DOCSLIB.ORG

French-Horn.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
French-Horn.Pdf Anchorage School District Music Department Approved List, Solo & Ensemble (2005/06) Vocal Ensemble Composer Title Pub. Level Event Comments American Folk Hymn Wondrous Love (dʼ-d”) / The Canadian Brass Book of HL 1 French Horn Solo Bach Menuet in G MMP 1 French Horn Solo Bach/Dishinger Menuet in G MMP 1 French Horn Solo Brahms On the Lake MMP 1 French Horn Solo Brahms/Dishinger On the Lake MMP 1 French Horn Solo Buchtel Arcadia NAK 1 French Horn Solo Buchtel Elegy NAK 1 French Horn Solo Buchtel Solitude NAK 1 French Horn Solo Classic Festival Solos, Vol. 1- Smith, L.-Viking (pub. sep.)(cʼ-b flatʼ) / Classic WBRO 1 French Horn Solo Classic Festival Solos, Vol. 2- Mendelssohn, F.-On Wings of Song (cʼ-d”) WBRO 1 French Horn Solo Folksong The Water is Wide (cʼ-c”) / The Canadian Brass Book HL 1 French Horn Solo Gunning Elegy / The Real Easy Horn Book GW 1 French Horn Solo Hurrell Meadowland RU 1 French Horn Solo Kinney Song SPR 1 French Horn Solo Lavalee/Routhier/Weir/Boyd O Canada! (cʼ-bʼ) / The Canadian Brass Book of HL 1 French Horn Solo Liadov Dancing Song MMP 1 French Horn Solo Mendelssohn Reverie MMP 1 French Horn Solo Mendelssohn, F./ Lamb, J. On Wings of Song (cʼ-d”) / Classic Festival Solos, WBRO 1 French Horn Solo Myers, T. Lazy Day LSP 1 French Horn Solo cʼ-c” Nyquist, M. Melody for Horn (cʼ-c”) / Solo Sounds, Levels 1-3, WBRO 1 French Horn Solo Pearson Valse Triste / The Real Easy Horn Book GW 1 French Horn Solo Pearson, B./Elledge M. Festival Solos / Standard of Excellence KJOS 1 French Horn Solo Ployhar, J. Greensleeves (b-c”) / F Horn Solos, Level I WBRO 1 French Horn Solo Ployhar, J. March of the Space Patrol (fʼ-c”) / F Horn Solos, WBRO 1 French Horn Solo Proust, P. Voiles TP 1 French Horn Solo a-aʼ Purcell/Vedeski Gavotte MMP 1 French Horn Solo Rameau Rigaudon MMP 1 French Horn Solo Rameau/Dishinger Rigaudon MMP 1 French Horn Solo Schubert My Sweet Repose NAK 1 French Horn Solo Schubert My Sweetheartʼs Eyes MMP 1 French Horn Solo Schubert, F./Smith, L./Farkas, Andante WBRO 1 French Horn Solo dʼ-c” Schubert/Buchtel My Sweet Repose NAK 1 French Horn Solo Schubert/Dishinger My Sweetheartʼs Eyes MMP 1 French Horn Solo Scott, L. Annie Lauri (b flat-d”) / Solo Sounds, Levels 1-3, Vol. WBRO 1 French Horn Solo Sea Chanty Shenandoah (b flat-e flat”) / The Canadian Brass HL 1 French Horn Solo Siennicki Happy Song BAR 1 French Horn Solo Siennicki Happy Song LUD 1 French Horn Solo Siennicki Harvest Waltz LUD 1 French Horn Solo Siennicki Swan, The BAR 1 French Horn Solo Siennicki Swan, The LUD 1 French Horn Solo Siennicki Valse Ballet BAR 1 French Horn Solo Smith, L. Our Favorite (a-c”0(pub. sep) / F Horn Solos, Level I WBRO 1 French Horn Solo Smith, L./Lamb, J. Viking (pub. sep.)(cʼ-b flatʼ) / Classic Festival Solos, WBRO 1 French Horn Solo Solomon Andante SMC 1 French Horn Solo Tchaikovsky, P. Sleeping Beauty Waltz (cʼ-dʼ) / F Horn Solos, Level I WBRO 1 French Horn Solo Ameller Rimousky LED 2 French Horn Solo Bach Gavotte in G Minor MMP 2 French Horn Solo Bach Musette MMP 2 French Horn Solo Bach/Dishinger Musette MMP 2 French Horn Solo Bakaleinikoff, V.- Canzona (eʼ-f”) / Solo Sounds, Levels 1-3, Vol. 1 WBRO 2 French Horn Solo Bakaleinikoff, V.- Cavatina (dʼ-e”) / Solo Sounds, Levels 1-3, Vol. 1 WBRO 2 French Horn Solo Beethoven Beloved from Afar MMP 2 French Horn Solo Beethoven German Dance / First Solos for the Horn Players GW 2 French Horn Solo Beethoven May Song MMP 2 French Horn Solo Beethoven, L./ Jones, M. Marmotte (No. 7 of Eight Songs, Op. 52)(eʼ-e”) / First HL-GS 2 French Horn Solo Beethoven/Dishinger Beloved From Afar MMP 2 French Horn Solo Beethoven/Dishinger May Song MMP 2 French Horn Solo Brahms German Love Song BEL 2 French Horn Solo Brahms, J./Baudrier, E. Chant Populaire HE-MOL 2 French Horn Solo cʼ-d” Brahms/Forsberg German Love Song BEL 2 French Horn Solo Buchtel Nocturne NAK 2 French Horn Solo Buchtel, F. Meditation KJOS 2 French Horn Solo b-d” Anchorage School District Music Department Approved List, Solo & Ensemble (2005/06) Vocal Ensemble Composer Title Pub. Level Event Comments Chopin Etude MMP 2 French Horn Solo Chopin/Dishinger Etude MMP 2 French Horn Solo Classic Festival Solos, Vol. 2- Traditional-Simple Gifts (cʼ-c”) / Classic Festival WBRO 2 French Horn Solo Cohen Legend of the Hills BEL 2 French Horn Solo Couperin Marche MMP 2 French Horn Solo Couperin Sailorʼs Song MMP 2 French Horn Solo Couperin/Dishinger March MMP 2 French Horn Solo Couperin/Dishinger Sailorʼs Song MMP 2 French Horn Solo Druschetzky/Dishinger Allegro Trio #3 MMP 2 French Horn Solo F Horn Solos Level I Tchaikovsky, P.-Theme from Swan Lake (b flat-e”) / WBRO 2 French Horn Solo Franck Panis Angelicus WB 2 French Horn Solo Franck Panis Angelicus W7 2 French Horn Solo Gluck, C. Pantomime (Orfeo)(b flat-f”) / Solo Sounds, Levels 1 WBRO 2 French Horn Solo Handel Bouree MMP 2 French Horn Solo Handel Largo / Xerxes MMP 2 French Horn Solo Handel Menuet MMP 2 French Horn Solo Handel Whereʼer You Walk MMP 2 French Horn Solo Handel, G. Lament (Lascia chʼio pianga)(cʼ-d”) / The Canadian HL 2 French Horn Solo Handel/Dishinger Bouree SPR 2 French Horn Solo Handel/Dishinger Largo from Xerxes MMP 2 French Horn Solo Handel/Dishinger Menuet MMP 2 French Horn Solo Handel/Dishinger WhereʼEr You Walk MMP 2 French Horn Solo Jones, M. The Ash Grove (cʼ-e”) / First Solos for the Horn HL-GS 2 French Horn Solo Jones, M. The Dusky Night (cʼ-f”) / First Solos for the Horn HL-GS 2 French Horn Solo Kaplan, D. Soliloquy (dʼ-d”) / Solo Sounds, Levels 1-3, Vol. 1 WBRO 2 French Horn Solo Liebe, L./ Kaufmann, H. To Meet Again (g-c”) / 12 Solos for French Horn & CF 2 French Horn Solo Lotzenhiser, G. Autumn Dream (b-c”) / Solo Sounds, Levels 1-3, Vol. WBRO 2 French Horn Solo Marpurg Menuet MMP 2 French Horn Solo Marpurg/Dishinger Menuet MMP 2 French Horn Solo Martini Gavotte SPR 2 French Horn Solo Martini/Dishinger Gavotte SPR 2 French Horn Solo Mendelssohn On Wings of Song NAK 2 French Horn Solo Mendelssohn, F./ Jones, M. Love Song (cʼ-e flat”) / First Solos for the Horn Player HL-GS 2 French Horn Solo Mendelssohn, F./Buchtel, F. Nocturne from Midsummer Nightʼs Dream KJOS 2 French Horn Solo cʼ-c” Mendlessohn On Wings of Song NAK 2 French Horn Solo Morely Alman MMP 2 French Horn Solo Moussorgsky Tear, A LUD 2 French Horn Solo Mozart Menuet, K. 164 MMP 2 French Horn Solo Mozart Presto MMP 2 French Horn Solo Mozart Rondo / Diverimento #11 MMP 2 French Horn Solo Mozart Rondo in D Major MMP 2 French Horn Solo Mozart, W./ Jones, M. No More, I Have Heard Everthing (a-f”) / First Solos HL-GS 2 French Horn Solo Mozart/Dishinger Menuet, K, 164 SPR 2 French Horn Solo Mozart/Dishinger Presto MMP 2 French Horn Solo Mozart/Dishinger Rondo (In D Major) MMP 2 French Horn Solo Nyquist Melody for Horn BEL 2 French Horn Solo Ployhar Caprice BM 2 French Horn Solo Proust, P. Scenes paysannes TP 2 French Horn Solo b-c” Purcell Little Suite MMP 2 French Horn Solo Purcell March / From Suite #5 MMP 2 French Horn Solo Purcell, H./Buchtel, F. Nymphs & Shepherds KJOS 2 French Horn Solo g-c” Purcell, H./Vedeski, A. Gavotte / Harpsichord Suite No. 5 MMP 2 French Horn Solo f-c” Purcell/Dishinger March from Suite #5 MMP 2 French Horn Solo Schubert Andante BEL 2 French Horn Solo Schumann Romanza Op. 138 #5 BM 2 French Horn Solo Schumann Your Ring on My Finger MMP 2 French Horn Solo Schumann/Forsberg/Johnson Romanza, Op. 138, #5 BM 2 French Horn Solo Schwartz International Folk Suite SMC 2 French Horn Solo Scriabin, A./ Jones, M. Romance (b-e”) / First Solos for the Horn Player HL-GS 2 French Horn Solo Siennicki Barcarolle & Scherezetto LUD 2 French Horn Solo Siennicki Barcarolle & Scherzetto LUD 2 French Horn Solo Strauss, R./ Voxman, H. Allerseelen (a-e”) / Concert & Contest Collection HL-RU 2 French Horn Solo Anchorage School District Music Department Approved List, Solo & Ensemble (2005/06) Vocal Ensemble Composer Title Pub. Level Event Comments Tchaikovsky, P. Theme from Swan Lake (b flat-e”) / F Horn Solos WBRO 2 French Horn Solo Telemann, G./Stouffer, P. Menuett KM 2 French Horn Solo cʼ-d” The Canadian Brass Book of Handel, G.-Lament (Lascia chʼio pianga)(cʼ-d”) / The HL 2 French Horn Solo Voxman, H. Concert & Contest Collection HL-RU 2 French Horn Solo Warren Mediation LUD 2 French Horn Solo Warren Meditation LUD 2 French Horn Solo Williams A Winterʼs Willow MMP 2 French Horn Solo Anderson Prelude in Canon BH 3 French Horn Solo Bach Gavotte in G Minor EMP 3 French Horn Solo Bach Little Prelude MMP 3 French Horn Solo Bach, J.S./Gounod, C. Ave Maria CF 3 French Horn Solo a-f # Beethoven Andromeda BEL 3 French Horn Solo Beethoven, L./ Jones, M. German Dance (b-g”) / First Solos for the horn Player HL-GS 3 French Horn Solo Bell Sonatine in Four Movements MMP 3 French Horn Solo No Repeats Berlioz Bolero MMP 3 French Horn Solo Berlioz/Dishinger Bolero MMP 3 French Horn Solo Boccherini Menuet MMP 3 French Horn Solo Borodin Polovtsian Dance KM 3 French Horn Solo Prince Igor Boyce Gavotte from Sym.
Load more

Recommended publications
  • Musikwissenschaftliche Editionen Publikationsverzeichnis Der Von Der Union Betreuten Musikwissenschaftlichen Editionen Und Dokumentationen Stand: 30
    Union der deutschen Akademien der Wissenschaften Musikwissenschaftliche Editionen Publikationsverzeichnis der von der Union betreuten Musikwissenschaftlichen Editionen und Dokumentationen Stand: 30. April 2019 AKADEMIE DER WISSENSCHAFTEN UND DER LITERATUR │ MAINZ Koordination und Redaktion: Dr. Gabriele Buschmeier Bestellungen der in diesem Verzeichnis aufgeführten Publikationen sind an den Buchhandel zu richten. 2019 by Akademie der Wissenschaften und der Literatur│Mainz Alle Rechte einschließlich des Rechts zur Vervielfältigung, zur Einspeisung in elektro- nische Systeme sowie der Übersetzung vorbehalten. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne ausdrückliche Genehmigung der Akademie und des Verlages unzulässig und strafbar. Gedruckt auf säurefreiem, chlorfrei gebleichtem Papier Umschlaggestaltung: die gestalten. Joachim Holz, Mainz Druck: Druckerei & Verlag Steinmeier GmbH Co.KG, Deiningen Printed in Germany INHALT Vorwort ........................................................................... 5 Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke .............................. 7 – Supplement. Gesamtregister und Übersichten. Bach-Dokumente .................... 21 Johannes Brahms: Neue Ausgabe sämtlicher Werke ................................... 23 Christoph Willibald Gluck: Sämtliche Werke .......................................... 26 Georg Friedrich Händel: Hallische Händel-Ausgabe - Kritische Gesamtausgabe ......... 32 – Händel-Handbuch .............................................................
    [Show full text]
  • ‚Aufgeweckte Einfälle' Und ‚Sinnreiche Gedanken' – Witz Und Humor
    ‚aufgeweckte Einfälle‘ und ‚sinnreiche Gedanken‘ – Witz und Humor in Ouvertürensuiten Georg Philipp Telemanns Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Universität Heidelberg vorgelegt von: Sarah-Denise Fabian Erstgutachterin: Prof. Dr. Silke Leopold Zweitgutachterin: Prof. Dr. Dorothea Redepenning Heidelberg, Juli 2014, überarbeitete Fassung August 2015 Für meine Eltern und Großeltern Dank Bei der vorliegenden Arbeit handelt es sich um eine geringfügig überarbeitete Fassung meiner im Juli 2014 von der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg an- genommenen Dissertation. Während ihrer Entstehung habe ich diverse Unterstützungen ver- schiedener Personen und Einrichtungen erhalten. Zu allererst gebührt Prof. Dr. Silke Leopold für die Betreuung der Arbeit ein herzliches Dankeschön! Sie hat alle Phasen der Dissertation – Themenfindung, Anlage und Konzeption, Verschriftlichung – mit wertvollen Hinweisen und Anregungen zum Über- und Weiterdenken begleitet. Außerdem hat sie mir ermöglicht, wäh- rend der gesamten Promotionsphase ununterbrochen unter anderem als wissenschaftliche Hilfs- kraft am Musikwissenschaftlichen Seminar der Universität Heidelberg angestellt zu sein, und damit einen finanziellen Rahmen für die Arbeit geschaffen. Dafür bin ich ihr ebenfalls sehr dankbar. Daneben hat Prof. Dr. Dorothea Redepenning im Doktorandenkolloquium immer wie- der das Projekt mit nützlichen Ratschlägen unterstützt und zudem dankenswerterweise das Zweitgutachten übernommen. Überhaupt danke ich allen Teilnehmern des Doktorandenkollo- quiums: Zum einen habe ich in den Diskussionen nach meinen Referaten stets positive Anre- gungen für die Gestaltung der einzelnen Kapitel erhalten, zum anderen hat die Lektüre kultur- wissenschaftlich orientierter Texte im Rahmen des Kolloquiums dazu geführt, gewinnbringend aus einer anderen Blickrichtung auf die eigene Arbeit zu schauen. Den Vorsitz bei meiner im Dezember 2014 stattgefundenen Disputatio hat freundlicherweise PD Dr.
    [Show full text]
  • 12. Musicians Were Not Free to Do What They Wanted. Bach Was the ______Choice for the Leipzig Position
    33 12. Musicians were not free to do what they wanted. Bach was the ______ choice for the Leipzig position. Chapter 19 Third German Composers of the Late Baroque 13. What do you find important/interesting about Bach's 1. (433) Besides the nobility, where else could musicians situation at Leipzig? be hired? [There's no specific answer expected.] Town councils 14. (438) How did Bach learn composition? TQ: How do 2. Identify the nobility who dabbled in music. you think composition is taught today? Johann Ernst, prince of Weimar, violinst/composer; Frederick Copying and arranging the music of other composers; you the Great, flute/composer; his sister Anna Amalia, spend three years of music theory learning the rules; princess of Prussia, played harpsichord and listen to compositions, analyze scores; spot techniques organ/composed vocal and instrumental music, collected that could be used a library of scores; her niece Anna Amalia, duchess of Saxe-Weimar, keyboard player, composer (two 15. What was Bach's method in composing instrumental Singspiels), patron music? What came first? What was his procedure in composing recitative? [TQ: Would you expect that? 3. How were the English patrons? How did public concerts Why or why not?] Did he always get his compositions get started? right the first time? He reworked pieces. [TQ: Have you Not as wealthy; skilled musicians, who were underpaid, had to ever turned in work from one class to satisfy the find other means of income requirement of another?] Away from the keyboard; a good melody/theme; write the 4. (438) What about copyright and royalties? melody first; I would expect that he needed the Weak copyright laws offered no protection; no royalties; lots accentuation of the text first; no, he refined them; he of pirating adapted earlier works for other purposes/occasions 5.
    [Show full text]
  • String Duo Song List
    Hire SFCM Musicians String Duo Wedding Guide Processionals Sheep May Safely Graze BACH Canon in D PACHELBEL Jesu, Joy of Man’s Desiring BACH Wedding March (Lohengrin) WAGNER Air (Water Music) HANDEL Air on G String HANDEL Prelude (Te Deum) CHARPENTIER Wachet Auf BACH Trumpet Voluntary CLARKE Winter (Four Seasons) VIVALDI Mid-Ceremony Music Meditations, Candle Lightings, Presentations, etc. Ave Maria BACH/GOUNOD Ave Maria SCHUBERT Arioso BACH Meditation (Thaïs) MASSENET Recessionals Trumpet Tune PURCELL Entrance of the Queen of Sheba (Solomon) HANDEL Rondeau MOURET La Réjouissance (Royal Fireworks Music) H ANDEL Hornpipe (Water Music in F) HANDEL Bourrée (Water Music in F) H ANDEL Wedding March (Midsummer Night’s Dream) MENDELSSOHN Ode to Joy BEETHOVEN All music can be used for wedding ceremonies. Other Classical & Romantic Baroque & Classical Andante (Quartet in A minor, Op.29) SCHUBERT J.S. Bach: Bridal Chorus (Lohengrin) WAGNER Air (French Suite 4) Meditation (Thaïs) MASSENET Air (Suite 3 in D Major) Menuet & Romanza (Eine Kleine Nachtmusik) MOZART Andante (Brandenberg #2) Sicilienne BRAHMS Two Bourrées (English Suite 1) St. Anthony Chorale BRAHMS Bourrée (French Suite 6) Traumerei (Kinderscenen, Op. 15) SCHUMANN Gavotte (French Suite 4) Gigue (French Suite 4) Gigue (Suite 3 in D Major) Waltzes March in D Major (Anna Magdalena) Artists Life J. STRAUSS My Heart Ever Faithful Grand Valse Brilliant CHOPIN Polonaise (French Suite 6) Merry Widow Waltz FRANZ LEHAR Rondeau (Suite 2 in B minor) The Skaters Waltz WALDTEUFEL Vienna Life J. STRAUSS Valse Lente (Coppelia) DELIBES Telemann: Waltz (Album for the Young) TCHAIKOVSKY Allegro (Fantasia 2 & 4) You and You (Die Fledermaus) J.
    [Show full text]
  • George Frideric Handel Lived from 1723-1759
    BIOGRAPHY THE BROOK STREET BAND takes its name from the London street where composer George Frideric Handel lived from 1723-1759. The Band was formed in 1996 by baroque cellist Tatty Theo and rapidly CONWAY established itself as one of the UK’s leading Handel specialists, winning grants, awards and broadcasting opportunities from various organisations including BBC Radio 3 and the Handel Institute. Eighteenth HALL century chamber repertoire has always been the Band’s driving passion, focussing particularly on SUNDAY Handel’s music. However, in recent years the Band’s activities have also expanded to include regular collaborations with conductors, choirs and venues on larger-scale Handel vocal works. It is currently CONCERTS involved in several long-term projects with the London venue St. John’s Smith Square, exploring Handel’s chamber repertoire and performing Handel’s oratorios. The Brook Street Band regularly broadcasts for BBC Radio 3 and its extensive discography for AVIE has Patrons - Stephen Hough, Prunella Scales CBE, Roderick Swanston, been singled out to critical acclaim; the Band’s debut CD “Handel Oxford Water Music” was selected as Gramophone Magazine Editor’s Choice, as was its “JS Bach Trio Sonatas”. Of The Band’s most recent Hiro Takenouchi and Timothy West CBE recordings, BBC Radio 3 Record Review had this to say about “Handel Trio Sonatas Opus 2”: “ These are Artistic Director - Simon Callaghan grown-up performances from The Brook Street Band. Finely balanced, deliciously spiced, infectiously musical!”. Early Music Today wrote “an impressive recording and some infectious music-making from two performers who clearly take great pleasure in playing together” about “JS and CPE Bach Sonatas for Viola da Gamba (Cello) and Harpsichord.
    [Show full text]
  • Recorder Notes
    SEATTLE RECORDER SOCIETY Recorder Notes October 2016 Vol. XLVIII, No. 2 www.seattle-recorder.org From the Music Director (Vicki Boeckman) SRS Meeting Greetings, One and All, Friday, Johann Mattheson wrote in his memoirs that as October 7th, 2016 a young boy, he thought the sound of the recorder to be the sweetest in the world. Well, it certainly was at last @ 7:30 pm month's meeting! I cannot express enough what a pleasure it is and was to stand in front of such a won- derful group. The sound was absolutely magnificent with about 50 players, including three contrabasses and bass Opening Program viol. Truly glorious! Flutes-en-Bois (See next page for details.) For the October session I've chosen music that relates to water in one way or another. (I promise it won't be Handel's Water Music!!) We will start with Erik Pearson’s “Leaves in the River” from 2005, a gently moving through-composed piece with a simple melody and many passing disso- Playing Session nances. Then we will segue into “La Gondoletta,” an adorable, light-hearted (Vicki Boeckman) little Venetian folk tune in a 6-part arrangement by Irmhild Beutler that has Music relating to water a rather perky sopranino part . just in case anyone wants first dibs. I can't imagine doing a program that has a theme of water without a piece by (Pearson, Beutler, Frances Blaker, so we will play Frances' “In Sight of the Ocean.” I find certain Blaker, and Jobim) similarities in Frances Blaker’s works as in Purcell's in that they both write (wrote) their most beautiful melodies and harmonies over ground basses.
    [Show full text]
  • CONTENTS 1. 1640–1670: the Transition from Shawm to Hautboy
    TEOA01 6/5/01 11:51 AM Page xv CONTENTS List of Illustrations xviii List of Figures xxii List of Tables xxiii List of Musical Examples xxiv Mechanics xxv Abbreviations xxvii Introduction 1 1. 1640–1670: The Transition from Shawm to Hautboy in France 12 A. The Renaissance Shawm and the Protomorphic Hautboy 12 B. Related Instruments 37 C. Hautboy Players at the French Court and the Grande Écurie 49 D. The Development of the New Hautboy, 1664–1670 56 E. Music Played in the Formative Period 59 2. The Physical Characteristics of the Hautboy 62 A. Surviving Original Hautboys 62 B. The Hautboy’s External Form 65 C. Bores and Tone-holes 90 D. Hautboy Pitch 93 E. ‘L’anche, qui donne la vie’: Reeds 99 3. 1670–1700: The Spread of the ‘French Hoboye’ 121 A. France 124 B. Italy 132 C. Germany 134 D. England and ‘Babtist’s vein’ 145 E. Other Areas 152 F. The Hautboy Band 158 G. Questions of Instrumentation 168 H. The Shawm after 1670 173 4. Playing the Hautboy 175 A. Training, Tutors, and Methods 176 B. Holding the Instrument and Body Carriage 179 TEOA01 6/5/01 11:51 AM Page xvi xvi Contents C. Breathing 184 D. Embouchure 187 E. The Sound of the Hautboy 191 F. Range 196 G. Fingerings 201 H. Choice of Key 213 I. The Speaking Phrase Compared with the Romantic ‘Long-line’ 223 J. Paired Tonguing 236 K. Vibrato 250 L. Hautboy Intonation and Keyboard Temperaments 266 M. Technical Limitations 271 5. 1700–1730: The International Hautboy 275 A.
    [Show full text]
  • March 2017 Vol
    SEATTLE RECORDER SOCIETY Recorder Notes March 2017 Vol. XLVIII, No. 7 www.seattle-recorder.org From the Music Director (Vicki Boeckman) SRS Meeting Greetings, Everyone, Is it me or did this month literally just whiz right past? I am certainly ready for spring, and I think we Friday, are all ready for some stability here, weather or March 3rd, 2017 otherwise. One thing we can count on is a plethora @ 7:30 pm of activities and concerts to nourish and sate our recorder-playing cravings. Don't forget to scroll all the way down to the bottom of this newsletter to get to the Opening Program ever-growing calendar of events. Even if you don't University of Washington have time to take it all in now, you can star the Libraries Singers message and return to it later. and Early Music Ensemble It is hard to believe that we only have two more playing sessions in our season—March 3rd and April 7th. April 7th will be led by Matthias Playing Session Maute, so that is truly an evening not to be missed! (Nor is the concert or (Vicki Boeckman) the master class the very next day!) Pedersøn, Lassus, and Telemann For our playing session on March 3rd, I'd like to start with two 5- part madrigals by the Danish composer Mogens Pedersøn: “Ecco La Prima- All sizes of recorders vera” heralding the spring and “Son vivo e non so Vivo” about the conflicts and viols are welcome. Low of living a life without love. Both come from the collection called Madrigale bass recorders are needed! a cinque voci from 1611, published after Pedersøn completed his studies in Venice with Giovanni Gabrieli.
    [Show full text]
  • Johann Sebastian Bach Composée En 1747 Durant La Période Où Le Musicien Travaillait À Leipzig
    Programme des concerts 2015 17 juillet/21 août RÉSERVATIONS Office de Tourisme de Lessay Tel + 33 (0)2 33 45 14 34 www.heuresmusicalesdelessay.com Les Heures Musicales de Lessay LESSAY2015 Imprimerie : GROUPE LECAUX GROUPE Imprimerie / : Design composition FR2015 LESSAY COUV 2015-420x497-agrafée.indd 1 20/06/15 8:39:07 22 édition © David Crepin / Cote Ay / Cotentin Tourisme © DR COUV 2015-420x497-agrafée.indd 2 20/06/15 8:39:14 LESSAY2015I SOMMAIRE 22e édition 17 juillet/21 août Programme de salle Chers Amis, Nous dédions cette 22ème édition des Heures Musicales de l’Abbaye de Lessay 1 Sommaire et billet du Président des Heures Musicales de l’Abbaye de Lessay à son fondateur Edme Jeanson. 2 Edito du Président de la Région Basse-Normandie Il nous a quittés en février après plus de 21 ans de présidence de 3 Edito du Président du Conseil départemental de la Manche l’association et m’avait déjà transmis cette charge en 2014. 4-9 Vendredi 17 juillet Durant ces trois dernières années Akademie für Alte Musik Berlin I Georg Kallweit, direction musicale nous avons échangé régulièrement Programme Marais, Delalande, Telemann, Händel sur l’avenir du festival et la 10-13 Mardi 21 juillet manière de le développer. Tenebrae I Nigel Short, direction musicale J’en garde des souvenirs intenses, Programme Lobo, de Victoria, Allegri, de Padilla, Reger, Brahms, Bruckner riches en amitié. Vendredi 24 juillet Malgré un contexte économique 14 -17 Orchestre Régional de Normandie toujours aussi instable et grâce à Luciano Alconcella, direction musicale I Marc Coppey, violoncelle l’engagement remarquable des Programme Haydn, Dvorak, W.
    [Show full text]
  • Liner Notes by Patrick Castillo © 2019 a Composer Than As an Instrumentalist
    Incredible Decades (2019) Disc 1. BROOK SPELTZ, cello; PETER LLOYD, bass; GLORIA CHIEN, harpsichord 1–5 Trio Sonata in A Major, op. 3, no. 12 (1712) EVARISTO FELICE DALL’ABACO (1675–1742) 23–25 Double Oboe Concerto in C Major, op. 7, no. 2 Largo (1715) Allemanda: Allegro TOMASO ALBINONI (1671–1751) Aria: Adagio Allegro Gavotta I and II Adagio Allegro assai Allegro AARON BOYD, JAMES THOMPSON, violins; STEPHEN TAYLOR, JAMES AUSTIN SMITH, oboes; DMITRI ATAPINE, cello; HYEYEON PARK, harpsichord JAMES THOMPSON, ADAM BARNETT-HART, violins; PAUL NEUBAUER, viola; DMITRI ATAPINE, cello; 6–9 Concerto Grosso in D Major, op. 6, no. 1 (1714) PETER LLOYD, bass; HYEYEON PARK, harpsichord ARCANGELO CORELLI (1653–1713) Largo – Allegro 26–28 Concerto in g minor for Two Cellos, Strings, and Largo – Allegro Continuo, RV 531 (after 1710) Largo – Allegro ANTONIO VIVALDI (1678–1741) Allegro Allegro Largo SOOVIN KIM, JAMES THOMPSON, solo violins; Allegro BROOK SPELTZ, solo cello; AARON BOYD, ARNAUD SUSSMANN, violins; PAUL NEUBAUER, viola; DMITRI ATAPINE, BROOK SPELTZ, solo cellos; DAVID FINCKEL, cello; PETER LLOYD, bass; ADAM BARNETT-HART, SOOVIN KIM, violins; GLORIA CHIEN, harpsichord PAUL NEUBAUER, viola; DAVID FINCKEL, cello; PETER LLOYD, bass; GLORIA CHIEN, harpsichord 10–19 Suite no. 1 in F Major, HWV 348, from Water Music (1717) GEORGE FRIDERIC HANDEL (1685–1759) 29–32 Brandenburg Concerto no. 1 in F Major, BWV 1046 Ouverture: Largo – Allegro (before 1721) Adagio e staccato JOHANN SEBASTIAN BACH (1685–1750) Allegro [Allegro] Andante Adagio Menuet Allegro
    [Show full text]
  • Volume 1, Number 4, August 1974
    ii jit;11 icmui idi I 'volume. J, Nurober 4 — August, 1974 Tl)e> da]?in©t Clarinet Society LQEQDQQQ [cnnnnnn □□□□□□□ [ouanuaa ;55d55*" nanna [□3QBQ 1I1B The Chalumeau and Two-Keyed Clarinet History (See Article On Page 11) Page 2 THE CLARINET August, 1974 The International Clarinet The) clarcinot Society Department of Music Idaho State University President, Ramon Kireilis, School of Music, University of Pocatello, Idaho 83209 Denver, Denver, Colo. 80210. Telephone: 208-236-3636 Vice President, Leon Russian off, 12 Pine Ridge Road, (Official magazine of the International Clarinet Society) Greenvale, New York 11548 Secretary-Treasurer, Robert Schott, Department of Music, Editor: Kansas State College of Pittsburg, Kansas 66762 DR. LEE GIBSON Editor, Lee Gibson, School of Music, North Texas State University, Denton, Texas 76203 Publisher: DR. JAMES SCHOEPFLIN Publisher, H. James Schoepflin, Department of Music, Idaho State University, Pocatello, Idaho 83209 (208) COMMERCIAL ADVERTISING 236-3636) Advertising Manager, Robert Luyben, Luyben Music Co., General Advertising rates: 4318 Main, Kansas City, Mo. 64111 (816) 753-7111 Inside Front Cover: $110.00 Editorial Associates, James Gillespie, (Editor of Reviews), Inside Back Cover 110.00 Department of Music, Northeast Louisiana University, Full Page 90.00 Monroe, La. 71201 Two-thirds Page 66.00 Half-page 50.00 Mary Jungerman, 2030 Spruce, No. 8, Boulder, Colo. 80302 One-third Page 34.00 Bruce Bullock, Amarillo College, 2201 S. Washington, One-fourth Page 25.00 Amarillo, Tex. 79101 One column-inch 6.00 H. James Schoepflin (address above) Richard Gilbert, 201 E. 21st St., No. 15-L, New York, N.Y. A 10% discount will apply for two or more consecutive 10010 entries of the same advertisement.
    [Show full text]
  • Baroque Music Guide
    Arcangelo Corelli Cardinal Pietro (1653-1713) Ottoboni (1667-1740) a founding influence librettist, important in baroque music St Peter’s, Rome music patron, Rome Antonio Vivaldi (1678-1741), major Concert in a typical Venetian Ospedale, Francesco Geminiani baroque composer or Orphanage, where Vivaldi was employed (1687-1762) composer based in Venice as tutor, composer and conductor pupil of Corelli George Friderick Henry Purcell HANDEL (1659-1695) (1685-1755) German- Concert in the major English born, English-adopted Bach-Haus, Eisenach composer A baroque cantata rehearsal Clavichord Baroque German Hunting Lodge Silbermann Organ, High baroque Burgk Castle Church interior Silbermann Organ J.S Bach, portrait Interior of above Pedal-harpsichord Freiberg Cathedral in old age, late 1740s CONTENTS WHAT IS BAROQUE? 1 THE GRAND TOUR OF EUROPE 6 MUSIC PUBLISHING IN EUROPE 14 Antonio STRADIVARI - Violin maker - Cremona 17 Tomaso ALBINONI - Italy 18 Arcangelo CORELLI - Rome 20 Francois COUPERIN ("the Great") - France 24 Johann Joseph FUX - Austria 25 Francesco GEMINIANI - Italy, England 26 George Frideric HANDEL - Germany, Engla28 24 Henry PURCELL - England 34 Jean Philippe RAMEAU - France 36 Alessandro SCARLATTI (father) - Italy 38 Domenico SCARLATTI (son) - Italy, Spain 41 John STANLEY - England 43 Georg Philipp TELEMANN - Germany 45 Antonio VIVALDI - Venice 49 Unico Willem van WASSENAER - Holland 53 Jan Dismas ZELENKA - Prague, Dresden 56 Johann Sebastian BACH: EISENACH - MÜHLHAUSEN 58 WEIMAR (second term) 64 CÖTHEN 66 LEIPZIG 1 - Cantor and Director of Music 70 LEIPZIG 2 - The Collegium Musicum 77 LEIPZIG 3 - The Introspective Years 82 BAROQUE KEYBOARD INSTRUMENTS 84 GOTTFRIED SILBERMANN: Master organ builder 88 BAROQUE MUSIC PERFORMANCE: 92 Produced by the editors at www.BaroqueMusic.org where further detail on baroque music can be found.
    [Show full text]