Sarbanes-Oxley IT Compliance Using Open Source Tools, 2Nd Ed..Pdf
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Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed up to Defeat SOPA and Save the Internet
Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed Up to Defeat SOPA and Save the Internet EDITED BY DAVID MOON, PATRICK RUFFINI, AND DAVID SEGAL Hacking Politics THE ULTIMATE DOCUMENTATION OF THE ULTIMATE INTERNET KNOCK-DOWN BATTLE! Hacking Politics From Aaron to Zoe—they’re here, detailing what the SOPA/PIPA battle was like, sharing their insights, advice, and personal observations. Hacking How Geeks, Politics includes original contributions by Aaron Swartz, Rep. Zoe Lofgren, Lawrence Lessig, Rep. Ron Paul, Reddit’s Alexis Ohanian, Cory Doctorow, Kim Dotcom and many other technologists, activists, and artists. Progressives, Hacking Politics is the most comprehensive work to date about the SOPA protests and the glorious defeat of that legislation. Here are reflections on why and how the effort worked, but also a blow-by-blow the Tea Party, account of the battle against Washington, Hollywood, and the U.S. Chamber of Commerce that led to the demise of SOPA and PIPA. Gamers, Anarchists DAVID MOON, former COO of the election reform group FairVote, is an attorney and program director for the million-member progressive Internet organization Demand Progress. Moon, Moon, and Suits Teamed Up PATRICK RUFFINI is founder and president at Engage, a leading digital firm in Washington, D.C. During the SOPA fight, he founded “Don’t Censor the to Defeat SOPA and Net” to defeat governmental threats to Internet freedom. Prior to starting Engage, Ruffini led digital campaigns for the Republican Party. Ruffini, Save the Internet DAVID SEGAL, executive director of Demand Progress, is a former Rhode Island state representative. -
Command-Line Sound Editing Wednesday, December 7, 2016
21m.380 Music and Technology Recording Techniques & Audio Production Workshop: Command-line sound editing Wednesday, December 7, 2016 1 Student presentation (pa1) • 2 Subject evaluation 3 Group picture 4 Why edit sound on the command line? Figure 1. Graphical representation of sound • We are used to editing sound graphically. • But for many operations, we do not actually need to see the waveform! 4.1 Potential applications • • • • • • • • • • • • • • • • 1 of 11 21m.380 · Workshop: Command-line sound editing · Wed, 12/7/2016 4.2 Advantages • No visual belief system (what you hear is what you hear) • Faster (no need to load guis or waveforms) • Efficient batch-processing (applying editing sequence to multiple files) • Self-documenting (simply save an editing sequence to a script) • Imaginative (might give you different ideas of what’s possible) • Way cooler (let’s face it) © 4.3 Software packages On Debian-based gnu/Linux systems (e.g., Ubuntu), install any of the below packages via apt, e.g., sudo apt-get install mplayer. Program .deb package Function mplayer mplayer Play any media file Table 1. Command-line programs for sndfile-info sndfile-programs playing, converting, and editing me- Metadata retrieval dia files sndfile-convert sndfile-programs Bit depth conversion sndfile-resample samplerate-programs Resampling lame lame Mp3 encoder flac flac Flac encoder oggenc vorbis-tools Ogg Vorbis encoder ffmpeg ffmpeg Media conversion tool mencoder mencoder Media conversion tool sox sox Sound editor ecasound ecasound Sound editor 4.4 Real-world -
Sound-HOWTO.Pdf
The Linux Sound HOWTO Jeff Tranter [email protected] v1.22, 16 July 2001 Revision History Revision 1.22 2001−07−16 Revised by: jjt Relicensed under the GFDL. Revision 1.21 2001−05−11 Revised by: jjt This document describes sound support for Linux. It lists the supported sound hardware, describes how to configure the kernel drivers, and answers frequently asked questions. The intent is to bring new users up to speed more quickly and reduce the amount of traffic in the Usenet news groups and mailing lists. The Linux Sound HOWTO Table of Contents 1. Introduction.....................................................................................................................................................1 1.1. Acknowledgments.............................................................................................................................1 1.2. New versions of this document.........................................................................................................1 1.3. Feedback...........................................................................................................................................2 1.4. Distribution Policy............................................................................................................................2 2. Sound Card Technology.................................................................................................................................3 3. Supported Hardware......................................................................................................................................4 -
EMEP/MSC-W Model Unofficial User's Guide
EMEP/MSC-W Model Unofficial User’s Guide Release rv4_36 https://github.com/metno/emep-ctm Sep 09, 2021 Contents: 1 Welcome to EMEP 1 1.1 Licenses and Caveats...........................................1 1.2 Computer Information..........................................2 1.3 Getting Started..............................................2 1.4 Model code................................................3 2 Input files 5 2.1 NetCDF files...............................................7 2.2 ASCII files................................................ 12 3 Output files 17 3.1 Output parameters NetCDF files..................................... 18 3.2 Emission outputs............................................. 20 3.3 Add your own fields........................................... 20 3.4 ASCII outputs: sites and sondes..................................... 21 4 Setting the input parameters 23 4.1 config_emep.nml .......................................... 23 4.2 Base run................................................. 24 4.3 Source Receptor (SR) Runs....................................... 25 4.4 Separate hourly outputs......................................... 26 4.5 Using and combining gridded emissions................................. 26 4.6 Nesting.................................................. 27 4.7 config: Europe or Global?........................................ 31 4.8 New emission format........................................... 32 4.9 Masks................................................... 34 4.10 Other less used options......................................... -
RFP Response to Region 10 ESC
An NEC Solution for Region 10 ESC Building and School Security Products and Services RFP #EQ-111519-04 January 17, 2020 Submitted By: Submitted To: Lainey Gordon Ms. Sue Hayes Vertical Practice – State and Local Chief Financial Officer Government Region 10 ESC Enterprise Technology Services (ETS) 400 East Spring Valley Rd. NEC Corporation of America Richardson, TX 75081 Cell: 469-315-3258 Office: 214-262-3711 Email: [email protected] www.necam.com 1 DISCLAIMER NEC Corporation of America (“NEC”) appreciates the opportunity to provide our response to Education Service Center, Region 10 (“Region 10 ESC”) for Building and School Security Products and Services. While NEC realizes that, under certain circumstances, the information contained within our response may be subject to disclosure, NEC respectfully requests that all customer contact information and sales numbers provided herein be considered proprietary and confidential, and as such, not be released for public review. Please notify Lainey Gordon at 214-262-3711 promptly upon your organization’s intent to do otherwise. NEC requests the opportunity to negotiate the final terms and conditions of sale should NEC be selected as a vendor for this engagement. NEC Corporation of America 3929 W John Carpenter Freeway Irving, TX 75063 http://www.necam.com Copyright 2020 NEC is a registered trademark of NEC Corporation of America, Inc. 2 Table of Contents EXECUTIVE SUMMARY ................................................................................................................................... -
Sox Examples
Signal Analysis Young Won Lim 2/17/18 Copyright (c) 2016 – 2018 Young W. Lim. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License". Please send corrections (or suggestions) to [email protected]. This document was produced by using LibreOffice. Young Won Lim 2/17/18 Based on Signal Processing with Free Software : Practical Experiments F. Auger Audio Signal Young Won Lim Analysis (1A) 3 2/17/18 Sox Examples Audio Signal Young Won Lim Analysis (1A) 4 2/17/18 soxi soxi s1.mp3 soxi s1.mp3 > s1_info.txt Input File Channels Sample Rate Precision Duration File Siz Bit Rate Sample Encoding Audio Signal Young Won Lim Analysis (1A) 5 2/17/18 Generating signals using sox sox -n s1.mp3 synth 3.5 sine 440 sox -n s2.wav synth 90000s sine 660:1000 sox -n s3.mp3 synth 1:20 triangle 440 sox -n s4.mp3 synth 1:20 trapezium 440 sox -V4 -n s5.mp3 synth 6 square 440 0 0 40 sox -n s6.mp3 synth 5 noise Audio Signal Young Won Lim Analysis (1A) 6 2/17/18 stat Sox s1.mp3 -n stat Sox s1.mp3 -n stat > s1_info_stat.txt Samples read Length (seconds) Scaled by Maximum amplitude Minimum amplitude Midline amplitude Mean norm Mean amplitude RMS amplitude Maximum delta Minimum delta Mean delta RMS delta Rough frequency Volume adjustment Audio Signal Young Won -
Weeklies with Local Cartoons Are 'Truly Blessed'
Weeklies with local cartoons are ‘truly blessed’ By Marcia Martinek . Pages 1-3 Funding of journalism remains the Holy Grail By Anthony Longden . Pages 4-6 Fighting spirit: Competing hyperlocal sites outmatch regional newspaper’s community coverage By Barbara Selvin . Page 7-11 Extension journalism: Teaching students the real world and bringing a new type of journalism to a small town By Al Cross . Pages 12-18 Shared views: Social capital, community ties and Instagram By Leslie-Jean Thornton . Page 19-26 The EMT of multimedia: How to revive your newspaper’s future By Teri Finneman . Pages 27-32 volume 54, no. 3-4 • fall/winter 2013 grassroots editor • fall-winter 2013 Weeklies with local Editor: Dr. Chad Stebbins Graphic Designer: Liz Ford Grassroots Editor cartoons are ‘truly blessed’ (USPS 227-040, ISSN 0017-3541) is published quarterly for $25 per year by By Marcia Martinek the International Society of Weekly Newspaper Editors, Institute of International Studies, Missouri Southern When an 8-year-old girl saw an illustration in the Altamont (New York) Enterprise depict- State University, 3950 East Newman Road, ing her church, which was being closed by the Albany Diocese, she became upset. Forest Byrd, Joplin, MO 64801-1595. Periodicals post- then the illustrator for the newspaper, had drawn the church with a tilting steeple, being age paid at Joplin, Mo., and at strangled with vines as a symbol of what was happening in the diocese. additional mailing offices. The girl wrote to the newspaper, and Editor Melissa Hale-Spencer responded to her, explaining the role of cartoons in a newspaper along with affirming the girl’s action in writing POSTMASTER: Send address changes the letter. -
Review of Service Composition Interfaces
Sanna Kotkaluoto, Juha Leino, Antti Oulasvirta, Peter Peltonen, Kari‐Jouko Räihä and Seppo Törmä Review of Service Composition Interfaces DEPARTMENT OF COMPUTER SCIENCES UNIVERSITY OF TAMPERE D‐2009‐7 TAMPERE 2009 UNIVERSITY OF TAMPERE DEPARTMENT OF COMPUTER SCIENCES SERIES OF PUBLICATIONS D – NET PUBLICATIONS D‐2009‐7, OCTOBER 2009 Sanna Kotkaluoto, Juha Leino, Antti Oulasvirta, Peter Peltonen, Kari‐Jouko Räihä and Seppo Törmä Review of Service Composition Interfaces DEPARTMENT OF COMPUTER SCIENCES FIN‐33014 UNIVERSITY OF TAMPERE ISBN 978‐951‐44‐7896‐3 ISSN 1795‐4274 Preface This report was produced in the LUCRE project. LUCRE stands for Local and User-Created Services. The project is part of the Flexible Services research programme, one of the programmes of the Strategic Centre for Science, Technology and Innovation in the ICT field (TIVIT) and funded by Tekes (the Finnish Funding Agency for Technology and Innovation) and the participating organizations. The Flexible Service Programme creates service business activity for global markets. The programme has the aim of creating a Web of Services. The programme creates new types of ecosystems, in which the producers of services, the people that convey the service and the users all work together in unison. As part of such ecosystems, LUCRE will develop an easy-to-use, visual service creation platform to support the creation of context aware mobile services. The goal is to support user-driven open innovation: the end- users (people, local businesses, communities) will be provided with tools to compose new services or to modify existing ones. The service creation platform will build on the technology of existing mashup tools, widget frameworks, and publish/subscribe mechanisms. -
Name Synopsis Description Options
SoXI(1) Sound eXchange SoXI(1) NAME SoXI − Sound eXchange Information, display sound file metadata SYNOPSIS soxi [−V[level]] [−T][−t|−r|−c|−s|−d|−D|−b|−B|−p|−e|−a] infile1 ... DESCRIPTION Displays information from the header of a givenaudio file or files. Supported audio file types are listed and described in soxformat(7). Note however, that soxi is intended for use only with audio files with a self- describing header. By default, as much information as is available is shown. An option may be giventoselect just a single piece of information (perhaps for use in a script or batch-file). OPTIONS −V Set verbosity.See sox(1) for details. −T Used with multiple files; changes the behaviour of −s, −d and −D to display the total across all givenfiles. Note that when used with −s with files with different sampling rates, this is of ques- tionable value. −t Showdetected file-type. −r Showsample-rate. −c Shownumber of channels. −s Shownumber of samples (0 if unavailable). −d Showduration in hours, minutes and seconds (0 if unavailable). Equivalent to number of samples divided by the sample-rate. −D Showduration in seconds (0 if unavailable). −b Shownumber of bits per sample (0 if not applicable). −B Showthe bitrate averaged overthe whole file (0 if unavailable). −p Showestimated sample precision in bits. −e Showthe name of the audio encoding. −a Showfile comments (annotations) if available. BUGS Please report anybugs found in this version of SoX to the mailing list ([email protected]). SEE ALSO sox(1), soxformat(7), libsox(3) The SoX web site at http://sox.sourceforge.net LICENSE Copyright 2008−2013 by Chris Bagwell and SoX Contributors. -
PANAHI-.Pdf (1.237Mb)
© Copyright by Hesam Panahi, 2010 USER-GENERATED CONTENT AND REVOLUTIONS: TOWARDS A THEORIZATION OF WEB 2.0 A Dissertation Presented to The Faculty of the C.T. Bauer College of Business University of Houston In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By Hesam Panahi December, 2010 Introduction ............................................................................................................ 1 Dissertationʼs Research Objective ..................................................................... 2 Dissertationʼs Research Methodology ................................................................ 3 References ......................................................................................................... 5 Paper One: A Critical Study of Social Computing and Web 2.0: The Case of Digg ............................................................................................................................... 6 Introduction ........................................................................................................ 7 Theoretical Background ..................................................................................... 9 Critical Studies of IS ....................................................................................... 9 A Critical Framework for Studying Social Computing ................................... 10 Research Methods ........................................................................................... 15 Why an Interpretive Approach ..................................................................... -
Polycentric Information Commons: a Theory Development and Empirical Investigation
Georgia State University ScholarWorks @ Georgia State University CEPRIN Dissertations Center for Process Innovation Fall 12-10-2018 Polycentric Information Commons: A Theory Development and Empirical Investigation Vitali Mindel Follow this and additional works at: https://scholarworks.gsu.edu/ceprin_diss Recommended Citation Mindel, Vitali, "Polycentric Information Commons: A Theory Development and Empirical Investigation." Dissertation, Georgia State University, 2018. https://scholarworks.gsu.edu/ceprin_diss/5 This Dissertation is brought to you for free and open access by the Center for Process Innovation at ScholarWorks @ Georgia State University. It has been accepted for inclusion in CEPRIN Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Polycentric Information Commons: A Theory Development and Empirical Investigation By VITALI MINDEL A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE ROBINSON COLLEGE OF BUSINESS OF GEORGIA STATE UNIVERSITY GEORGIA STATE UNIVERSITY ROBINSON COLLEGE OF BUSINESS 2018 Polycentric Information Commons V. Mindel 2018 Copyright by Vitali Mindel 2018 2 Polycentric Information Commons V. Mindel 2018 ACCEPTANCE This dissertation was prepared under the direction of the Vitali Mindel Dissertation Committee. It has been approved and accepted by all members of that committee, and it has been accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Business Administration in the J. Mack Robinson College of Business of Georgia State University. Richard Phillips, Dean DISSERTATION COMMITTEE Chair: Dr. Lars Mathiassen (Center for Process Innovation & Computer Information Systems Department, Georgia State University) Chair: Dr. Arun Rai (Center for Process Innovation & Computer Information Systems Department, Georgia State University) Dr. -
Name Synopsis Description
SoX(1) Sound eXchange SoX(1) NAME SoX − Sound eXchange, the Swiss Army knife of audio manipulation SYNOPSIS sox [global-options][format-options] infile1 [[format-options] infile2]... [format-options] outfile [effect [effect-options]] ... play [global-options][format-options] infile1 [[format-options] infile2]... [format-options] [effect [effect-options]] ... rec [global-options][format-options] outfile [effect [effect-options]] ... DESCRIPTION Introduction SoX reads and writes audio files in most popular formats and can optionally apply effects to them. It can combine multiple input sources, synthesise audio, and, on manysystems, act as a general purpose audio player or a multi-track audio recorder.Italso has limited ability to split the input into multiple output files. All SoX functionality is available using just the sox command. Tosimplify playing and recording audio, if SoX is invokedas play,the output file is automatically set to be the default sound device, and if invokedas rec,the default sound device is used as an input source. Additionally,the soxi(1) command provides a con- venient way to just query audio file header information. The heart of SoX is a library called libSoX. Those interested in extending SoX or using it in other pro- grams should refer to the libSoX manual page: libsox(3). SoX is a command-line audio processing tool, particularly suited to making quick, simple edits and to batch processing. If you need an interactive,graphical audio editor,use audacity(1). *** The overall SoX processing chain can be summarised as follows: Input(s) → Combiner → Effects → Output(s) Note however, that on the SoX command line, the positions of the Output(s) and the Effects are swapped w.r.t.