DOCSLIB.ORG

The Delgados Hate Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Delgados Hate Mp3, Flac, Wma The Delgados Hate mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hate Country: UK & Ireland Released: 2002 Style: Indie Rock MP3 version RAR size: 1658 mb FLAC version RAR size: 1574 mb WMA version RAR size: 1423 mb Rating: 4.4 Votes: 625 Other Formats: MP3 MIDI ASF AAC FLAC RA AUD Tracklist Hide Credits The Light Before We Land A1 Arranged By [Choir] – Malcolm Lindsay, The DelgadosArranged By [Strings] – The 5:30 Delgados All You Need Is Hate A2 2:53 Arranged By [Strings] – The Delgados Woke From Dreaming A3 4:32 Arranged By [Choir] – Malcolm LindsayArranged By [Strings] – The Delgados The Drowning Years A4 5:12 Arranged By [Strings] – Malcolm Lindsay Coming In From The Cold A5 3:34 Arranged By [Strings] – The Delgados Child Killers B1 6:42 Arranged By [Strings] – The Delgados Favours B2 4:36 Arranged By [Strings] – The Delgados All Rise B3 Arranged By [Choir] – Malcolm Lindsay, The DelgadosArranged By [Strings] – The 4:43 Delgados Never Look At The Sun B4 Arranged By [Strings] – The DelgadosPerformer [Additional Musician], Bass – Dave 5:23 Fridmann If This Is A Plan B5 4:26 Arranged By [Strings] – Malcolm Lindsay, The DelgadosChoir – The Delgados Credits Arranged By [Brass] – Dominic Farr Artwork [Touch Paper Lit] – Joe Coleman Choir – Cappella Nova Choir [Cappella Nova], Baritone Vocals – Nicholas York-Jones Choir [Cappella Nova], Bass Vocals – Noel Mann Choir [Cappella Nova], Mezzo-soprano Vocals – Anne Lewis Choir [Cappella Nova], Soprano Vocals – Libby Crabtree, Rebecca Tavener Choir [Cappella Nova], Tenor Vocals – Paul Rendall Chorus Master [Cappella Nova Directed By] – Alan Tavener Mastered By – Chris Blair Mixed By – Dave Fridmann Mixed By [Assistant] – Michael Ivins Performer [Additional Musician], Baritone Saxophone – Chris Cruikshank Performer [Additional Musician], Cello – Alan Barr Performer [Additional Musician], Cymbal [Concert] – Lauren Lambell Performer [Additional Musician], Double Bass – Diane Clark Performer [Additional Musician], Flute – Camille Mason Performer [Additional Musician], Harp – Malcolm Lindsay Performer [Additional Musician], Piano, Keyboards – Colin MacPherson, Lewis Turner Performer [Additional Musician], Trombone – Andrew Fraser , Denis Kane, Mark Traynor Performer [Additional Musician], Trumpet – Dominic Farr, James Woods Performer [Additional Musician], Violin – Greg Lawson, Vuk Krakovic* Performer [Additional Musician], Violin, Viola – Charlie Cross Performer [The Delgados], Bass – Stewart Henderson Performer [The Delgados], Drums, Percussion – Paul Savage Performer [The Delgados], Vocals, Guitar – Alun Woodward, Emma Pollock Photography By [2001] – James Luckett Producer – Dave Fridmann, The Delgados, Tony Doogan Programmed By [All Other Programming], Performer [All Other Instruments], Sampler [Samples], Noises – The Delgados Recorded By – Tony Doogan Recorded By [Additional Recording At Chem19 Studios] – Andy Miller Recorded By [Additional Recording At Tarbox Rd. Studios] – Dave Fridmann Recorded By [Assistant] – Michael Bannister, William Of Deans* Songwriter – The Delgados Notes For Kathleen Savage Made in England. All songs published by Chrysalis Music. Recorded at Cava. Mixed at Tarbox Rd. Studios. Mastered at Abbey Road. ℗ 2002 Mantra Recordings Ltd. © 2002 Mantra Recordings Ltd. Barcode and Other Identifiers Barcode: 609008103128 Other (Label Code): LC 11591 Other versions Title Category Artist Label Category Country Year (Format) Mantra MNTCD1031, The Hate (CD, Recordings, MNTCD1031, UK & 2002 MNT CD1031 Delgados Album) Mantra MNT CD1031 Ireland Recordings Soyuz Music, The Hate (CD, MNTCD1031 Mantra MNTCD1031 Russia 2004 Delgados Album) Recordings The Hate (CD, Mantra UK & MNTCD1034 MNTCD1034 2002 Delgados Album, Enh) Recordings Ireland The Hate (CD, Mantra MNTCD 1034 MNTCD 1034 US 2002 Delgados Album, Enh) Recordings Hate (CD, The Mantra MNTCD 1034 Album, Enh, MNTCD 1034 US 2002 Delgados Recordings Promo) Related Music albums to Hate by The Delgados The Delgados - The Complete BBC Peel Sessions Malcolm Arnold, Richard Adeney, Bournemouth Sinfonietta, Ronald Thomas - Concerto For Flute & Strings The Knightsbridge Strings - The Strings Swing The Salzburg Mozart Players - Quartet In F Major For Oboe And Strings, K. 370, Quartet In D Major For Flute And Strings, K. 285, And Quartet In G Minor For Piano And Strings, K. 478 The Delgados - The Great Eastern The Delgados - Girls Of Valour The Delgados - 2nd Album Sampler The Delgados - Everything Goes Around The Water The Delgados - Cinecentre The Delgados - Domestiques Charlie Parker With Strings - Charlie Parker With Strings The Malcolm Price Trio - Pickin' On The Country Strings!.
Load more

Recommended publications
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • Blueflint ‘Stories from Home’ Johnny Rock Records Proper Music Distribution (JOROCK 021) Release Date: Mon 30Th March 2015
    Press Release Blueflint ‘Stories from Home’ Johnny Rock Records Proper Music Distribution (JOROCK 021) Release date: Mon 30th March 2015 www.blueflint.org.uk March 2015 saw the release of Blueflint's third album ‘Stories from Home.’ Stories of relationships, parenthood and life in a home town form the thread running through this eclectic yet captivating album. With Paul Savage (King Creosote, From Scotland with Love, Mogwai) in the producer's chair, the album sees the band naturally evolving towards an alt folk flavour. The album's atmospheric opener 'King Of My Apple Tree', takes us through the last days of a relationship, with eery, shimmering guitar layers, before bursting into the joyous 'Little Stranger' underpinned by bouncing banjo rhythms and an infectious guitar hook. The quirky and heartfelt 'I Could Have Done More For You' is driven by rhythmic percussion and sparkling piano passages lending a lightness to the more sorrowful lyrics. The uplifting and anthemic 'This Is A Story' is a beautifully candid account of family love. The primal 'Hawk And Eagle' tips its hat to the band's Americana roots. The album's parting note is the sparse and emotive 'Don't Make A Fool Out Of Me' The sound of Blueflint is defined by the sublime close harmonies of Deborah Arnott and Clare Neilson whose voices are accompanied by a five-piece line-up intertwining banjos, fiddle, piano, electric guitar, double-bass and drums in raw, honest and beautifully-crafted songs, imbued with the power of Paul Savage’s new direction in production for the band.
    [Show full text]
  • The Delgados Everything Goes Around the Water Mp3, Flac, Wma
    The Delgados Everything Goes Around The Water mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Everything Goes Around The Water Country: UK Released: 1998 Style: Indie Rock MP3 version RAR size: 1316 mb FLAC version RAR size: 1381 mb WMA version RAR size: 1400 mb Rating: 4.4 Votes: 879 Other Formats: AA AIFF APE WMA MPC DTS MP2 Tracklist 1 Everything Goes Around The Water 4:17 2 Blackpool 5:02 3 The Drowned And The Saved 4:32 Companies, etc. Record Company – Chemikal Underground Records Phonographic Copyright (p) – Chemikal Underground Ltd. Copyright (c) – Chemikal Underground Ltd. Published By – Island Music Ltd. Recorded At – Cava Studios Recorded At – Chem19 Glass Mastered At – Nimbus – C8952 Credits Engineer [Engineered By] – Paul Savage (tracks: 2, 3), Tony Doogan (tracks: 1) Producer [Produced By] – The Delgados Songwriter [All Songs Written By] – The Delgados Notes Inner sleeve: Track 1 recorded at Cava Studios, Glasgow. Tracks 2 & 3 recorded at Chem 19 Studios, Hamilton. All songs published by Island Music Ltd. ©1998 Chemikal Underground Ltd. ℗1998 Chemikal Underground Ltd. The copyright in this sound recording is owned by Chemikal Underground Ltd. Back cover: Made in Great Britain _ Released in jewel case. Catalog number: Chem022cd on spine & back cover Chem022CD on disc Track durations are not printed on the release. Barcode and Other Identifiers Barcode (As printed): 5 020667 342256 Barcode: 5020667342256 Matrix / Runout: C8952 CHEM 022 CD · 1:0 [Nimbus logo] Mastering SID Code: IFPI L122 Mould SID Code: ifpi 2322
    [Show full text]
  • Kosovo Crisis: Reclaim (E)XFM
    ed981015.qxd 25/11/98 21:37 Page 1 (1,1) Issue 944 - Weekly Thursday October 15 1998 Demonstrators Gather To Kosovo Crisis: Reclaim (e)XFM On Saturday 10th October, They think its all over... Leicester Square was the venue for the first rally against the new Capital Radio owned XFM. Gathering just outside Capital Radio’s building the 300 strong crowd, the majority under 25, chanted slogans, sang newly writ- ten protest songs, and waved banners in response to the radical changes that have recently been imple- mented at the station once calling itself “London’s Only Alternative”. At the end of the demonstration newly signed indie band The Llama Farmers delivered a petition with protest organisers to Capital. The Bilateral meeting between US Special Envoy, Mr. Richard Holbrooke (left) and NATO Secretary General, Dr. Javier Solana (right), at NATO HQ Brussels, concerning the situation in Kosovo. large police presence did not interfere, except to request less swearing in the chants (result- Photo courtesy of Nato photos ing in Bob Geldof being described as a “banker” a “tanker” and an “anchor”). The demonstration The World press is currently reporting on by Tom Sherwen came about as part the agreement to end the Kosovo crisis of a possibly long worked out between US Ambassador negotiating table. This risked the build up running campaign Designate to the United Nations, Richard of a reputation similar to that of the UN who to return XFM back Holbrooke and Yugoslav President have repeatedly issued empty threats to to the audience it Slobodan Milosevic. Holbrooke, having Milosevic.
    [Show full text]
  • Queens Park Music Club
    Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
    [Show full text]
  • Blueflint Press Release Autumn 2015
    Press Release Blueflint ‘Stories from home’ Johnny Rock Records Proper Music Distribution (JOROCK 021) Release date: Mon 30th March 2015 www.blueflint.org.uk March 2015 saw the release of Blueflint's third album ‘Stories from Home.’ Stories of relationships, parenthood and life in a home town form the thread running through this eclectic yet captivating album. With Paul Savage (King Creosote, From Scotland with Love, Mogwai) in the producer's chair, the album sees the band naturally evolving towards an alt folk flavour. The sound of Blueflint is defined by the sublime close harmonies of Deborah Arnott and Clare Neilson whose voices are accompanied by a five‐piece line‐up intertwining banjos, fiddle, piano, electric guitar, double‐bass and drums in raw, honest and beautifully‐crafted songs, imbued with the power of Paul Savage’s new direction in production for the band. 2015 has seen the band touring to promote ‘Stories from home’. Blueflint also performed live at the BBC with performances on BBC Radio 2’s ‘Drivetime with Simon Mayo’ and at 'The BBC Quay Sessions with Edith Bowman.' 'This is a Story' from 'BBC Quay Sessions': https://www.youtube.com/watch?v=cxLWnD5I1B4 'Hawk & Eagle' from 'BBC Quay Sessions': https://www.youtube.com/watch?v=aBkiJiirvIg In previous years Blueflint supported The Proclaimers on their 'Like Comedy' UK tour. Blueflint's atmospheric and evocative performances proved them to be a formidable live act gaining them a strong reputation and following throughout the UK. "If you are going to The Proclaimers get there early to see Blueflint." Steve Lamacq BBC Radio 2 After sell out shows two years running during the Edinburgh Festival fringe in 2012/2013, Blueflint were selected to perform as part of the prestigious 'Made in Scotland' Showcase.
    [Show full text]
  • Bis Che Trading Limited Presents... Mp3, Flac, Wma
    Bis Che Trading Limited Presents... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Che Trading Limited Presents... Country: UK Style: Indie Rock, Noise MP3 version RAR size: 1966 mb FLAC version RAR size: 1843 mb WMA version RAR size: 1956 mb Rating: 4.5 Votes: 203 Other Formats: VQF MMF AU XM ASF MP4 AA Tracklist Hide Credits In Stealth A –The Golden Mile Producer, Engineer – Cregan*, Morrow , Ritchie*Written-By – The Golden Mile I've Only Just Started To Breathe B –The Delgados Written-By – Delgados* Icky-Poo Air Raid C –Bis Written-By – Bis Iro Moyo D –Merzbow Written-By – Merzbow Companies, etc. Phonographic Copyright (p) – ché Copyright (c) – ché Distributed By – SRD Distributed By – ADA Recorded At – Ja Studios Recorded At – The Practice Pad Mastered At – JTS Studios Credits Design [Sleeve] – Cactus* Illustration [Inside] – Andru* Notes Foldover card sleeve, includes folded insert. ℗ 1995 Ché, © 1995 Ché Distributed in the UK by SRD. Distributed in the USA by ADA. Made in England. [A] recorded at Ja Studios Belfast 26/8/95 [C,D] recorded at the Practice Pad. This variant is unnumbered. Barcode and Other Identifiers Barcode: 5016266007078 Matrix / Runout (Side A): CHE 47 A - 01-01-Q1 -J.T.S.- Matrix / Runout (Side B): CHE 47 AA - 01-01-Q1 -J.T.S.- Matrix / Runout (Side C): CHE 47 AAA - 01-01-Q1 -J.T.S.- Matrix / Runout (Side D): CHE 47 AAAA - 01-01-Q1 -J.T.S.- Other versions Category Artist Title (Format) Label Category Country Year Bis And The Golden Bis And The Golden Mile Versus Mile Versus The The Delgados And Merzbow - Ché CHÉ 47 ché CHÉ 47 UK 1995 Delgados And Trading Limited Presents..
    [Show full text]
  • Issn 1672-8025
    Follow us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 03 月份 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 MARCH 2015 主管单位 ：中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 ：五洲传播出版社 地址 ：北京市海淀区北三环中路31 号生产力大楼 B 座 602 邮编 100088 B-602 Shengchanli Building, No. 31 Beisanhuan Zhonglu, Haidian District, Beijing 100088, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department 邓锦辉 Deng Jinhui 编辑 Editor 刘扬 Liu Yang 发行 / 市场 Distribution / Marketing 黄静，李若琳 Huang Jing, Li Ruolin Editor-in-Chief Stephen George Senior Editors Oscar Holland, Will Philipps, Karoline Kan, Marianna Cerini Assistant Editor Vivid Zhu Designers Tin Wu, Qian Nan Yang Staff Photographer Noemi Cassanelli Contributors Andrew Chin, Stan Aron, Alex Taggart, Mia Li, Trevor Marshallsea, Nikolai Blackie Urbanatomy Media Shanghai (Head office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 (From February 13) Beijing 广告代理 : 上海和舟广告有限公司 北京市东城区东直门外大街 48 号东方银座 C 座 9G 邮政编码 : 100027 48 Dongzhimenwai Dajie Oriental Kenzo (Ginza Mall) Building C Room 9G, Dongcheng District, Beijing 100027 电话 : 010-8447 7002 传真 : 010-8447 6455 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Lu Yuan Lu, Yuexiu District, Guangzhou, PRC 510095 电话 : 020-8358 6125, 传真 : 020-8357 3859-800 Shenzhen
    [Show full text]
  • Mapping the Music Industry in Scotland
    Mapping the music industry in Scotland: A report John Williamson (Queen Margaret University College/ Sano Management) Martin Cloonan (University of Glasgow) and Simon Frith (University of Stirling) Report commissioned by: Scottish Enterprise February 2003 Contents Page Acknowledgements iii Executive Summary iv Preface vii Introduction 1 Literature Review 4 Chapter One: The Scottish Music Industry 11 (i) Artists and Composers 12 (ii) Live Music 26 (iii) The Recording Industry 37 (iv) The Media 45 (v) Other Creative Industries 51 (vi) Ancillary Services 59 (vii) Education 67 (viii) Retail 70 (ix) Overall Figures 78 Chapter 2: The Stakeholders 80 Chapter 3: Case Studies of Scottish Music Industry Businesses 103 (1) Chemikal Undergrond 104 (2) DF Concerts 106 (3) Fence Records 109 (4) Fopp 111 (5) Lismor Records 113 (6) The Paragon Ensemble 116 (7) Simbiotic 119 i Overview of Case Studies 121 Conclusion and Final Thoughts 125 Appendix A: Schedule for Stakeholder Interviews 128 Appendix B: Schedule for Case Study Interviews 129 Appendix C: Scottish Enterprise Creative Industries Cluster: Music Activities 2002 130 Appendix D: Highlands and Island Enterprise: Support to the Music Industry in 2002 132 Appendix E: Questionnaire results 134 Bibliography 150 ii Acknowledgements This report would not have been possible without the financial support of Scottish Enterprise (SE), Highlands and Islands Enterprise (HIE) and Scottish Development International (SDI). We wish to acknowledge that support as evidence of the commitment of these organisations to developing the music industry within Scotland. During this research we have benefited from the support of staff at SE, HIE and SDI and we would particularly like to thank Sue Jones, Mary Walker, Iain Hamilton and Emma Harcus for their help.
    [Show full text]
  • Making Music Radio
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository MAKING MUSIC RADIO THE RECORD INDUSTRY AND POPULAR MUSIC PRODUCTION IN THE UK James Mark Percival A thesis submitted for the degree of Doctor of Philosophy Department of Film and Media Studies University of Stirling July 2007 J Mark Percival - Making music radio: the record industry and popular music production in the UK For my mother, Elizabeth Ann Percival (née Murphy) (1937-2004) and my father, Stanley Thomas Percival. J Mark Percival - Making music radio: the record industry and popular music production in the UK i ABSTRACT Music radio is the most listened to form of radio, and one of the least researched by academic ethnographers. This research project addresses industry structure and agency in an investigation into the relationship between music radio and the record industry in the UK, how that relationship works to produce music radio and to shape the production of popular music. The underlying context for this research is Peterson's production of culture perspective. The research is in three parts: a model of music radio production and consumption, an ethnographic investigation focusing on music radio programmers and record industry pluggers, and an ethnographic investigation into the use of specialist music radio programming by alternative pop and rock artists in Glasgow, Scotland. The research has four main conclusions: music radio continues to be central to the record industry's promotional strategy for new commercial recordings; music radio is increasing able to mediate the production practices of the popular music industry; that mediation is focused through the social relationship between music radio programmers and record industry pluggers; cultural practices of musicians are developed and mediated by consumption of specialist music radio, as they become part of specialist music radio.
    [Show full text]
  • 1 Cloudspotting 2016 Music & Arts Festival
    Cloudspotting 2016 Music & Arts Festival Festival Programme 29 - 31 July 2016 Cloudspotting 1 29 - 31 July 2016 WE could never have imagined the adventures that were to come when Cloudspotting was first conceived over a few pints down the road in a Little Mitton beer garden back in 2011. To steal a quote from one of our headline acts, ‘the years slip by like sips of water’ – and we now find the metamorphosis from adult music weekender to ‘arts festival with kids’ is complete. While the feel of the festival might have moved on as a new generation shares the fun, we curate the music and arts activities with an open mind and try not to compromise on the original idea to bring original, challenging and imaginative performance to remotest Lancashire. We could not ask for a more unspoiled and intimate location to live the dream. The organisation behind the festival is a non-profit making Community Interest Company and we owe a debt of gratitude to the help of others to run the show. This includes the hard working people of the Forestry Commission and a number of strategic partners and individuals – many of them voluntary - who provide essential grant aid and invaluable support in-kind. Creative Lancashire has been one such partner down the years, supporting emerging musicians to perform at the festival, producing festival CDs and presenting ‘Conversations in Creativity’ with inspirational artists. This year, they have helped us produce the publication of this programme. We hope you like it. Have the best weekend and please tell everyone about it afterwards Helen Ficorilli & Matt Evans Team Cloudspotting “A classic combination of music, lovely food and drink, family and arts activities in a stunning location.
    [Show full text]
  • Chemikal Underground: “Post-Independent” Rock and Pop in Scotland? J. Mark Percival
    Chemikal Underground: “Post-Independent” Rock and Pop in Scotland? J. Mark Percival Introduction In the second week of April 2005, Glasgow-based independent band The Delgados announced their decision to split up after eleven years and five critically acclaimed albums, including one Mercury Music Prize nominee. The four members of the band continue to run the Chemikal Underground record label and the company’s recording studio, Chem 19. Co-lead vocalist and guitarist Emma Pollock signed a solo deal with Beggars Banquet with whom she released one album, Watch The Fireworks. She released a second solo album, The Law of Large Numbers, on Chemikal Underground in 2010, and contributed to two musicians collective albums the same year by The Burns Unit and Fruit Tree Foundation. Co-lead vo- calist and guitarist Alun Woodward released a solo album in 2009 under the name Lord Cut-Glass. Other members of the band toured in 2005 as Arab Strap guitarist Malcolm Middleton’s backing band, supporting the Chemikal Underground album release Into The Woods. In 2010, the label reached its fifteenth year and has a rich back catalogue, including material from Mogwai, Arab Strap and Los Angeles-based Radar Brothers. The business practices and ideological approach of Chemikal Underground continue to con- found conventional popular music studies notions of relationships between the “independent” and the “mainstream.” Of course, there are other UK labels that occupy similar spaces, but Chemikal Underground is probably one of the best examples of what I wish to argue here is “post-independence.”1 1 The essence of “post-independence” is the combination of a focused ideo- logical and creative independence, combined with a clear understanding and use of contemporary mainstream music industry business practices.
    [Show full text]