A Literary & Artistic Journey Through New England and the Hunter Valley
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Told to Take a Hike
Your news and views? Email us at [email protected] September 2, 2011 the Grey Nomad Times In this issue: •Satphone prices plunge •Meet our GN character •A laughing matter Grey nomad Park ‘developers’ gold diggers eye pay dirt told to take a hike There’s gold in them thar The Victorian government hills and the soaring value of looks set to reject persistent the precious metal has sent and growing calls to allow grey nomads hunting for it more private development in like never before. the state’s magnificent national Many find the on-the-road parks … at least for now. lifestyle perfectly suited to Proposals put forward by gem fossicking and gold business groups included boat prospecting … and metal cruises at Wilsons Promontory, detectors don’t take up much new hotel accommodation at space in the van. Point Nepean, and privately Like many former gold operated tourist walking huts rush towns, Mudgee, on the Great Ocean Walk about 250kms northwest from Apollo Bay to the Twelve of Sydney, has noticed the Apostles. influx. Prospecting supply The proposals have been the shops have seen many more Privately-owned walking huts too big a step? Pic: Tourism Vic subject of a review by the new arrivals in the past six Victorian Competition and Victoria that private develop- for such as hiking, camping, months. And it is the life- Efficiency Commission. ments should not take place cross-country skiing and fam- style as well as the potential However, Environment Min- inside national parks,” it ily day trips,” they said. “Tak- windfall that sends people ister Ryan Smith, says his goal said. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Talking Tablelands with Adam Marshall MP Your Member for Northern Tablelands
May 2016 Talking Tablelands with Adam Marshall MP your Member for Northern Tablelands Year off to a good start THE past few months have been incredibly busy and very fruitful in regard to some wonderful funding which has come our region’s way for infrastructure upgrades and support for Work underway on $60 million community organisations. In January I had the pleasure of meeting members from Armidale Hospital redevelopment 22 community organisations across the Northern Tablelands successful in gaining $300,000 through the Community Building Partnership. It’s one of the highlights of my role to be able to – Main construction on track to start July this year help facilitate these grants and a pleasure to talk to the people who are so passionate about improving outcomes for their local communities. I WAS delighted to visit the work site at the central sterilising supplies department and a new I recently took the Roads Minister Duncan Gay on a tour of Armidale Rural Referral Hospital where several and expanded critical care unit. the region to press the case for some major road works that, if buildings have been demolished to make way for Pleasingly, 6,000 of the Armidale blue bricks implemented, will give a huge boost to the local economy. a new four-storey structure, as part of the $60 from the former infectious diseases ward I’m continuing to knock on the Regional Development Minister’s million redevelopment building have been preserved and will be used door to garner support for the additional $6.3 million Armidale It’s a wonderful milestone for the Armidale in the construction of the new building – a Dumaresq Council needs to upgrade the regional airport and road community and one which has been long- wonderful way to blend the old with the new at links. -
The Armidalian
The Armidalian 2019 The Armidalian is the magazine of record of The Armidale School, Armidale NSW Australia. Credits Editor: Tim Hughes Design & Layout: Donna Jackson Cover Photo: Tim Hughes, Year 12 Final Assembly The Armidalian Volume 121 2019 Contents Introduction 2 Year 12 Awards 42 Middle School 92 Staff 4 Valedictory Day Address 44 Head of Middle School 94 Vale Murray Guest 6 Valedictory Day Responses 47 Junior School 98 Redress and Reflection 12 Valete 50 Head of Junior School 100 Chairman’s Address 14 SRC and House Captains 71 Junior School Sport 103 Acting Headmaster’s Address 16 Salvete and Valete 72 Junior School Speech Day Awards 106 Speech Day Guest 19 Junior School Photo 108 Senior Prefects’ Addresses 21 Academic Reports 74 Transition 110 Chaplain’s Report 24 Academic Extension 76 Kindergarten 111 Wellbeing and Pastoral Care 26 Agriculture 78 Year 1 112 Counsellor’s Report 28 Creative Arts 79 Year 2 113 Aboriginal Students’ Program 29 English 80 Year 3 114 Comings and Goings 30 HSIE 82 Year 4 115 Descendants of Old Armidalians 31 Languages 83 Year 5 116 Director of Boarding 32 Mathematics 85 PDHPE 86 Leadership, Service & Adventure 118 Senior School 34 Science 87 Round Square 120 Director of Studies’ Report 36 TAS 89 Cadets 124 Speech Day Prizes 38 ANZAC Address 128 Prefects & House Captains 41 The Armidalian Passing Out Parade 130 Croft 154 Mountain Biking 194 Bush Skills 132 Girls’ Boarding 156 Netball 196 Rangers 133 Green 158 Rowing 198 Rural Fire Service 134 Ross 159 Rugby 200 Surf Lifesaving 135 Tyrrell 160 TAS Rugby -
Danks News Final
Artworks where Resale Royalty is not applicable Artworks under $1,000 and so exempt from Resale Royalty Collectible Australian artists in this category include: consider works on paper including prints, smaller works, works by less mainstream or emerging artists, decorative arts Robert Clinch 1957 - Black and White 2008 suite of eight lithographs 19 x 20.5 cm each, edition of 40 These lithographs are available individually or in matching numbered sets. Troy Pieta Alice Ali Trudy Raggett Kemarr 1980 - Arrkerr 2007 synthetic polymer on carved wood height: 40 cm David and Goliath Empire Trudy Raggett Kemarr 1980 - Arrkerr 2007 synthetic polymer on carved wood height: 40 cm Richard III Alien Artworks where Resale Royalty is not applicable Deceased Artists who have been deceased for more than 70 years Collectible Australian artists in this category include: Clarice Beckett, Merric Boyd, Penleigh Boyd, Henry Burn, Abram Louis Buvelot, Nicholas Chevalier, Charles Conder, David Davies, John Glover, William Buelow Gould, Elioth Gruner, Haughton Forrest, Emmanuel Phillips Fox, A.H. Fullwood, Henry Gritten, Bernard Hall, J.J. Hilder, Tom Humphrey, Bertram Mackennal, John Mather, Frederick McCubbin, G.P. Nerli, W.C. Piguenit, John Skinner Prout, Hugh Ramsay, Charles Douglas Richardson, Tom Roberts, John Peter Russell, J.A. Turner, William Strutt, Eugene Von Guerard, Isaac Whitehead, Walter Withers Bernard Hall 1859 - 1935 Model with Globe oil on canvas 67x 49 cm William Buelow Gould 1803 - 1853 Still Life of Flowers c.1850 oil on canvas 41 x 50 cm -
Australia-15-Index.Pdf
© Lonely Planet 1091 Index Warradjan Aboriginal Cultural Adelaide 724-44, 724, 728, 731 ABBREVIATIONS Centre 848 activities 732-3 ACT Australian Capital Wigay Aboriginal Culture Park 183 accommodation 735-7 Territory Aboriginal peoples 95, 292, 489, 720, children, travel with 733-4 NSW New South Wales 810-12, 896-7, 1026 drinking 740-1 NT Northern Territory art 55, 142, 223, 823, 874-5, 1036 emergency services 725 books 489, 818 entertainment 741-3 Qld Queensland culture 45, 489, 711 festivals 734-5 SA South Australia festivals 220, 479, 814, 827, 1002 food 737-40 Tas Tasmania food 67 history 719-20 INDEX Vic Victoria history 33-6, 95, 267, 292, 489, medical services 726 WA Western Australia 660, 810-12 shopping 743 land rights 42, 810 sights 727-32 literature 50-1 tourist information 726-7 4WD 74 music 53 tours 734 hire 797-80 spirituality 45-6 travel to/from 743-4 Fraser Island 363, 369 Aboriginal rock art travel within 744 A Arnhem Land 850 walking tour 733, 733 Abercrombie Caves 215 Bulgandry Aboriginal Engraving Adelaide Hills 744-9, 745 Aboriginal cultural centres Site 162 Adelaide Oval 730 Aboriginal Art & Cultural Centre Burrup Peninsula 992 Adelaide River 838, 840-1 870 Cape York Penninsula 479 Adels Grove 435-6 Aboriginal Cultural Centre & Keep- Carnarvon National Park 390 Adnyamathanha 799 ing Place 209 Ewaninga 882 Afghan Mosque 262 Bangerang Cultural Centre 599 Flinders Ranges 797 Agnes Water 383-5 Brambuk Cultural Centre 569 Gunderbooka 257 Aileron 862 Ceduna Aboriginal Arts & Culture Kakadu 844-5, 846 air travel Centre -
Sidney Nolan's Ned Kelly
Sidney Nolan's Ned Kelly The Ned Kelly paintings in the National Gallery of Australia With essays by Murray Bail and Andrew Sayers City Gallery_JWELLINGTON australia Te \Vliare Toi ■ national gallery of 7 © National Gallery of Australia 2002 Cataloguing-in-publication data This publication accompanies the exhibition Copyright of texts remains SIDNEY NOLAN'S NED KELLY SERIES with the authors Nolan, Sidney, Sir, 1917-1992. City Gallery Wellington, New Zealand Sidney Nolan's Ned Kelly: the Ned Kelly 22 February-19 May 2002 All rights reserved. No part of this publication paintings in the National Gallery of Australia. Part of the New Zealand Festival 2002 may be reproduced or transmitted in any form or by any means, electronic or Bibliography. mechanical, including photocopying, ISBN O 642 54195 7. Presented by recording or any information storage and retrieval system, without permission 1. Kelly, Ned, 1855-1880 - Portraits - Exhibitions. in writing from the publisher. 2. Nolan, Sidney, Sir, 1917-1992 - Exhibitions. EllERNST & YOUNG 3. National Gallery of Australia - Exhibitions. Co-published by the 4. Painting, Modern - 20th century - National Gallery of Australia, Canberra Australia - Exhibitions. 5. Painting, RUSSELL M�VEAGH and City Gallery Wellington, New Zealand Australian - 20th century - Exhibitions. I. Bail, Murray, 1941- . II. Sayers, Andrew. Produced by the Publications Department III. National Gallery of Australia. IV. Title. of the National Gallery of Australia Tele�erm NEW ZEALAND Designer Kirsty Morrison 759.994 Editor Karen -
Crown Lands (General Reserves) By-Law 2006
Crown Lands (General Reserves) By-law 2006 As at 1 July 2017 Does not include amendments by: Cemeteries and Crematoria Act 2013 No 105, Sch 6.2 [1] [3] and [4] (not commenced) Part 1 – Preliminary 1 Name of By-law This By-law is the Crown Lands (General Reserves) By-law 2006. 2 Commencement This By-law commences on 1 September 2006. This By-law replaces the Crown Lands (General Reserves) By-law 2001 which is repealed on 1 September 2006 by section 10 (2) of the Subordinate Legislation Act 1989. 3 Application This By-law applies: (a) to each reserve specified in Schedule 1, and (b) to each reserve for which a reserve trust has been established and the affairs of which are managed by the Ministerial Corporation under section 95 of the Act, except as specifically provided by other clauses of this By-law. 4 Definitions (1) In this By-law:"authorised person", in relation to a reserve trust, means: (a) a member of the trust board of the reserve trust, or (b) an administrator of the affairs of the reserve trust, or (c) a ranger or other person appointed in writing by the reserve trust for the purposes of this definition, or (d) if a corporation other than the Ministerial Corporation has been appointed to manage the affairs of the reserve trust, any officer, employee of the corporation or other person appointed as an authorised person for the purposes of this definition by the corporation, or (e) if the Ministerial Corporation has been appointed to manage, or the Minister is managing, the affairs of the reserve trust, any person: (i) holding an office, position or rank prescribed by a regulation under the Act for the purposes of paragraph (b) of the definition of "authorised person" in section 153 of the Act, or (ii) authorised by the Minister in writing for the purposes of this definition. -
Mary Ann Bugg – “Captain Thunderbolt's Lady.”
Mary Ann Bugg – “Captain Thunderbolt’s Lady.” Adapted with permission by Barry Sinclair, from an article written in1998 by Andrew Stackpool There were two “female bushrangers” in Australia, Mary Ann, wife, & chief lieutenant of Fred Ward and “Black Mary”, companion of Michael Howe, notorious bushranger in Tasmania in the early 1800’s. While much is made of and written about the partners of the other bushrangers, little is recorded on the life of our female bushrangers. In the case of Mary Ann, she is responsible for Fred Ward being at large for so long. Her distinct femininity and her Aboriginal heritage were probably the reason for Fred’s dislike of using firearms. She certainly taught him to read and write, and her skills developed, as part of her aboriginality, served them both well in their life in the bush. The blending of Aboriginal and European features in Mary Ann created a remarkable beauty, which was commented on many times during her career. Mary Ann Bugg was born near Gloucester/Stroud in New South Wales. Her father was a shepherd named James Brigg (who subsequently changed his name to Bugg). He was born in Essex in England in 1801 and on 18 July 1825 was transported for life for stealing meat. He arrived in Sydney on the ship “SESOSTRIS” on 26 March 1826 and on 15 January 1828 was assigned to the Australian Agricultural Company as Overseer of Shepherds. He was successful in his duties and in 1834 was granted a Ticket of Leave. This meant he was technically a free man who could own property but could not leave the Colony. -
Lisa Kealhofer
Lisa Kealhofer Anthropology and Environmental Studies and Sciences Departments, Santa Clara University Santa Clara, CA 95053 Ph: 408 554 6810 Fax: 408 554 4189 EDUCATION University of Pennsylvania, Anthropology Department, Philadelphia, PA, 1991 PhD Thesis: Cultural Interaction during the Spanish Colonial Period: El Pueblo de Los Angeles, California Macalester College, St. Paul, MN, 1981 B.A. Anthropology and Chemistry EXPERIENCE Teaching and Administration 2006 -2013 Chair, Department of Anthropology, Santa Clara University 2006 (W&Spr) Acting Director, Environmental Studies Institute 2012- Professor, Santa Clara University, Departments of Anthropology/Environmental Studies and Sciences 2005-2012 Associate Professor, Santa Clara University, Department of Anthropology/Environmental Studies Program 1999-2005 Assistant Professor, Santa Clara University, Department of Anthropology and Sociology/Environmental Studies Program 1994-1999 Visiting Assistant Professor, The College of William and Mary, Anthropology Department 1990 Lecturer, Anthropology, Bryn Mawr College 1989-1990 Lecturer, University of Pennsylvania, College of General Studies Research School for Advanced Research, Seminar participant. The Thailand Archaeometallurgy Project: A Holistic Approach to Characterizing Metallurgy’s Societal Impact in Prehistoric Southeast Asia, April 29 – May 1, 2014. Cotsen Fellow, School for Advanced Research, After the Fall: Iron Age Interaction in Central Anatolia. Summer 2009. Senior Fulbright Specialist, ICAES, Southeast Asia Environment and Phytoliths, -
PRIMARY Education Resource
A break away! painted at Corowa, New South Wales, and Melbourne, 1891 oil on canvas 137.3 x 167.8 cm Art Gallery of South Australia, Adelaide, Elder Bequest Fund, 1899 PRIMARY Education resource Primary Education Resource 1 For teachers How to use this learning resource for primary students Tom Roberts is a major INTRODUCTION exhibition of works from the National Gallery of Australia’s ‘All Australian paintings are in some way a homage to Tom Roberts.’ Arthur Boyd collection as well as private and Tom Roberts (1856–1931) is arguably one of Australia’s public collections from around best-known and most loved artists, standing high among his talented associates at a vital moment in local painting. Australia. His output was broad-ranging, and includes landscapes, figures in the landscape, industrial landscapes and This extraordinary exhibition brings together Roberts’ cityscapes. He was also Australia’s leading portrait most famous paintings loved by all Australians. Paintings painter of the late nineteenth and early twentieth such as Shearing the rams 1888–90 and A break away! centuries. In addition he made a small number of etchings 1891 are among the nation’s best-known works of art. and sculptures and in his later years he painted a few nudes and still lifes. This primary school resource for the Tom Roberts exhibition explores the themes of the 9 by 5 Impression Roberts was born in Dorchester, Dorset, in the south of exhibition, Australia and the landscape, Portraiture, England and spent his first 12 years there. However he Making a nation, and Working abroad. -
All Over the World Optional Theme Presentationceremonynational
DOROTHEA MACKELLAR POETRY AWARDS 2017 All Over the World optional theme PresentationCeremonyNational NATIONAL PRESENTATION CEREMONY Our Trophies From Strength to Strength Gulargambone artist Alison Dent We have taken big strides into the future this year with the opening of the has created the trophies from Mackellar Centre and the provision of a permanent home for the My Country a fusion of found objects. The collection of 32 watercolours by Jean Isherwood. Through the sourcing of Japanese glass floats had been sponsorship, donations and grants, the centre is slowly transforming to a lying idle at the family’s western vibrant, interesting resource facility with new furniture, computer stations for NSW sheep and cattle farm since students and other learning materials. Alison picked them up, with the fishing net still attached, in Intended as a tourist destination that will contain memorabilia and historical an antique shop years ago. Her items from the poetry competition, the centre is a welcoming airy space that intention was to give the net to has already attracted numerous visitors. The dedication of the W.R. (Bill) her daughter to make a curtain Clegg gallery, named in honour of a late councillor, has given the magnificent but after unravelling it, the size Isherwood collection an attractive venue for visitors to view the unique set and smell changed her mind! of watercolours. The works, depicting lines from the iconic poem by Dorothea Mackellar, hang in a professionally lit space replete with seating. Also the The beautiful hand blown administrative base for the poetry awards, now in their 34th year, the centre glass floats - no two are the is open Tuesdays to Thursdays or by appointment.