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A Literary & Artistic Journey Through New England and the Hunter Valley
‘My Country’: A Literary & Artistic Journey through New England and the Hunter Valley – March 2022 9 MAR – 20 MAR 2022 Code: 22256AU Tour Leaders Susannah Fullerton, OAM, FRSN, David Henderson Physical Ratings Explore how the Australian landscape has exerted a powerful influence on Australian literature and painting with literary expert Susannah Fullerton and award-winning artist David Henderson. Overview …I love a sunburnt country, A land of sweeping plains, Of ragged mountain ranges, Of droughts and flooding rains. I love her far horizons, I love her jewel-sea, Her beauty and her terror- The wide brown land for me!... Dorothea Mackellar, My Country Join literary expert Susannah Fullerton, President of the Jane Austen Society of Australia, and award- winning artist David Henderson on a journey through New England and the Hunter Valley, to explore how the Australian landscape has exerted a powerful influence on Australian literature and painting. At the Art Gallery of New South Wales view the Matisse Exhibition which 'offers an extraordinary immersion in the range and depth of the art of Henri Matisse, one of the world’s most beloved, innovative and influential artists.' Explore the development of Australian landscape painting with a visit to the Hinton Collection, New England Regional Art Museum; the Tamworth Regional Gallery; and the vibrant Maitland Regional Art Gallery. In Inverell a local historian will guide us to locations of Tom Roberts’ famous works: ‘Bailed up’ and ‘A Corner of the MacIntyre’; we also visit the private home 'Lilburn' where we meet with Tim Hughes whose great-grandparents knew Tom Roberts well. -
Transforming My Country Publishing Information Support Australian
Australian Poetry Transforming Chapbook My Country Transforming My Country Publishing Information Support Australian Transforming My Country Poetry Transforming australianpoetry.org Chapbook A publication of Australian Poetry Ltd My Guest Editor: Toby Fitch Designer: Stuart Geddes Publisher: Australian Poetry AP Subscriptions & Communications: Emma Caskey Country Printed by Focus Print Group Australian Poetry (AP) is the sole national representative body for poetry in this country. It is an independent non-profit organisation, supported A selection of poems by federal, state and local government arts funding edited by programs, patrons and its subscription base. We Tob y Fi t c h responding to represent Australian poetry and its poets, nationally and internationally. Dorothea Mackellar’s Address editorial correspondence to ‘My Country’ Level 3 The Wheeler Centre, 176 Little Lonsdale Street, Melbourne, Victoria 3000 or by email to [email protected] Australian Poetry Ltd attains worldwide first publication rights in both printed and digital form for the distribution and promotion of the Australian Poetry Journal and organisation as a whole. Copyright 2021 by Australian Poetry Ltd. Subscription to the Australian Poetry Journal is available online: australianpoetry.org/support Individual copies of the journal (including back issues) can be purchased directly from Australian Poetry Ltd: [email protected] AP House Style is to follow a poet’s use of punctuation, italicisation and US/English spellings as they are in the original poem. Any use of another’s works is expected to be acknowledged in notes and the responsibility for this is with poets. Also, regarding poet biographies, we accept the details provided in good faith. -
190212 Vickery Extension Project Expert Report Anderson Heritage
INDEPENDENT EXPERT REPORT VICKERY EXTENSION PROJECT Name: Sharyn Anderson Qualifications: B.A. (Hons. Aust. Lit.)/Dip.Ed., M.Ed. PhD confirmed Candidate – Charles Sturt University. Over 30 years’ experience teaching English Literature and Language at Primary, Secondary and Tertiary level. I have read Schedule 7 Expert Witness Code of Conduct and agree to be bound by it. ______________________________________________________________________ Contents Summary of Report…………………………………………………………………………………….2 Dorothea Mackellar’s Literary Legacy and importance……………………………… 4 A Brief Biography of Dorothea Mackellar and Literary History…………………… 5 Mackellar’s success……………………………………………………………………………… ….. 5 An important cultural feature of Mackellar’s poetry Influence on Australian vernacular …………………………………………………………… 7 Visitors and workers - ‘Snowy’ Baker’ and ‘Boy’ Charlton …………………… A new film industry ………………………………………………………………………… 9 Conclusion and Recommendations………………………………………………………………10 References ………………………………………………………………………………………………. 11 1 SUMMARY OF REPORT This Report will discuss the significance of the Australian poet, Dorothea Mackellar, to Australian literature and culture. As a consequence, it will also discuss the relationship of the writer and her poetry to the rural property formerly held by her family, called “Kurrumbede”, about 25 kilometres north of Gunnedah, N.S.W. This Report is not exhaustive: it is by necessity brief and contains limited information, due to the restraints of time and space. The Reference listing is incomplete for the same reason, but the author is happy to provide further referential evidence if required. Dorothea Mackellar wrote one of Australia’s best-known and loved Australian poems — “My Country”. First published in 1908, it has proven to be an integral part of Australian culture, being anthologised, recited and quoted widely to the present day (Moore in Jose). Kurrumbede was bought for the Mackellar family by Dr. -
Dorothea Mackellar - Poems
Classic Poetry Series Dorothea Mackellar - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Dorothea Mackellar(1 July 1885 – 14 January 1968) Isobel Marion Dorothea Mackellar was an Australian poet and fiction writer. <b>Life and Works</b> The only daughter of noted physician and parliamentarian Sir Charles Mackellar, she was born in Sydney in 1885. Although raised in a professional urban family, Mackellar's poetry is usually regarded as quintessential bush poetry, inspired by her experience on her brothers' farms near Gunnedah, North-West New South Wales. Her best-known poem is My Country, written at age 19 while homesick in England, and first published in the London Spectator in 1908 under the title Core of My Heart. The second stanza of this poem is amongst the most well-known in Australia. Four volumes of her collected verse were published: The Closed Door (published in 1911, contained the first appearance of My Country under its present name); The Witch Maid, and Other Verses (1914); Dreamharbour (1923); and Fancy Dress (1926). In addition to writing poems, Mackellar also wrote novels, one by herself, Outlaw's Luck (1913), and at least two in collaboration with Ruth Bedford. These are The Little Blue Devil (1912) and Two's Company (1914). According to Dale Spender, little has been written or is yet known about the circumstances behind this collaboration. In the New Year's Day Honours of 1968, Dorothea Mackellar was made an Officer of the Order of the British Empire for her contribution to Australian died two weeks later. -
Civilian Trend in the Australian Literature As a Resource of National Moral Values
Journal of Siberian Federal University. Humanities & Social Sciences 1 (2018 11) 71-79 ~ ~ ~ УДК 82.02(1–929.1/.3) Civilian Trend in the Australian Literature as a Resource of National Moral Values Elena B. Grishaeva* Siberian Federal University 79 Svobodny, Krasnoyarsk, 660041, Russia Received 01.02.2017, received in revised form 18.12.2017, accepted 15.01.2018 The article takes issue with a particular chronological period of development of the Australian literature – the turn of the 19th-20th centuries. Beginning with formal description of its civilian stream, the paper features a combination of major values and core imprints under a steady attention of iconic authors towards everyday life of the pioneers of the nation, their hard work and desire to explore vast lands, and as a result, to build a strong state. Under the scope of a closer attention is the concept “mate-mateship” related to the up-country labourers, shearers and shed-hands, which allows for applying a panchronic approach. On the synchronic side, the focus is on the bright and contributive efforts of a plethora of authors, while on the diachronic side the emphasis is on the moral features and traditional values, which remain of utmost importance for Australians. Keywords: Australian literature, national identity, mateship, loyalty, friendship. DOI: 10.17516/1997-1370-0206. Research area: philology, culturology. “I love a Sunburnt Country” (Dorothy McKellar 1885-1968) Introduction ethos in question together with its language Though Australia is a young country, it has and culture. come a long way from the British resettlement Human activity determines raisons d’être colony through a dominion to a sovereign of the nation. -
Survey Analysis for Indigenous Policy in Australia: Social Science Perspectives, Boyd Hunter and Nicolas Biddle (Eds), 2012
My Country, Mine Country Indigenous people, mining and development contestation in remote Australia My Country, Mine Country Indigenous people, mining and development contestation in remote Australia Benedict Scambary Centre for Aboriginal Economic Policy Research College of Arts and Social Sciences The Australian National University, Canberra Research Monograph No. 33 2013 Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Scambary, Benedict. Title: My country, mine country : Indigenous people, mining and development contestation in remote Australia / Benedict Scambary. ISBN: 9781922144720 (pbk.) 9781922144737 (ebook) Series: Research monograph (Australian National University. Centre for Aboriginal Economic Policy Research); no. 33 Notes: Includes bibliographical references and index. Subjects: Aboriginal Australians--Mines and mining--Australia. Aboriginal Australians--Social conditions Aboriginal Australians--Land tenure--Economic aspects. Dewey Number: 305.89915 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2013 ANU E Press Contents Preface . vii List of tables . ix List of figures . xi Abbreviations and acronyms . xiii 1. Indigenous policy, the mining industry, and Indigenous livelihoods: An introduction . 1 2. ‘Government been mustering me…’: Historical background . 31 3. ‘They still mustering me’: The three agreements . 67 4. The Ranger uranium mine: When opportunity becomes a cost . -
March 2021 Newsletter Combined Probus Club of Belrose Inc
000000000000000000000 Combined Probus Club MEETING THURSDAY 11 March 2021 of Belrose Inc. REGISTRATION and AGM March 2021 Newsletter The C19 restrictions have been partially lifted by the Edition No 158 church and we are now allowed 140 people to attend meetings there. So, we no longer need to register to attend meetings. However, it would be appreciated that should you not be attending that you record your apology through the website PRESIDENT’S REPORT APRIL MEETING Please note that because a group of members will NEXT MEETING AND AGM be away on the Life of Riley Tour, the date for this 10AM, THURSDAY 11 March 2021 meeting has been put back a week to Thursday 15 BELROSE UNITING CHURCH, April. MORGAN ROAD, BELROSE ___________________________________________ _________________________________________ Members and Friends of the Combined Probus Club GUEST SPEAKERS Jan Staniland (0409 455 652) of Belrose Inc Members we have a problem, our next meeting is the Our February guest speaker, Greg de Moore, AGM and we still do not have a Vice President or Associate Professor of Psychiatry at Westmead Treasurer. Whilst the club can continue to operate Hospital delivered an informative and fascinating without a Vice President, that is not the case in insight into the shortened life of Tom Wills, a man regards to a Treasurer. passionate about sport in the nineteenth century Our current treasurer is willing to assist whoever takes who not only started the game of Australian Rules on the role, however, that still leaves us in the Football and took the first Aboriginal team to position of quite possibly not being able to continue England in the 1870’s but also prepared the first running the club. -
Michael Riley Cv 2017
THE COMMERCIAL MICHAEL RILEY b. 1960, Dubbo NSW d. 2004 WEBSITE www.michaelriley.com.au SOLO EXHIBITIONS 2016 A common place: Portraits of Moree Murries, The Commercial Gallery, Sydney A common place, State Library of New South Wales, Sydney 2015 Michael Riley - Blacktracker, La Trobe Regional Gallery, Melbourne 2014 Beauty and Strength – Portraits by Michael Riley, National Portrait Gallery, Canberra 2013 Portraits 1984-1990, The Commercial Gallery, Sydney 2012 cloud and Sacrifice, UTS Gallery, Sydney They call me niigarr, Stills Gallery, Sydney 2010 Of earth and sky: Riley, Bangarra Dance Theatre production featuring the series cloud, Sydney Opera House, Sydney 2008 flyblown, Stills Gallery, Sydney Michael Riley: Sights unseen, Art Gallery of New South Wales, Sydney 2007 Michael Riley: Sights unseen, National Gallery of Australia, Canberra and national tour Musée du quai Branly: Monument and retrospective; permanent collection and display, Musée du quai Branly, Paris, France 2006 Michael Riley: Sacrifice boxed-set release, Stills Gallery, Sydney 2005 cloud and Sacrifice, Stills Gallery, Sydney cloud, Museum of Sydney, Sydney 2002 cloud and Empire (photography and video), Campbelltown City Bicentennial Gallery, Sydney cloud, Gallery Gabrielle Pizzi, Melbourne 2000 cloud and Empire (photography and video), Australian Centre for Photography, Sydney 1999 flyblown, Boomalli Aboriginal Artists Co-operative, Sydney Yarns from the Talbragar Reserve, Dubbo Regional Gallery, New South Wales; Art Gallery of New South Wales, Sydney 1998 flyblown, -
Mining Agreements in Australia
My Country, Mine Country Indigenous people, mining and development contestation in remote Australia My Country, Mine Country Indigenous people, mining and development contestation in remote Australia Benedict Scambary Centre for Aboriginal Economic Policy Research College of Arts and Social Sciences The Australian National University, Canberra Research Monograph No. 33 2013 Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Scambary, Benedict. Title: My country, mine country : Indigenous people, mining and development contestation in remote Australia / Benedict Scambary. ISBN: 9781922144720 (pbk.) 9781922144737 (ebook) Series: Research monograph (Australian National University. Centre for Aboriginal Economic Policy Research); no. 33 Notes: Includes bibliographical references and index. Subjects: Aboriginal Australians--Mines and mining--Australia. Aboriginal Australians--Social conditions Aboriginal Australians--Land tenure--Economic aspects. Dewey Number: 305.89915 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2013 ANU E Press Contents Preface . vii List of tables . ix List of figures . xi Abbreviations and acronyms . xiii 1. Indigenous policy, the mining industry, and Indigenous livelihoods: An introduction . 1 2. ‘Government been mustering me…’: Historical background . 31 3. ‘They still mustering me’: The three agreements . 67 4. The Ranger uranium mine: When opportunity becomes a cost . -
Australia : Case Study 1
Key messagesAustralia : Case Study 1. Drought has long been regarded as a key recurring feature of the Australian landscape with impacts on our agriculture and food systems and, especially in the past, on the nation’s income (recent Australian Bureau of Agricultural Resources and Sciences (ABARES) data predict a 74% decrease in farm cash receipts for FY20 compared to FY 19 attributable to the drought (Martin and Topp, 2020). Severe droughts (in terms of the land covered and length of below average rainfall) are part of our folklore and have led to significant impacts on livelihoods, health, and the national economy. It has also led to major infrastructure investment, including so-called ‘drought proofing’ schemes and similar attempts to withstand future droughts. But each drought still seems to come as a new surprise (in part because no two droughts affect the same areas for the same period of time - each having some unique characteristics). 2. Some key areas of impact recur including urban and peri-urban water supply, reduced yield, productivity and profitability from cropping systems and especially rainfed systems, major and prolonged impact on rangelands and livestock with accompanying land degradation, and irrigation system shortfalls and allocation dilemmas. 3. The societal and policy response leads to trade-offs including: 1) Infrastructure investment that includes a funding transfer between sectors and across generations (future generations benefit from large investments now) 2) Tax and investment and arrangements for some specific sectors (even in the FMD1 scheme if a certain proportion of income is off-farm you are ineligible) 3) Mitigation arrangements not uniformly adopted – those that have not used them may be more likely to receive aid. -
The General Manager Gunnedah Shire Council Elgin Street
The General Manager Gunnedah Shire Council Elgin Street, Gunnedah. NSW 2380 Dear Mr Groth, It has come to the attention of the DMMS Executive that both the Lease Agreement with Council for our use of the Mackellar Centre and the Financial Contribution Agreement between Gunnedah Shire Council and the Society are both due for renewal by June 30, 2020. Consequently, I write in order to apply for the renewal of both agreements, preferably on similar terms to those previously agreed and outlined in the previous documents. We note that an extension may be sought for the Financial Agreement should time be needed to further negotiate a new agreement. We believe that it is timely that these agreements need renewal at this point as we have just successfully concluded negotiations with the Federal Department of Education via Minister Tehan and have been granted a new, five year agreement with them assuring us Commonwealth Government funding until 2026. The Department have also, generously, increased funding by a further $5000 to $60000 per year for the final three years of that agreement. Consequently, we believe that any further agreements with Council should be for a similar, five year period, thereby being in concert with the Federal funding arrangements, in order to guarantee continuity of resourcing for our hard-working Society in order to ensure the continuation of the Dorothea Mackellar National Poetry Competition , the largest such competition in Australia. As you are no doubt well aware, the Competition is of National significance and highly reputed in Literary circles and, consequently, brings great credit to our community. -
1 Teachers' Notes by Paul Rissmann I
Teachers’ Notes by Paul Rissmann I love Australia. Every time I visit (for work or for pleasure) I am invigorated by its landscape, stunning coastline and of course, the glorious Aussie sunshine. So what an honour it was to be asked to create new music inspired by this ‘Great Southern Land’. But what a challenge too. I mean, what would music by a Scotsman about Australia actually sound like? And more importantly, where to start? In November 2014 I toured to Sydney with the London Symphony Orchestra. Whilst there, I sought inspiration in the Art Gallery of New South Wales for my new, and as of yet, untitled work. One exhibition that caught my imagination was entitled ‘Our spirit lies in water’. The quote is by the Kuninjku artist Ivan Namirrkki and refers to the inherent relationship Aboriginal and Torres Strait Islander people have to country and to water. As I wandered round the gallery, I was particularly struck by the painting Waipu Rockhole by Tommy Watson. I loved the energy that radiated from his vivid dot painting. The bright colours and snake-like forms immediately suggested music to me. I stood entranced, wondering what this painting might sound like. At that moment I knew my new piece would be about water. Quickly, I started to research Australian art works and poetry about water, and naturally, I was soon overwhelmed by thousands of fabulous pieces. Over the ensuing months, I started to map out a visual storyboard for my music using a series of Australian paintings. Given the time constraints of the commission, I eventually settled on just four images to focus my writing.