March 2017 Vol

Total Page:16

File Type:pdf, Size:1020Kb

March 2017 Vol SEATTLE RECORDER SOCIETY Recorder Notes March 2017 Vol. XLVIII, No. 7 www.seattle-recorder.org From the Music Director (Vicki Boeckman) SRS Meeting Greetings, Everyone, Is it me or did this month literally just whiz right past? I am certainly ready for spring, and I think we Friday, are all ready for some stability here, weather or March 3rd, 2017 otherwise. One thing we can count on is a plethora @ 7:30 pm of activities and concerts to nourish and sate our recorder-playing cravings. Don't forget to scroll all the way down to the bottom of this newsletter to get to the Opening Program ever-growing calendar of events. Even if you don't University of Washington have time to take it all in now, you can star the Libraries Singers message and return to it later. and Early Music Ensemble It is hard to believe that we only have two more playing sessions in our season—March 3rd and April 7th. April 7th will be led by Matthias Playing Session Maute, so that is truly an evening not to be missed! (Nor is the concert or (Vicki Boeckman) the master class the very next day!) Pedersøn, Lassus, and Telemann For our playing session on March 3rd, I'd like to start with two 5- part madrigals by the Danish composer Mogens Pedersøn: “Ecco La Prima- All sizes of recorders vera” heralding the spring and “Son vivo e non so Vivo” about the conflicts and viols are welcome. Low of living a life without love. Both come from the collection called Madrigale bass recorders are needed! a cinque voci from 1611, published after Pedersøn completed his studies in Venice with Giovanni Gabrieli. We will then move on to play one of my favorite pieces by Lassus, “Laudate Pueri Dominum,” which is a stunning 7- Backroom Gang part piece written at the height of Lassus' mastery. No connection to spring (Miyo Aoki) other than that it is uplifting and beautiful. Then I'd like to end the evening Music will be provided. with movements from Telemann's delightful Water Music suite in C major. Looking back at my notes I see that we played it in 2009, so I think it can stand to be revisited. Everyone is familiar with Handel’s Water Music suites, and Telemann’s work by the same name is equally rewarding. Handel and Telemann had a mutual admiration for each other, and Telemann never missed an opportunity to travel to an event that would reunite them. Newsletter Deadline for April Issue: All sizes of recorders—soprano down to contra—needed, the more low basses the better, and of course viols are always welcome. If anyone Sunday, March 19th needs music ahead of time, please let me know what part you are interested in and I will send a pdf as soon as I can. See you soon, everyone! About the Opening Program (Nancy Gorbman) University of Washington Libraries Singers & Early Music Ensemble Refreshments The University of Washington Libraries Singers has been a (March) cherished tradition for over 35 years in Seattle and draws from talented Libraries staff who love to sing. Baked Goods Cathy Lacefield Recently the singers performed with other staff and invited Maja Tritt musicians who played recorders and viols. This wonderful group is the result of that collaboration. Fruit Barbara McKnight We bring you a delightful concert with music inspired by the writings of William Shakespeare (1564-1616): incidental music, love songs Veggies (of which many have been written!), and madrigals. Program selections Nancy Gorbman include music performed in or inspired by plays such as A Midsummer Night's Dream, As You Like It, and The Tempest composed by Dowland, Many thanks to Maja Tritt Morley, Arne, and others. We hope you enjoy it! for volunteering to be the Refreshments Coordinator for next year! —Molly Warner and the SRS Board Play-the-Recorder Month Registration Is Now Open for the Port Celebration Townsend Early Music Workshop! (Nancy Gorbman) When: Sunday, March 5th, from 3 pm to 4 pm join SRS for the Port Townsend Early Music Workshop—a weeklong workshop in the Pacific Where: Third Place Commons at Lake Forest Park Northwest with a stellar faculty! Town Center When: Sunday, july 9th – Saturday, july 15th, 2017 Contact: Nancy Gorbman 206-852-4762 or [email protected] Where: The beautiful campus of University of Puget Sound (UPS) in Tacoma What: Join us for a lively concert of various recorder ensembles—including music of the Recorder/Flute/Early Winds: Renaissance, Baroque, and 20-21st centuries. A Adam Gilbert, Alison Melville, Clea “Play-In” of a new composition entitled “Waltz,” Galhano, Miyo Aoki, Nina Stern, composed by james Beaudoir, will begin the Paul Leenhouts, Peter Seibert, program (for intermediate level recorder players Rotem Gilbert, and Vicki Boeckman and up). Fun for all ages. Free drawing for plastic recorders at concert’s end! Voices/Viols/Mixed Consorts: Jack Ashworth, Joanna Blendulf, Instrumentation: Recorders, harpsichord, Wendy Gillespie, and Ellen Seibert percussion, and guitar. http://www.seattle- recorder.org/Workshop/index.html Music Across the Horizons: An Afternoon with music and refreshments featuring Isabella Pagel (From Isabella Pagel; Isabella’s photo by Bill Stickney) There is still time left to RSVP! Works by Telemann, Shinohara, and Fontana Saturday, March 25th, 2017 at 3 pm 4540 45th Ave NE, Seattle, WA 98105 My teacher, Nina Stern, has invited me to join her organization, S’Cool Sounds, on their sixth trip to Kenya this coming june. S’Cool Sounds has partnered for numerous years with Crossing Thresholds to teach recorder to students in the Kibera slum outside of Nairobi, Kenya. As I prepare to begin my studies at a European conserv- atory in recorder and music education, this trip will allow me to combine two of my passions—music and working with children. Donations from the concert will be used to cover the costs of the trip and any left over funds will be used to purchase recorders to bring with us to Kenya. Tickets are a suggested donation of $50 or as able. Due to limited seating, please RSVP to [email protected] by March 15th. Donations can be accepted at the door. If you are unable to attend the concert, but would still like to donate, please visit the following GoFundMe: https://www.gofundme.com/music- across-the-horizons. Upcoming Master Class with Matthias Maute (From Vicki Boeckman) The master class with Matthias Maute will be held on Saturday, April 8th, 2017 from 9:30 am until 2:30 pm. The location is the Community Room at Maple Leaf Lutheran Church (where our SRS meetings are held). Matthias Maute is undeniably one of the most spectacular and innovative recorder virtuosos of our time. He is an unstoppable energetic force of nature always striving for excellence. He will be here in Seattle to lead the SRS April playing session on Friday, April 7th, teach a master class on Saturday, April 8th, and perform two concerts with Gallery Concerts, one on Saturday, April 8th at 7:30 pm and one on Sunday, the 9th at 3 pm. He is eager to fit as much teaching as he can into the tight Seattle schedule, and we are very fortunate to have him here with us. Be prepared to be wowed in every sense of the word. We are not taking any more performers for Matthias' master class on April 8th, but there are unlimited slots for auditors. The cost for auditing is $25. For those of you wondering what a master class is, it is simply a fancy name for an “open” lesson. There is a student (the active participant), a teacher, and an audience (the auditors). The beauty of a master class is that it is a win/win situation for auditors and participants alike, because everyone is a recipient to the same instruction! Auditors who are not “performing” learn a tremendous amount by following along with the teaching and learning process of someone else's lesson, without the distraction of getting nervous. It is a fascinating way to absorb information, be it confirmation of what you already know, or introduction to something new—an invitation to look at things through a different lens. Please join us for this invigorating day and help cheer on your fellow players! Bellingham Workshop on February 11th, 2017 (From Molly Warner) Members’ Night! Several folks from Seattle (Mike Woolf, Susan Burris, Ellis Hillinger, Susie Keithly, and Molly Warner) attended this one-day workshop entitled Members’ Night is on “It Might As Well Be Spring.” It took place from 9:15 am - 4:30 pm at St. Paul's Episcopal Church in Bellingham. Debbie McMeel was one of the prime Friday, May 12th, 2017. movers in getting it going. Phil and Gayle Neuman and Laura Kuhlman were the instructors. It’s not too soon to start About thirty people thinking about what you’d like attended, coming from various to perform. corners of British Columbia and Washington. For the most The only criteria are that your part, the day was organized entry does not exceed 5 minutes into large-group playing with (including speaking) and that the three instructors rotating you are not in more than 3 pieces they had chosen. In one ensembles. At least one member session we split into three of your group must be a mem- groups with Gayle instructing ber in good standing of SRS. the string players, Phil the historical winds, and Laura all the rest; another section A sign-up sheet will be available involved an introduction to at the March meeting, bagpipes by Laura.
Recommended publications
  • Musikwissenschaftliche Editionen Publikationsverzeichnis Der Von Der Union Betreuten Musikwissenschaftlichen Editionen Und Dokumentationen Stand: 30
    Union der deutschen Akademien der Wissenschaften Musikwissenschaftliche Editionen Publikationsverzeichnis der von der Union betreuten Musikwissenschaftlichen Editionen und Dokumentationen Stand: 30. April 2019 AKADEMIE DER WISSENSCHAFTEN UND DER LITERATUR │ MAINZ Koordination und Redaktion: Dr. Gabriele Buschmeier Bestellungen der in diesem Verzeichnis aufgeführten Publikationen sind an den Buchhandel zu richten. 2019 by Akademie der Wissenschaften und der Literatur│Mainz Alle Rechte einschließlich des Rechts zur Vervielfältigung, zur Einspeisung in elektro- nische Systeme sowie der Übersetzung vorbehalten. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne ausdrückliche Genehmigung der Akademie und des Verlages unzulässig und strafbar. Gedruckt auf säurefreiem, chlorfrei gebleichtem Papier Umschlaggestaltung: die gestalten. Joachim Holz, Mainz Druck: Druckerei & Verlag Steinmeier GmbH Co.KG, Deiningen Printed in Germany INHALT Vorwort ........................................................................... 5 Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke .............................. 7 – Supplement. Gesamtregister und Übersichten. Bach-Dokumente .................... 21 Johannes Brahms: Neue Ausgabe sämtlicher Werke ................................... 23 Christoph Willibald Gluck: Sämtliche Werke .......................................... 26 Georg Friedrich Händel: Hallische Händel-Ausgabe - Kritische Gesamtausgabe ......... 32 – Händel-Handbuch .............................................................
    [Show full text]
  • ‚Aufgeweckte Einfälle' Und ‚Sinnreiche Gedanken' – Witz Und Humor
    ‚aufgeweckte Einfälle‘ und ‚sinnreiche Gedanken‘ – Witz und Humor in Ouvertürensuiten Georg Philipp Telemanns Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Universität Heidelberg vorgelegt von: Sarah-Denise Fabian Erstgutachterin: Prof. Dr. Silke Leopold Zweitgutachterin: Prof. Dr. Dorothea Redepenning Heidelberg, Juli 2014, überarbeitete Fassung August 2015 Für meine Eltern und Großeltern Dank Bei der vorliegenden Arbeit handelt es sich um eine geringfügig überarbeitete Fassung meiner im Juli 2014 von der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg an- genommenen Dissertation. Während ihrer Entstehung habe ich diverse Unterstützungen ver- schiedener Personen und Einrichtungen erhalten. Zu allererst gebührt Prof. Dr. Silke Leopold für die Betreuung der Arbeit ein herzliches Dankeschön! Sie hat alle Phasen der Dissertation – Themenfindung, Anlage und Konzeption, Verschriftlichung – mit wertvollen Hinweisen und Anregungen zum Über- und Weiterdenken begleitet. Außerdem hat sie mir ermöglicht, wäh- rend der gesamten Promotionsphase ununterbrochen unter anderem als wissenschaftliche Hilfs- kraft am Musikwissenschaftlichen Seminar der Universität Heidelberg angestellt zu sein, und damit einen finanziellen Rahmen für die Arbeit geschaffen. Dafür bin ich ihr ebenfalls sehr dankbar. Daneben hat Prof. Dr. Dorothea Redepenning im Doktorandenkolloquium immer wie- der das Projekt mit nützlichen Ratschlägen unterstützt und zudem dankenswerterweise das Zweitgutachten übernommen. Überhaupt danke ich allen Teilnehmern des Doktorandenkollo- quiums: Zum einen habe ich in den Diskussionen nach meinen Referaten stets positive Anre- gungen für die Gestaltung der einzelnen Kapitel erhalten, zum anderen hat die Lektüre kultur- wissenschaftlich orientierter Texte im Rahmen des Kolloquiums dazu geführt, gewinnbringend aus einer anderen Blickrichtung auf die eigene Arbeit zu schauen. Den Vorsitz bei meiner im Dezember 2014 stattgefundenen Disputatio hat freundlicherweise PD Dr.
    [Show full text]
  • 12. Musicians Were Not Free to Do What They Wanted. Bach Was the ______Choice for the Leipzig Position
    33 12. Musicians were not free to do what they wanted. Bach was the ______ choice for the Leipzig position. Chapter 19 Third German Composers of the Late Baroque 13. What do you find important/interesting about Bach's 1. (433) Besides the nobility, where else could musicians situation at Leipzig? be hired? [There's no specific answer expected.] Town councils 14. (438) How did Bach learn composition? TQ: How do 2. Identify the nobility who dabbled in music. you think composition is taught today? Johann Ernst, prince of Weimar, violinst/composer; Frederick Copying and arranging the music of other composers; you the Great, flute/composer; his sister Anna Amalia, spend three years of music theory learning the rules; princess of Prussia, played harpsichord and listen to compositions, analyze scores; spot techniques organ/composed vocal and instrumental music, collected that could be used a library of scores; her niece Anna Amalia, duchess of Saxe-Weimar, keyboard player, composer (two 15. What was Bach's method in composing instrumental Singspiels), patron music? What came first? What was his procedure in composing recitative? [TQ: Would you expect that? 3. How were the English patrons? How did public concerts Why or why not?] Did he always get his compositions get started? right the first time? He reworked pieces. [TQ: Have you Not as wealthy; skilled musicians, who were underpaid, had to ever turned in work from one class to satisfy the find other means of income requirement of another?] Away from the keyboard; a good melody/theme; write the 4. (438) What about copyright and royalties? melody first; I would expect that he needed the Weak copyright laws offered no protection; no royalties; lots accentuation of the text first; no, he refined them; he of pirating adapted earlier works for other purposes/occasions 5.
    [Show full text]
  • French-Horn.Pdf
    Anchorage School District Music Department Approved List, Solo & Ensemble (2005/06) Vocal Ensemble Composer Title Pub. Level Event Comments American Folk Hymn Wondrous Love (dʼ-d”) / The Canadian Brass Book of HL 1 French Horn Solo Bach Menuet in G MMP 1 French Horn Solo Bach/Dishinger Menuet in G MMP 1 French Horn Solo Brahms On the Lake MMP 1 French Horn Solo Brahms/Dishinger On the Lake MMP 1 French Horn Solo Buchtel Arcadia NAK 1 French Horn Solo Buchtel Elegy NAK 1 French Horn Solo Buchtel Solitude NAK 1 French Horn Solo Classic Festival Solos, Vol. 1- Smith, L.-Viking (pub. sep.)(cʼ-b flatʼ) / Classic WBRO 1 French Horn Solo Classic Festival Solos, Vol. 2- Mendelssohn, F.-On Wings of Song (cʼ-d”) WBRO 1 French Horn Solo Folksong The Water is Wide (cʼ-c”) / The Canadian Brass Book HL 1 French Horn Solo Gunning Elegy / The Real Easy Horn Book GW 1 French Horn Solo Hurrell Meadowland RU 1 French Horn Solo Kinney Song SPR 1 French Horn Solo Lavalee/Routhier/Weir/Boyd O Canada! (cʼ-bʼ) / The Canadian Brass Book of HL 1 French Horn Solo Liadov Dancing Song MMP 1 French Horn Solo Mendelssohn Reverie MMP 1 French Horn Solo Mendelssohn, F./ Lamb, J. On Wings of Song (cʼ-d”) / Classic Festival Solos, WBRO 1 French Horn Solo Myers, T. Lazy Day LSP 1 French Horn Solo cʼ-c” Nyquist, M. Melody for Horn (cʼ-c”) / Solo Sounds, Levels 1-3, WBRO 1 French Horn Solo Pearson Valse Triste / The Real Easy Horn Book GW 1 French Horn Solo Pearson, B./Elledge M.
    [Show full text]
  • String Duo Song List
    Hire SFCM Musicians String Duo Wedding Guide Processionals Sheep May Safely Graze BACH Canon in D PACHELBEL Jesu, Joy of Man’s Desiring BACH Wedding March (Lohengrin) WAGNER Air (Water Music) HANDEL Air on G String HANDEL Prelude (Te Deum) CHARPENTIER Wachet Auf BACH Trumpet Voluntary CLARKE Winter (Four Seasons) VIVALDI Mid-Ceremony Music Meditations, Candle Lightings, Presentations, etc. Ave Maria BACH/GOUNOD Ave Maria SCHUBERT Arioso BACH Meditation (Thaïs) MASSENET Recessionals Trumpet Tune PURCELL Entrance of the Queen of Sheba (Solomon) HANDEL Rondeau MOURET La Réjouissance (Royal Fireworks Music) H ANDEL Hornpipe (Water Music in F) HANDEL Bourrée (Water Music in F) H ANDEL Wedding March (Midsummer Night’s Dream) MENDELSSOHN Ode to Joy BEETHOVEN All music can be used for wedding ceremonies. Other Classical & Romantic Baroque & Classical Andante (Quartet in A minor, Op.29) SCHUBERT J.S. Bach: Bridal Chorus (Lohengrin) WAGNER Air (French Suite 4) Meditation (Thaïs) MASSENET Air (Suite 3 in D Major) Menuet & Romanza (Eine Kleine Nachtmusik) MOZART Andante (Brandenberg #2) Sicilienne BRAHMS Two Bourrées (English Suite 1) St. Anthony Chorale BRAHMS Bourrée (French Suite 6) Traumerei (Kinderscenen, Op. 15) SCHUMANN Gavotte (French Suite 4) Gigue (French Suite 4) Gigue (Suite 3 in D Major) Waltzes March in D Major (Anna Magdalena) Artists Life J. STRAUSS My Heart Ever Faithful Grand Valse Brilliant CHOPIN Polonaise (French Suite 6) Merry Widow Waltz FRANZ LEHAR Rondeau (Suite 2 in B minor) The Skaters Waltz WALDTEUFEL Vienna Life J. STRAUSS Valse Lente (Coppelia) DELIBES Telemann: Waltz (Album for the Young) TCHAIKOVSKY Allegro (Fantasia 2 & 4) You and You (Die Fledermaus) J.
    [Show full text]
  • George Frideric Handel Lived from 1723-1759
    BIOGRAPHY THE BROOK STREET BAND takes its name from the London street where composer George Frideric Handel lived from 1723-1759. The Band was formed in 1996 by baroque cellist Tatty Theo and rapidly CONWAY established itself as one of the UK’s leading Handel specialists, winning grants, awards and broadcasting opportunities from various organisations including BBC Radio 3 and the Handel Institute. Eighteenth HALL century chamber repertoire has always been the Band’s driving passion, focussing particularly on SUNDAY Handel’s music. However, in recent years the Band’s activities have also expanded to include regular collaborations with conductors, choirs and venues on larger-scale Handel vocal works. It is currently CONCERTS involved in several long-term projects with the London venue St. John’s Smith Square, exploring Handel’s chamber repertoire and performing Handel’s oratorios. The Brook Street Band regularly broadcasts for BBC Radio 3 and its extensive discography for AVIE has Patrons - Stephen Hough, Prunella Scales CBE, Roderick Swanston, been singled out to critical acclaim; the Band’s debut CD “Handel Oxford Water Music” was selected as Gramophone Magazine Editor’s Choice, as was its “JS Bach Trio Sonatas”. Of The Band’s most recent Hiro Takenouchi and Timothy West CBE recordings, BBC Radio 3 Record Review had this to say about “Handel Trio Sonatas Opus 2”: “ These are Artistic Director - Simon Callaghan grown-up performances from The Brook Street Band. Finely balanced, deliciously spiced, infectiously musical!”. Early Music Today wrote “an impressive recording and some infectious music-making from two performers who clearly take great pleasure in playing together” about “JS and CPE Bach Sonatas for Viola da Gamba (Cello) and Harpsichord.
    [Show full text]
  • Recorder Notes
    SEATTLE RECORDER SOCIETY Recorder Notes October 2016 Vol. XLVIII, No. 2 www.seattle-recorder.org From the Music Director (Vicki Boeckman) SRS Meeting Greetings, One and All, Friday, Johann Mattheson wrote in his memoirs that as October 7th, 2016 a young boy, he thought the sound of the recorder to be the sweetest in the world. Well, it certainly was at last @ 7:30 pm month's meeting! I cannot express enough what a pleasure it is and was to stand in front of such a won- derful group. The sound was absolutely magnificent with about 50 players, including three contrabasses and bass Opening Program viol. Truly glorious! Flutes-en-Bois (See next page for details.) For the October session I've chosen music that relates to water in one way or another. (I promise it won't be Handel's Water Music!!) We will start with Erik Pearson’s “Leaves in the River” from 2005, a gently moving through-composed piece with a simple melody and many passing disso- Playing Session nances. Then we will segue into “La Gondoletta,” an adorable, light-hearted (Vicki Boeckman) little Venetian folk tune in a 6-part arrangement by Irmhild Beutler that has Music relating to water a rather perky sopranino part . just in case anyone wants first dibs. I can't imagine doing a program that has a theme of water without a piece by (Pearson, Beutler, Frances Blaker, so we will play Frances' “In Sight of the Ocean.” I find certain Blaker, and Jobim) similarities in Frances Blaker’s works as in Purcell's in that they both write (wrote) their most beautiful melodies and harmonies over ground basses.
    [Show full text]
  • CONTENTS 1. 1640–1670: the Transition from Shawm to Hautboy
    TEOA01 6/5/01 11:51 AM Page xv CONTENTS List of Illustrations xviii List of Figures xxii List of Tables xxiii List of Musical Examples xxiv Mechanics xxv Abbreviations xxvii Introduction 1 1. 1640–1670: The Transition from Shawm to Hautboy in France 12 A. The Renaissance Shawm and the Protomorphic Hautboy 12 B. Related Instruments 37 C. Hautboy Players at the French Court and the Grande Écurie 49 D. The Development of the New Hautboy, 1664–1670 56 E. Music Played in the Formative Period 59 2. The Physical Characteristics of the Hautboy 62 A. Surviving Original Hautboys 62 B. The Hautboy’s External Form 65 C. Bores and Tone-holes 90 D. Hautboy Pitch 93 E. ‘L’anche, qui donne la vie’: Reeds 99 3. 1670–1700: The Spread of the ‘French Hoboye’ 121 A. France 124 B. Italy 132 C. Germany 134 D. England and ‘Babtist’s vein’ 145 E. Other Areas 152 F. The Hautboy Band 158 G. Questions of Instrumentation 168 H. The Shawm after 1670 173 4. Playing the Hautboy 175 A. Training, Tutors, and Methods 176 B. Holding the Instrument and Body Carriage 179 TEOA01 6/5/01 11:51 AM Page xvi xvi Contents C. Breathing 184 D. Embouchure 187 E. The Sound of the Hautboy 191 F. Range 196 G. Fingerings 201 H. Choice of Key 213 I. The Speaking Phrase Compared with the Romantic ‘Long-line’ 223 J. Paired Tonguing 236 K. Vibrato 250 L. Hautboy Intonation and Keyboard Temperaments 266 M. Technical Limitations 271 5. 1700–1730: The International Hautboy 275 A.
    [Show full text]
  • Johann Sebastian Bach Composée En 1747 Durant La Période Où Le Musicien Travaillait À Leipzig
    Programme des concerts 2015 17 juillet/21 août RÉSERVATIONS Office de Tourisme de Lessay Tel + 33 (0)2 33 45 14 34 www.heuresmusicalesdelessay.com Les Heures Musicales de Lessay LESSAY2015 Imprimerie : GROUPE LECAUX GROUPE Imprimerie / : Design composition FR2015 LESSAY COUV 2015-420x497-agrafée.indd 1 20/06/15 8:39:07 22 édition © David Crepin / Cote Ay / Cotentin Tourisme © DR COUV 2015-420x497-agrafée.indd 2 20/06/15 8:39:14 LESSAY2015I SOMMAIRE 22e édition 17 juillet/21 août Programme de salle Chers Amis, Nous dédions cette 22ème édition des Heures Musicales de l’Abbaye de Lessay 1 Sommaire et billet du Président des Heures Musicales de l’Abbaye de Lessay à son fondateur Edme Jeanson. 2 Edito du Président de la Région Basse-Normandie Il nous a quittés en février après plus de 21 ans de présidence de 3 Edito du Président du Conseil départemental de la Manche l’association et m’avait déjà transmis cette charge en 2014. 4-9 Vendredi 17 juillet Durant ces trois dernières années Akademie für Alte Musik Berlin I Georg Kallweit, direction musicale nous avons échangé régulièrement Programme Marais, Delalande, Telemann, Händel sur l’avenir du festival et la 10-13 Mardi 21 juillet manière de le développer. Tenebrae I Nigel Short, direction musicale J’en garde des souvenirs intenses, Programme Lobo, de Victoria, Allegri, de Padilla, Reger, Brahms, Bruckner riches en amitié. Vendredi 24 juillet Malgré un contexte économique 14 -17 Orchestre Régional de Normandie toujours aussi instable et grâce à Luciano Alconcella, direction musicale I Marc Coppey, violoncelle l’engagement remarquable des Programme Haydn, Dvorak, W.
    [Show full text]
  • Liner Notes by Patrick Castillo © 2019 a Composer Than As an Instrumentalist
    Incredible Decades (2019) Disc 1. BROOK SPELTZ, cello; PETER LLOYD, bass; GLORIA CHIEN, harpsichord 1–5 Trio Sonata in A Major, op. 3, no. 12 (1712) EVARISTO FELICE DALL’ABACO (1675–1742) 23–25 Double Oboe Concerto in C Major, op. 7, no. 2 Largo (1715) Allemanda: Allegro TOMASO ALBINONI (1671–1751) Aria: Adagio Allegro Gavotta I and II Adagio Allegro assai Allegro AARON BOYD, JAMES THOMPSON, violins; STEPHEN TAYLOR, JAMES AUSTIN SMITH, oboes; DMITRI ATAPINE, cello; HYEYEON PARK, harpsichord JAMES THOMPSON, ADAM BARNETT-HART, violins; PAUL NEUBAUER, viola; DMITRI ATAPINE, cello; 6–9 Concerto Grosso in D Major, op. 6, no. 1 (1714) PETER LLOYD, bass; HYEYEON PARK, harpsichord ARCANGELO CORELLI (1653–1713) Largo – Allegro 26–28 Concerto in g minor for Two Cellos, Strings, and Largo – Allegro Continuo, RV 531 (after 1710) Largo – Allegro ANTONIO VIVALDI (1678–1741) Allegro Allegro Largo SOOVIN KIM, JAMES THOMPSON, solo violins; Allegro BROOK SPELTZ, solo cello; AARON BOYD, ARNAUD SUSSMANN, violins; PAUL NEUBAUER, viola; DMITRI ATAPINE, BROOK SPELTZ, solo cellos; DAVID FINCKEL, cello; PETER LLOYD, bass; ADAM BARNETT-HART, SOOVIN KIM, violins; GLORIA CHIEN, harpsichord PAUL NEUBAUER, viola; DAVID FINCKEL, cello; PETER LLOYD, bass; GLORIA CHIEN, harpsichord 10–19 Suite no. 1 in F Major, HWV 348, from Water Music (1717) GEORGE FRIDERIC HANDEL (1685–1759) 29–32 Brandenburg Concerto no. 1 in F Major, BWV 1046 Ouverture: Largo – Allegro (before 1721) Adagio e staccato JOHANN SEBASTIAN BACH (1685–1750) Allegro [Allegro] Andante Adagio Menuet Allegro
    [Show full text]
  • Volume 1, Number 4, August 1974
    ii jit;11 icmui idi I 'volume. J, Nurober 4 — August, 1974 Tl)e> da]?in©t Clarinet Society LQEQDQQQ [cnnnnnn □□□□□□□ [ouanuaa ;55d55*" nanna [□3QBQ 1I1B The Chalumeau and Two-Keyed Clarinet History (See Article On Page 11) Page 2 THE CLARINET August, 1974 The International Clarinet The) clarcinot Society Department of Music Idaho State University President, Ramon Kireilis, School of Music, University of Pocatello, Idaho 83209 Denver, Denver, Colo. 80210. Telephone: 208-236-3636 Vice President, Leon Russian off, 12 Pine Ridge Road, (Official magazine of the International Clarinet Society) Greenvale, New York 11548 Secretary-Treasurer, Robert Schott, Department of Music, Editor: Kansas State College of Pittsburg, Kansas 66762 DR. LEE GIBSON Editor, Lee Gibson, School of Music, North Texas State University, Denton, Texas 76203 Publisher: DR. JAMES SCHOEPFLIN Publisher, H. James Schoepflin, Department of Music, Idaho State University, Pocatello, Idaho 83209 (208) COMMERCIAL ADVERTISING 236-3636) Advertising Manager, Robert Luyben, Luyben Music Co., General Advertising rates: 4318 Main, Kansas City, Mo. 64111 (816) 753-7111 Inside Front Cover: $110.00 Editorial Associates, James Gillespie, (Editor of Reviews), Inside Back Cover 110.00 Department of Music, Northeast Louisiana University, Full Page 90.00 Monroe, La. 71201 Two-thirds Page 66.00 Half-page 50.00 Mary Jungerman, 2030 Spruce, No. 8, Boulder, Colo. 80302 One-third Page 34.00 Bruce Bullock, Amarillo College, 2201 S. Washington, One-fourth Page 25.00 Amarillo, Tex. 79101 One column-inch 6.00 H. James Schoepflin (address above) Richard Gilbert, 201 E. 21st St., No. 15-L, New York, N.Y. A 10% discount will apply for two or more consecutive 10010 entries of the same advertisement.
    [Show full text]
  • Baroque Music Guide
    Arcangelo Corelli Cardinal Pietro (1653-1713) Ottoboni (1667-1740) a founding influence librettist, important in baroque music St Peter’s, Rome music patron, Rome Antonio Vivaldi (1678-1741), major Concert in a typical Venetian Ospedale, Francesco Geminiani baroque composer or Orphanage, where Vivaldi was employed (1687-1762) composer based in Venice as tutor, composer and conductor pupil of Corelli George Friderick Henry Purcell HANDEL (1659-1695) (1685-1755) German- Concert in the major English born, English-adopted Bach-Haus, Eisenach composer A baroque cantata rehearsal Clavichord Baroque German Hunting Lodge Silbermann Organ, High baroque Burgk Castle Church interior Silbermann Organ J.S Bach, portrait Interior of above Pedal-harpsichord Freiberg Cathedral in old age, late 1740s CONTENTS WHAT IS BAROQUE? 1 THE GRAND TOUR OF EUROPE 6 MUSIC PUBLISHING IN EUROPE 14 Antonio STRADIVARI - Violin maker - Cremona 17 Tomaso ALBINONI - Italy 18 Arcangelo CORELLI - Rome 20 Francois COUPERIN ("the Great") - France 24 Johann Joseph FUX - Austria 25 Francesco GEMINIANI - Italy, England 26 George Frideric HANDEL - Germany, Engla28 24 Henry PURCELL - England 34 Jean Philippe RAMEAU - France 36 Alessandro SCARLATTI (father) - Italy 38 Domenico SCARLATTI (son) - Italy, Spain 41 John STANLEY - England 43 Georg Philipp TELEMANN - Germany 45 Antonio VIVALDI - Venice 49 Unico Willem van WASSENAER - Holland 53 Jan Dismas ZELENKA - Prague, Dresden 56 Johann Sebastian BACH: EISENACH - MÜHLHAUSEN 58 WEIMAR (second term) 64 CÖTHEN 66 LEIPZIG 1 - Cantor and Director of Music 70 LEIPZIG 2 - The Collegium Musicum 77 LEIPZIG 3 - The Introspective Years 82 BAROQUE KEYBOARD INSTRUMENTS 84 GOTTFRIED SILBERMANN: Master organ builder 88 BAROQUE MUSIC PERFORMANCE: 92 Produced by the editors at www.BaroqueMusic.org where further detail on baroque music can be found.
    [Show full text]