adjutant Li Yu Early Modern Period plays Kan’ami & Zeami Mughal Empire red light districts with shite & shite-tsure (across gender), waki, Colonial Period with British East southern dramas & waki-tsure, & kyogen India Company variety show musicals chorus of 8 men, musicians, & onstage British Raj with one star singing per stagehand (kuroko) Dramatic Performances Act act Okuni Contemporary Period complex, poetic dramas onnagata Shang, Zhou, Qin, Han, Jin, kun operas with plaintive Chikamatsu Northern & Southern, Sui, Tang, music & flowing Danjuro I Song, Yuan, Ming, & Qing melodies/dancing chanter, 3 puppeteers per puppet, & Dynasties Beijing Opera (jingju) as shamisen player nationalist & communist rulers -
The Origins of Balinese Legong
STEPHEN DAVIES The origins of Balinese legong Introduction In this paper I discuss the origin of the Balinese dance genre of legong. I date this from the late nineteenth century, with the dance achieving its definitive form in the period 1916-1932. These conclusions are at odds with the most common history told for legong, according to which it first appeared in the earliest years of the nineteenth century. The genre Legong is a secular (balih-balihan) Balinese dance genre.1 Though originally as- sociated with the palace,2 legong has long been performed in villages, espe- cially at temple ceremonies, as well as at Balinese festivals of the arts. Since the 1920s, abridged versions of legong dances have featured in concerts organized for tourists and in overseas tours by Balinese orchestras. Indeed, the dance has become culturally emblematic, and its image is used to advertise Bali to the world. Traditionally, the dancers are three young girls; the servant (condong), who dances a prelude, and two legong. All wear elaborate costumes of gilded cloth with ornate accessories and frangipani-crowned headdresses.3 The core 1 Proyek pemeliharaan 1971. Like all Balinese dances, legong is an offering to the gods. It is ‘secu- lar’ in that it is not one of the dance forms permitted in the inner yards of the temple. Though it is performed at temple ceremonies, the performance takes place immediately outside the temple, as is also the case with many of the other entertainments. The controversial three-part classification adopted in 1971 was motivated by a desire to prevent the commercialization of ritual dances as tourist fare. -
The Accountability in the Dimension of TRI HITA Karana (THK) an Ethnographic Study on the Organization of Kuta Traditional Vilage
Scientific Research Journal (SCIRJ), Volume II, Issue VIII, August 2014 10 ISSN 2201-2796 The Accountability in the Dimension of TRI HITA Karana (THK) An Ethnographic Study on the Organization of Kuta Traditional Vilage Gde Ary Wirajaya* Doctoral Program of Accounting Science Faculty of Economics and Business Brawijaya University of Malang Indonesia [email protected] Made Sudarma Departement of Accounting Faculty of Economics and Business Brawijaya University of Malang Indonesia Unti Ludigdo Departement of Accounting Faculty of Economics and Business Brawijaya University of Malang Indonesia Ali Djamhuri Departement of Accounting Faculty of Economics and Business Brawijaya University of Malang Indonesia Abstract- Pakraman (traditional) village is a social community Index Terms— Kuta traditional village, Pawongan in Bali which is growing and developing from social interactions accountability, Palemahan accountability, and Parahyangan in which communities construct their own reality of cultural accountability symbols, culture and religion in the surrounding areas. Kuta is one of traditional village in Bali. Its ability in managing and I. INTRODUCTION fostering community life as well as in the development process, providing motivation to examine the organization in certain The development of organizations in the last decade was areas of study, such as the relationship between traditional dominated by the strong demand for the implementation of the village with accountability. Assessment in Kuta traditional organization's accountability, both in public and private village’s accountability becomes important, considering this sectors. In the public sector, the existence of various kinds of organization has the means to drive villages economic activities conflicts that occur in Non-Governmental Organizations which becomes one of the biggest in Indonesia. -
Resort Fact Sheet
Villa Air Boutique Resort & Spa Seminyak – Bali Villa Air Bali – Boutique Resort & Spa Fact sheet BALINESE ZEN POOL VILLAS & FACILITIES Surrounded by generous grounds of lush tropical Whether for your private romantic getaway, family gardens, Villa Air Bali is a peaceful and tranquil vacation or traveling with a small group, celebrating private boutique resort near buzzling Seminyak, your friendship, Villa Air has the suitable choice of combining traditional Balinese with modern Zen villa for you. The resort features total 16 private elements, ultimate privacy and personal service. pool villas, from our smallest but not least favorable Bamboo Pool Villas, our One-Bedroom Pool Villas, the ‘Air’, meaning ‘water’ in the local language ‘Bahasa Two-Bedroom Garden Pool Villas to our Grand Pool Indonesia’, symbolizes the flow of life, purity, Villa with four bedrooms. Find out more about our serenity, healing and cleansing. The element has villa categories. been woven into the resort's architectural design to let every guest experience the pleasures of the Furthermore, the resort offers an own Spa with five distinctive surroundings. private treatment rooms, yoga bale, in-villa dining and a garden restaurant, lobby, library, boutique, Owned by a group of Taiwanese friends who public pool, buggy service, limousine and shuttle decided to establish a serene hideaway, where service, airport transfer – and certainly our famous guests can find a peaceful place to escape, rejuvenate personalized service. and relax, the idea behind Villa Air Bali was to create a retreat where the element water and Bali’s lush LOCATION nature is predominant, allowing you to reconnect. The resort is just 30 minutes away from ‘Ngurah Rai OPENING International Airport’, situated close to the heart of Seminyak in Petitenget/Kerobokan, which belongs The resort opened on 14th December 2006, to the ‘wider Seminyak’ area. -
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung
Bali 1928: Gamelan Gong Kebyar Music from Belaluan, Pangkung, Busungbiu 2 Introduction 6 A Sketch of the Time Period of these Recordings 11 Emergence of Kebyar 29 The Balinese Gamelan Recordings from Bali, 1928: a track–by–track discussion: 33 Gamelan Gong Kebyar of Belaluan, Denpasar 46 Gamelan Gong Kebyar of Pangkung, Tabanan 50 Gamelan Gong Kebyar of Busungbiu, Northwest Bali 57 List of Silent Archival Films 58 Acknowledgments 61 References Cited and Further Readings * Glossary on Separate PDF File1 1 The spellings in this article follow modernized Balinese orthography of dictionaries such as Kamus Bali Indonesia, by I Nengah Medera et.al. (1990). Although this system was proposed as early as 1972 it has been applied irregularly in writings on the arts, but we have chosen to adhere to it so as to reflect a closer relationship to actual Balinese aksara ‘letters of the alphabet, language’. For instance, many words with prefixes frequently spelled pe or peng are spelled here with the prefixes pa and pang. 1 Introduction These historic recordings were made in 1928 as part of a collection of the first and only commercially–released recordings of music made in Bali prior to World War II. This diverse sampling of new and older Balinese styles appeared on 78 rpm discs in 1929 with subsequent releases for international distribution. The records were sold worldwide (or not sold, as it happened) and quickly went out of print. It was a crucial time in the island’s musical history as Bali was in the midst of an artistic revolution with kebyar as the new dominant style of music. -
Event Detail
SPECIAL EVENT FOR THE ASIA SOCIETY PHILIPPINES FOUNDATION AT THE BALI PURNATI CENTER FOR THE ARTS 1. WELCOME music is played for the arriving guests from Jalan Gunung Abang to the Purnati. 2. In the entrance area a white “wall” of fabric is a stage for a PUPPET SHADOW SHOW and puppet performers with attractions involving about10 children-actors. 3. Single BARIS Dance by a12 years old performer is followed by six KAKANG-KAKANG dancers coming down the stairs and dancing at the entrance area while guests enjoy a welcome drink 4. After finishing Kakang-Kakang the dancers are guiding the guests up the stairs followed by KODOK, twenty FROG DANCERS (wearing frog masks), guiding everyone through the gardens to the pool side for a cocktail party 5. The cocktail party is accompanied by a KERONCONG singer. The guests are then slowly lead by the pavilion to hear instrumental music similar to that composed for I La Galigo 6. Flute music for PAKARENA dance from Makassar and Pencak Silat (of South Sulawesi) is then coming from the amphitheatre, accompanied by traditional drums with new composition for this famous, traditional female dance with fans 7. A male traditional fire dance from Makassar, TUTU-PEPEKA RI MAKKAH is then performing on the wooden covers over the small river as guests are coming down from the amphitheater followed by a procession of musicians 8. Balinese BARONG dance is staged atop a small hill next to the pavilion 9. Barong is followed by BARIS GEDE Dance of ten male dancers at the amphitheater and the show is continued with a grand finale, a contemporary new dance that includes all the PAKARENA dancers 10. -
Detailed Context on Selected Tourism Destinations ...80
Document of The World Bank FOR OFFICIAL USE ONLY PAD2756 Report No: Public Disclosure Authorized INTERNATIONAL BANK FOR RECONSTRUCTION AND DEVELOPMENT PROJECT APPRAISAL DOCUMENT ON A PROPOSED LOAN IN THE AMOUNT OF US$300 MILLION Public Disclosure Authorized TO THE REPUBLIC OF INDONESIA FOR A INTEGRATED INFRASTRUCTURE DEVELOPMENT FOR NATIONAL TOURISM STRATEGIC AREAS (INDONESIA TOURISM DEVELOPMENT PROJECT) May 8, 2018 Public Disclosure Authorized Finance, Competitiveness and Innovation Global Practice East Asia And Pacific Region This document has a restricted distribution and may be used by recipients only in the performance of their official duties. Its contents may not otherwise be disclosed without World Bank authorization. Public Disclosure Authorized CURRENCY EQUIVALENTS (Exchange Rate Effective May 1, 2018) Currency Unit = Indonesian Rupiah (IDR) IDR 13,949 = US$1 FISCAL YEAR January 1 - December 31 Regional Vice President: Victoria Kwakwa Country Director: Rodrigo A. Chaves Senior Global Practice Director: Ceyla Pazarbasioglu-Dutz Practice Manager: Ganesh Rasagam Task Team Leader(s): Bertine Kamphuis ABBREVIATIONS AND ACRONYMS APBN Anggaran Pendapatan dan Belanja Negara (State Revenue and Expenditure Budget) APBDI Anggaran Pendapatan dan Belanja Daerah Tingkat I (Provincial Revenue and Expenditure Budget) APBDII Anggaran Pendapatan dan Belanja Daerah Tingkat II (Kota/Kabupaten Revenue and Expenditure Budget) ASA analytics and advisory services ASEAN Association of Southeast Asian Nations BAPPENAS Badan Perencanaan Pembangunan Nasional -
INDO 16 0 1107129329 39 80.Pdf (6.209Mb)
Roadside village between Malang and Selecta NOTES ON CONTEMPORARY INDONESIAN POLITICAL COMMUNICATION Benedict R. OfG. Anderson With the appearance in 1970 of Indonesian Political Thinking, students of Indonesian society and politics were for the first time presented with a wide-ranging collection of writings and speeches by important Indonesian politicians and intellectuals in the post-1945 period.1 The timing of its publication was not fortuitous: it clearly reflected a steadily growing scholarly interest in Indonesian ideology and political discourse.2 Recent work by Dahm, Weatherbee, Legge and Mortimer has been devoted to pioneering analysis of important segments of Indonesian political thought.3 Their writings show not only how rich this field of enquiry is, but also how much m m m research still needs to be done. At the same time it is useful to recognize that the materials used in this genre of research haewsssa specialized represent a particular type of political communication. In general, they take the form of more or less studied, quasi-literary and printed 1. Herbert Feith and Lance Castles, eds., Indonesian Political Thinking, 1945-1965 (Ithaca, N.Y.: Cornell University Press, 1970). For a useful critique, see Alfian, "Indonesian Political Thinking’: A Review," Indonesia, 11 (April 1971), pp. 193-200. 2. In addition, a number of translations of important individual texts by Indonesian political leaders have been published. These include: Sutan Sjahrir, Out of Exile, trans. Charles Wolf, Jr. (New York: John Day, 1949); Mohammad Hatta, Past and Future (Ithaca, N.Y.: Cornell Modern Indonesia Project, 1960); Sukarno, Mar- haen and Proletarian, trans.