The General Manager Gunnedah Shire Council Elgin Street
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All Over the World Optional Theme Presentationceremonynational
DOROTHEA MACKELLAR POETRY AWARDS 2017 All Over the World optional theme PresentationCeremonyNational NATIONAL PRESENTATION CEREMONY Our Trophies From Strength to Strength Gulargambone artist Alison Dent We have taken big strides into the future this year with the opening of the has created the trophies from Mackellar Centre and the provision of a permanent home for the My Country a fusion of found objects. The collection of 32 watercolours by Jean Isherwood. Through the sourcing of Japanese glass floats had been sponsorship, donations and grants, the centre is slowly transforming to a lying idle at the family’s western vibrant, interesting resource facility with new furniture, computer stations for NSW sheep and cattle farm since students and other learning materials. Alison picked them up, with the fishing net still attached, in Intended as a tourist destination that will contain memorabilia and historical an antique shop years ago. Her items from the poetry competition, the centre is a welcoming airy space that intention was to give the net to has already attracted numerous visitors. The dedication of the W.R. (Bill) her daughter to make a curtain Clegg gallery, named in honour of a late councillor, has given the magnificent but after unravelling it, the size Isherwood collection an attractive venue for visitors to view the unique set and smell changed her mind! of watercolours. The works, depicting lines from the iconic poem by Dorothea Mackellar, hang in a professionally lit space replete with seating. Also the The beautiful hand blown administrative base for the poetry awards, now in their 34th year, the centre glass floats - no two are the is open Tuesdays to Thursdays or by appointment. -
PEACEFUL VOICES Dorothea Research2012.Pdf
AN OLD SONG. The almond blossom is overpast, the apple blossoms blow. I never loved but one man, and I never told him so. My flowers will never come to fruit, but I have kept my pride, A little, cold, and lonely thing, and I have naught beside. The spring wind caught my flowering dreams, they lightly blew away — I never had but one true love, and he died yesterday. DOROTHEA MACKELLAR. AN OLD SONG. (1924, November 15). The Register (Adelaide, SA : 1901 - 1929), p. 5. Retrieved from http://nla.gov.au/nla.news- article64051476 AN IDLER. There's many a sadder epitaph Than "She was ready to thrill or laugh, For she kept the windows of her soul Open to every wind of mirth And splendour that blows around the earth. Little she did, but here and there Of love she took and gave her share, And she kept her friendships, in good repair. * ** *** **** "Was she not lucky, on he whole? — Dorothea Mackellar, in The Australian Woman's Mirror. AN IDLER. (1924, December 16). The Register (Adelaide, SA : 1901 - 1929), p. 4. Retrieved March from http://nla.gov.au/nla.news- article64054396 PEACEFUL VOICES. I fortunate, I knew a refuge When the strained spirit tires Of town's metallic symphony Of wheels and horns and wires: Where through the golden empty stillness Cool flowing voices speak, The alto of the waterfall, The treble of the creek. From far, beyond the headland's shoulder, South-easters bring to me Reminder of earth's wandering, The strong voice of the sea. -
National Presentation Ceremony
DDorotheaorothea MackellarMackellar PPoetryoetry AAwardswards National Presentation Ceremony 20112011 Optional Th eme Making Pictures 2011 Dorothea Mackellar Poetry Awards About the Awards The Dorothea Mackellar Memorial Society, which is the organisation that oversees the annual poetry awards, was formed in 1983 in the north west NSW town of Gunnedah by a group of local residents. A key driver in its foundation was Dutch immigrant Mikie Maas who was struck by Dorothea Mackellar’s poetry and the local landscape which gave inspiration for many of her works. The Mackellar family were landholders in the area up until the 1930’s and Dorothea was a frequent visitor to their property “Kurrumbede.” The property, which borders the Namoi River, was sold to coal mining interests in 2010 and it is understood the homestead, although having undergone substantial changes since the Mackellar’s tenure, will be preserved. Mrs Maas launched the fi rst poetry competition which attracted 300 entries. The judges were Joan Phipson and Rosemary Dobson. The awards have grown to become a national competition for all Australian school children, drawing up to 15,000 entries. Fund raising initiatives have resulted in the erection of a The Mackellar property, “Kurrumbede” , c.1917 bronze statue of Dorothea Mackellar riding side saddle which sits opposite the town’s Visitor Information Centre. A collection of 32 watercolours by the late artist Jean Isherwood, illustrating her famous poem “My Country”, hangs in the town’s Creative Arts Centre. About Our Trophies Winners and runners-up this year each receive a framed hand- coloured linocut by Gunnedah artist Anne Knight. -
The Country Web No.51 December09 Parta
MY HEART, MY COUNTRY NUMBER 51 SUMMER 2009 FREE NEWSLETTER MY HEART, MY COUNTRY Where ever I may go, I always come back Where my heart belongs. As I sit and look at the hills they bring back lots of memories My heart, my country. We respect and share our land, The quiet and peaceful times With memories of joy and sadness, Of walks by the river Remember to tell the children that This is our heart, our country. Family and friends gather around, Hearing the dreaming stories All about the mother earth, The grandfather moon And stars. This is where we keep The culture alive. My heart, my country WIRADJURI COUNTRY. PHYLLIS, SONY, BARBARA, CORAL & REBEccA. BRUNGLE WIRADJURI WOMEN' GROUP Aunty Phyllis Freeman and Aunty Sony Piper, Brungle LIVING IN HARMONY ■ 2010 RURAL WOMEN'S AWARD ■ ANIMALS ON BIKES PUBLisHED BY INDUSTRY & INVESTMENT NSW ISSN 1039–5202 THE COUNTRY WEB contents The Country Web is produced by the Rural Women’s Network (RWN, part of Industry FEATURES & Investment NSW) and is distributed free, 6 My heart, my country three times a year. For more about the RWN 'You may be born in another place see page 5. and have ties to it but it is the land, EDITING/DESKTOP PUBLISHING family and community that you Allison Priest belong to that is the most important CONTRIBUTIONS thing.' Wiradjuri Elders, Aunty Phyllis & Aunty Sony share their story. Letters, stories, poems and photographs from rural women and their families are welcome. 10 A sense of belonging FREE MAILING LIST Cooma is often called the most multi-cultural town in Australia. -
A Literary & Artistic Journey Through New England and the Hunter Valley
‘My Country’: A Literary & Artistic Journey through New England and the Hunter Valley – March 2022 9 MAR – 20 MAR 2022 Code: 22256AU Tour Leaders Susannah Fullerton, OAM, FRSN, David Henderson Physical Ratings Explore how the Australian landscape has exerted a powerful influence on Australian literature and painting with literary expert Susannah Fullerton and award-winning artist David Henderson. Overview …I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror- The wide brown land for me!... Dorothea Mackellar, My Country Join literary expert Susannah Fullerton, President of the Jane Austen Society of Australia, and award- winning artist David Henderson on a journey through New England and the Hunter Valley, to explore how the Australian landscape has exerted a powerful influence on Australian literature and painting. At the Art Gallery of New South Wales view the Matisse Exhibition which 'offers an extraordinary immersion in the range and depth of the art of Henri Matisse, one of the world’s most beloved, innovative and influential artists.' Explore the development of Australian landscape painting with a visit to the Hinton Collection, New England Regional Art Museum; the Tamworth Regional Gallery; and the vibrant Maitland Regional Art Gallery. In Inverell a local historian will guide us to locations of Tom Roberts’ famous works: ‘Bailed up’ and ‘A Corner of the MacIntyre’; we also visit the private home 'Lilburn' where we meet with Tim Hughes whose great-grandparents knew Tom Roberts well. -
Transforming My Country Publishing Information Support Australian
Australian Poetry Transforming Chapbook My Country Transforming My Country Publishing Information Support Australian Transforming My Country Poetry Transforming australianpoetry.org Chapbook A publication of Australian Poetry Ltd My Guest Editor: Toby Fitch Designer: Stuart Geddes Publisher: Australian Poetry AP Subscriptions & Communications: Emma Caskey Country Printed by Focus Print Group Australian Poetry (AP) is the sole national representative body for poetry in this country. It is an independent non-profit organisation, supported A selection of poems by federal, state and local government arts funding edited by programs, patrons and its subscription base. We Tob y Fi t c h responding to represent Australian poetry and its poets, nationally and internationally. Dorothea Mackellar’s Address editorial correspondence to ‘My Country’ Level 3 The Wheeler Centre, 176 Little Lonsdale Street, Melbourne, Victoria 3000 or by email to [email protected] Australian Poetry Ltd attains worldwide first publication rights in both printed and digital form for the distribution and promotion of the Australian Poetry Journal and organisation as a whole. Copyright 2021 by Australian Poetry Ltd. Subscription to the Australian Poetry Journal is available online: australianpoetry.org/support Individual copies of the journal (including back issues) can be purchased directly from Australian Poetry Ltd: [email protected] AP House Style is to follow a poet’s use of punctuation, italicisation and US/English spellings as they are in the original poem. Any use of another’s works is expected to be acknowledged in notes and the responsibility for this is with poets. Also, regarding poet biographies, we accept the details provided in good faith. -
190212 Vickery Extension Project Expert Report Anderson Heritage
INDEPENDENT EXPERT REPORT VICKERY EXTENSION PROJECT Name: Sharyn Anderson Qualifications: B.A. (Hons. Aust. Lit.)/Dip.Ed., M.Ed. PhD confirmed Candidate – Charles Sturt University. Over 30 years’ experience teaching English Literature and Language at Primary, Secondary and Tertiary level. I have read Schedule 7 Expert Witness Code of Conduct and agree to be bound by it. ______________________________________________________________________ Contents Summary of Report…………………………………………………………………………………….2 Dorothea Mackellar’s Literary Legacy and importance……………………………… 4 A Brief Biography of Dorothea Mackellar and Literary History…………………… 5 Mackellar’s success……………………………………………………………………………… ….. 5 An important cultural feature of Mackellar’s poetry Influence on Australian vernacular …………………………………………………………… 7 Visitors and workers - ‘Snowy’ Baker’ and ‘Boy’ Charlton …………………… A new film industry ………………………………………………………………………… 9 Conclusion and Recommendations………………………………………………………………10 References ………………………………………………………………………………………………. 11 1 SUMMARY OF REPORT This Report will discuss the significance of the Australian poet, Dorothea Mackellar, to Australian literature and culture. As a consequence, it will also discuss the relationship of the writer and her poetry to the rural property formerly held by her family, called “Kurrumbede”, about 25 kilometres north of Gunnedah, N.S.W. This Report is not exhaustive: it is by necessity brief and contains limited information, due to the restraints of time and space. The Reference listing is incomplete for the same reason, but the author is happy to provide further referential evidence if required. Dorothea Mackellar wrote one of Australia’s best-known and loved Australian poems — “My Country”. First published in 1908, it has proven to be an integral part of Australian culture, being anthologised, recited and quoted widely to the present day (Moore in Jose). Kurrumbede was bought for the Mackellar family by Dr. -
Dorothea Mackellar Hears Music Another Year’S Crop of Fertile Minds at the Dorothea Mackellar Poetry Awards
teaching Dorothea Mackellar hears music Another year’s crop of fertile minds at the Dorothea MacKellar Poetry Awards he loved the sunburnt country around Excerpt Excerpt Gunnedah and again this year the north- Senior Secondary Winner Junior Secondary Winner Swestern New South Wales town played Jacqueline Krynda – Merewether High Beth Downing – Campbell High School, host to the National Dorothea Mackellar Poetry School, Broadmeadow NSW Campbell ACT awards, which celebrate and encourage poetry in schools. The old clubhouse The singing moon, a roughly polished silver Poems are written to a different theme each sits sickle year. This year’s wasI Hear Music and the standard at the end of the lake Bursts out a melody of submissions drawn from primary and secondary elbows on its knees Of all that once was schools nationwide was again very high. (peeling white through light blue) And all that will be. Winners were flown to Gunnedah to be contemplating the water It knows. presented with their prizes where young sloshing around its ankles. Australian composer Chloe Charody – Inside The stars resonate; recently returned from Amsterdam where her the best place Their chorus, commissioned work Magdalene premiered at the is in the corner, Their stories, their sights of the day and night. Dutch National Ballet – was guest performer. She on an up-turned milk crate. spoke of her career accompanied by her music. Above, stairs murmur as footsteps climb them Crisp rainy air, “The presentation ceremony was a wonderful (up and down). It sets the stage, event, it was a big logistical challenge to get it Water runs under salty timber, Prepares the black, smothering curtain of running and the culmination of a whole year’s tangled wires midnight: work,” says project officer Mila Stone. -
Dorothea Mackellar - Poems
Classic Poetry Series Dorothea Mackellar - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Dorothea Mackellar(1 July 1885 – 14 January 1968) Isobel Marion Dorothea Mackellar was an Australian poet and fiction writer. <b>Life and Works</b> The only daughter of noted physician and parliamentarian Sir Charles Mackellar, she was born in Sydney in 1885. Although raised in a professional urban family, Mackellar's poetry is usually regarded as quintessential bush poetry, inspired by her experience on her brothers' farms near Gunnedah, North-West New South Wales. Her best-known poem is My Country, written at age 19 while homesick in England, and first published in the London Spectator in 1908 under the title Core of My Heart. The second stanza of this poem is amongst the most well-known in Australia. Four volumes of her collected verse were published: The Closed Door (published in 1911, contained the first appearance of My Country under its present name); The Witch Maid, and Other Verses (1914); Dreamharbour (1923); and Fancy Dress (1926). In addition to writing poems, Mackellar also wrote novels, one by herself, Outlaw's Luck (1913), and at least two in collaboration with Ruth Bedford. These are The Little Blue Devil (1912) and Two's Company (1914). According to Dale Spender, little has been written or is yet known about the circumstances behind this collaboration. In the New Year's Day Honours of 1968, Dorothea Mackellar was made an Officer of the Order of the British Empire for her contribution to Australian died two weeks later. -
11 July, 2020 2.00 Pm 8 August, 2020 2.00 Pm
VOLUME 13 No. 6 July 2020 ISSN 1835-7628 (print) 2207-8401 (electronic) FROM THE EDITOR PRESIDENT’S REPORT Last issue I asked whether anyone had information on the NB Council has partially lifted some restrictions on the use of Dutch Shop that traded on Pittwater Road, Dee Why for many their community centres and so we plan to recommence our years from the 1950s. Peter Graves and Marianne van der monthly meetings as from next month, Saturday 11 July. We Voorde kindly sent in some recollections. They are in the Pot will start off by holding our deferred AGM but will make it a Pourri section. Thank you to both. little more interesting by showing some videos and hopefully there will be some afternoon tea, albeit served with Thank you also to Jenny Wilson who sent me some informa- appropriate precautions. tion on the two Manly residents who died in the Bubonic Plague mentioned last issue. Jenny is a member but is also So it will be a chance to get out of the house and meet up with associated with the North Head Sanctuary Foundation. friends. By the following month we hope to be back to our normal format but that is contingent on the incidence of the Finally, thank you Keith Amos on several fronts, firstly for virus continuing to trend in the right direction. researching the life of Dorothea Mackellar, author of perhaps the best-known Australian poem - My Country (I love a sun- At the AGM all executive positions will become vacant. We burnt country … etc.) and source of the names of a local girls’ would love to have people offer themselves. -
Civilian Trend in the Australian Literature As a Resource of National Moral Values
Journal of Siberian Federal University. Humanities & Social Sciences 1 (2018 11) 71-79 ~ ~ ~ УДК 82.02(1–929.1/.3) Civilian Trend in the Australian Literature as a Resource of National Moral Values Elena B. Grishaeva* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 01.02.2017, received in revised form 18.12.2017, accepted 15.01.2018 The article takes issue with a particular chronological period of development of the Australian literature – the turn of the 19th-20th centuries. Beginning with formal description of its civilian stream, the paper features a combination of major values and core imprints under a steady attention of iconic authors towards everyday life of the pioneers of the nation, their hard work and desire to explore vast lands, and as a result, to build a strong state. Under the scope of a closer attention is the concept “mate-mateship” related to the up-country labourers, shearers and shed-hands, which allows for applying a panchronic approach. On the synchronic side, the focus is on the bright and contributive efforts of a plethora of authors, while on the diachronic side the emphasis is on the moral features and traditional values, which remain of utmost importance for Australians. Keywords: Australian literature, national identity, mateship, loyalty, friendship. DOI: 10.17516/1997-1370-0206. Research area: philology, culturology. “I love a Sunburnt Country” (Dorothy McKellar 1885-1968) Introduction ethos in question together with its language Though Australia is a young country, it has and culture. come a long way from the British resettlement Human activity determines raisons d’être colony through a dominion to a sovereign of the nation. -
Survey Analysis for Indigenous Policy in Australia: Social Science Perspectives, Boyd Hunter and Nicolas Biddle (Eds), 2012
My Country, Mine Country Indigenous people, mining and development contestation in remote Australia My Country, Mine Country Indigenous people, mining and development contestation in remote Australia Benedict Scambary Centre for Aboriginal Economic Policy Research College of Arts and Social Sciences The Australian National University, Canberra Research Monograph No. 33 2013 Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Scambary, Benedict. Title: My country, mine country : Indigenous people, mining and development contestation in remote Australia / Benedict Scambary. ISBN: 9781922144720 (pbk.) 9781922144737 (ebook) Series: Research monograph (Australian National University. Centre for Aboriginal Economic Policy Research); no. 33 Notes: Includes bibliographical references and index. Subjects: Aboriginal Australians--Mines and mining--Australia. Aboriginal Australians--Social conditions Aboriginal Australians--Land tenure--Economic aspects. Dewey Number: 305.89915 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2013 ANU E Press Contents Preface . vii List of tables . ix List of figures . xi Abbreviations and acronyms . xiii 1. Indigenous policy, the mining industry, and Indigenous livelihoods: An introduction . 1 2. ‘Government been mustering me…’: Historical background . 31 3. ‘They still mustering me’: The three agreements . 67 4. The Ranger uranium mine: When opportunity becomes a cost .