Daydreaming with UNKLE Presents… Press Release the ROAD: SOHO

Total Page:16

File Type:pdf, Size:1020Kb

Daydreaming with UNKLE Presents… Press Release the ROAD: SOHO Press Release Daydreaming with UNKLE Presents… THE ROAD: SOHO Private View: Thursday 19th January 6-9pm Exhibition runs: 20th January – 23rd February 2017 ‘Our Past Is Your Future’ In early 2017 James Lavelle will take over Lazarides Rathbone with Daydreaming with UNKLE Presents… THE ROAD: SOHO: a unique and interactive exploration of his British music collective UNKLE. The show will explore music, art and street culture from a host of talented artists and collaborators, including Futura, Doug Foster, John Isaacs, Norbert Schoerner, John Nolan, Nathan Coley, Ben Drury, Warren Du Preez and Nick Thornton Jones, Dexter Navy, Seamus Farrell and more. In anticipation of UNKLE’s forthcoming album THE ROAD, this immersive show celebrates 25 years of UNKLE by going back to its roots in Soho, London’s hub of counter culture. The show will feature new video installations accompanying the first opportunity to hear forthcoming UNKLE album collaborations with Keaton Henson, Mark Lanegan and Eska; in addition to paintings, special edition prints from a variety of artists and a series of events including talks and film screenings. Daydreaming with UNKLE Presents…THE ROAD: SOHO goes back to where it all began; Steve Lazarides, founder of Lazarides Gallery, was the first photographer to work with James Lavelle on UNKLE and Mo’Wax, while Mo’Wax’s record label offices were situated on nearby Mortimer Street. As well as new music releases in conjuction with The Vinyl Factory from forthcoming UNKLE album THE ROAD, there will be a pop-up store featuring collaborative rare counter cultural artefacts from Hysteric Glamour, Neigbourhood, Undercover, as well as Cali Thornhill Dewitt (Kanye West’s designer), and vintage collectible archival pieces from Nike, Converse and Medicom Toys. There will also be a collaboration with seminal Soho hairdressers Cuts and a programme of further events to be announced. @Lazarides_Art Lazarides www.facebook.com/Lazinc Lazarides • 11 Rathbone Place • London • W1T 1HR • +44 (0)20 7636 5443 • www.lazinc.com Press Release The exhibition also features the premiere of a new Virtual Reality installation captured from ‘Daydreaming With…Stanley Kubrick’, and includes a unique opportunity to ‘step inside’ Doug Foster’s mesmerising ‘Beyond the Infinite’ installation to experience art at it’s most immersive. James Lavelle says: “UNKLE has always been a multi-sensory creative project, ranging from genre- defining music to cutting-edge visual art. It therefore feels incredibly fitting to celebrate UNKLE’s past, present and future in Soho, where it all began, with an immersive show at the much-loved Lazarides gallery. The exhibition is a collaboration between a number of very talented artists, presenting everything from paintings, videos, artefacts and film screenings; this is the definitive UNKLE experience. I look forward to welcoming visitors to daydream with us.” For THE ROAD: SOHO, Lavelle has commissioned perfumer Azzi Glasser, to install the fragrance composition she has formulated, Build And Destroy, as an immersive scent scape that is encountered on entry to the gallery space. The fragrance acts as the DNA print of the universe that Lavelle has created - UNKLE. Glasser’s personal composition uses the finest of ingredients thatencapsulates notes and accords to interpret Lavelle’s creative brain, his artistic style and his hidden sense. Notes of heritage and serenity on top using noble priceless ingredients of Frankincense, Myrrh and Pimento, are finely-tuned with Olibanumresin, Blond Woods and sensual Vetivert oils, polished with a long lasting addictive accord, of Musk entwined with Wood interactive molecules. About UNKLE UNKLE is a collaboration of some of the most pivotal pioneers of British electronic music led by James Lavelle. 2017 marks 25 years of when they first started releasing music. About James Lavelle James Lavelle (b. 1974) is an electronic musician and founder of music collective UNKLE and the Mo’Wax record label. He has worked as a producer, recording artist, and has curated exhibitions at Somerset House and the ICA. In 2014 Lavelle curated the 21st edition of Meltdown on London’s South Bank, following in the footsteps of some of music’s biggest names, including David Bowie and Patti Smith. Obsessed with the collision of music, fashion and art, James co-founded the celebrated ‘Daydreaming with…’ exhibition series in 2010. ‘Daydreaming with…. James Lavelle’ was first launched at London’s Haunch of Venison gallery and produced collaborations with celebrated artists like Jonathan Glazer, 3D, Jonas Burget, Doug Foster and Nathan Coley. ‘Daydreaming with Stanley Kubrick’ at Somerset House in 2016 attracted over 30,000 visitors and brought together a total of 69 artists, filmlmmakers and musicians inspired by the work of Stanley Kubrick, including Sarah Lucas, Daft Punk, Marc Quinn, The Clash and Doug Aitken. @Lazarides_Art Lazarides www.facebook.com/Lazinc Lazarides • 11 Rathbone Place • London • W1T 1HR • +44 (0)20 7636 5443 • www.lazinc.com Press Release @Lazarides_Art Lazarides www.facebook.com/Lazinc Lazarides • 11 Rathbone Place • London • W1T 1HR • +44 (0)20 7636 5443 • www.lazinc.com Press Release About Lazarides Lazarides is one of the foremost galleries in contemporary art, directed by Steve Lazarides and representing over 40 artists from across the world. Lazarides works with a motley mix of artists, each with their own story to tell, who refuse to be categorised and who share Steve’s grit and resolve for showmanship. From spray painting to taxidermy, electrical installations to wall pastings, Lazarides’ artists and their shows are renowned for their defiant staging and contemporary art world rule-breaking. The gallery has represented a number of long-standing artists since their artistic in-fancies, including 3D, Jonathan Yeo, JR and Vhils, while equally nurturing young and undiscovered talent traced from Brazil, Israel, France, China, the USA and the UK. Lazarides Rathbone in Fitzrovia is Lazarides’ flagship gallery and is set in a four storey Georgian townhouse. Recent shows have included JR: Crossing, 2015, Oliver Jeffers: Measuring Land and Sea, 2015, and Zevs: The Big Oil Splash, 2016. To mark its tenth anniversary in 2016, the gallery presented large-scale group show Still Here: A Decade of Lazarides, featuring work from over 30 artists including Banksy, Jonathan Yeo, JR, Nina Pandolfo and Miaz Brothers. 2016 saw the opening of the Banksy Print Gallery at Mondrian London on the South Bank. The new permanent art space presents a dedicated platform for secondary market editions and will provide access to the world of art collecting and to key pieces that gained Banksy notoriety and exposure. Lazarides is widely recognised for its dramatic off site, off kilter events and theatrical group shows in major cities like New York, Los Angeles, and in London’s Old Vic Tunnels. For further press information or to request images for press please contact Julia or Jill at Purple: [email protected] | [email protected] | +44 (0) 20 7434 7010 @Lazarides_Art Lazarides www.facebook.com/Lazinc Lazarides • 11 Rathbone Place • London • W1T 1HR • +44 (0)20 7636 5443 • www.lazinc.com.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Spirit of Burgas Is Again a Contender for the Festival “Oscars”
    Spirit of Burgas is Again a Contender for the Festival “Oscars” Wednesday, 22 September 2010 The best music festival in Bulgaria - SPIRIT of Burgas was again nominated in the category of Best Overseas Festival in the UK Festival Awards. It has the chance to win the prize in a competition with major events such as the Amsterdam Dance Event, Global Gathering, Exit, Sziget, etc. Level of the festival in the music world these awards are the Oscars equivalent in film. Support SPIRIT of Burgas at: http://www.festivalawards.com After a short and quick online registration, you can give your vote for the Bulgarian festival by just one click and thus help in making better image of our country to Europe and the world. What's more - every vote gives you the chance to get 2 tickets for each festival! UK Festival Awards will be handed out at a gala ceremony in London futuristic room "O2" on November 18. Until then, vote for the SPIRIT of Burgas! In its third edition, the festival showed that each year it evolves and how it will not be noticed by the European music community. The festival continues to grow each year. It was nominated for "Best European Festival" of the UK Festival Awards in 2008 and in the category "Best Overseas Festival" in 2009. In the same year the Times of London newspaper named SPIRIT of Burgas as one of the Top 20 European Music Festivals . With its latest edition, SPIRIT of Burgas proved that its quality constantly improves. The presence of such artists as The Prodigy, Apollo 440, DJ Shadow, Unkle, Serj Tankian, Gorillaz Sound System and Grandmaster Flash gathered a record crowd on the beach of Bourgas this summer.
    [Show full text]
  • Oslo 5—8 June 2013
    OSLO 5—8 JUNE 2013 MachineDreams ‘Everywhere it is machines – real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into an energy- source-machine: the one produces a flow that the other interrupts.’ Gilles Deleuze & Felix Guattari, Anti Oedipus: Capitalism and Schizophrenia In our software-operated society celebrations of the vanishing white noise we use surfaces on flat, shiny objects between FM stations where voices are to access information and heard fading in and out of range; an entertainment. And through these examination of the vocoder, a human- objects we communicate. voice scrambling machine born within the But when machines began to US military which went on to define the make their way into everyday life sound of electro; explorations of time following the Industrial Revolution, machines; mechanical pianos; machines the prospect of automation was met transforming images into sound and vice with fear as well as euphoria; with the versa; customised sonic tools as well as concern that some important human obsolete technology which seemed to dimension might be lost. The American offer the possibility of communication writer Henry David Thoreau wrote in with another world altogether. 1854, in the opening chapter of Walden: The ‘progress’ which machines “We are in great haste to construct are said to bring has always had its a magnetic telegraph from Maine to supporters and its critics. Through Texas, but Maine and Texas, it may our diverse programme, we hope to be, have nothing to communicate”.
    [Show full text]
  • My Bloody Valentine's Loveless David R
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
    [Show full text]
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • Andy Higgins, BA
    Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Southbank Centre Announces Grace Jones As Curator of Meltdown 2020
    Press Release For immediate release Contact: A lexandra Shaw a [email protected] / 020 7921 0676 or Naomi Burgoyne [email protected] Southbank Centre announces Grace Jones as curator of Meltdown 2020 Grace Jones © Kristian Sibast Southbank Centre today announces that the next curator and headliner of its award-winning M eltdown festival, the longest-running artist-curated festival in the world, will be the international icon of music, fashion, art and film, a nd inimitable singer, songwriter, producer and performer, G race Jones . From 1 2-21 June 2020 , Jones will take over the UK’s largest arts centre with her defiantly unique creative vision and a ten day playbook of her creation. At her invitation, global names and new talent, artists who inspire and have been inspired by her, and special one-off collaborations will take to the world-class stages of Royal Festival Hall, Queen Elizabeth Hall and Purcell Room, and the remainder of Southbank Centre’s 17-acre cultural quarter on the banks of the River Thames. Grace Jones is one of the most recognised figures of contemporary culture with an influence spanning genres and generations. After taking the world by storm as one of the first black supermodels, Jones signed to Island Records in 1977 and with her first few singles - and mould-breaking fashion - became a star of New York City's Studio 54-centered disco scene. The 1980s saw her move to a new-wave hybrid of reggae, funk, pop and rock, as she worked with superstar producers such as Trevor Horn and Nile Rodgers and released a string of internationally acclaimed and enduring albums including Warm Leatherette (1980), Nightclubbing ( 1981), and S lave to the Rhythm (1985).
    [Show full text]
  • Queens of the Stone Age Are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman
    Queens of the Stone Age are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman …Like Clockwork Release date June 4th, 2013 (US) LABEL • …Like Clockwork is the first QOTSA release with new label partner, Matador Records – which is part of the Beggars Group, the largest independent label group in the world. PRODUCTION • …Like Clockwork was recorded at Joshua Homme’s Pink Duck Studios in Burbank, CA • All Songs produced by Joshua Homme and QOTSA except …Like Clockwork, produced by Joshua Homme and James Lavelle • Engineered by Mark Rankin, with additional engineering by Alain Johannes and Justin Smith • All songs mixed by Mark Rankin, except “Fairweather Friends” mixed by Joe Barresi • All lyrics by Joshua Homme • Mastered by Gavin Lurssen of Lurssen Mastering, Los Angeles, CA ADDITIONAL PERFORMERS • DRUMMERS Joey Castillo, Dave Grohl, Jon Theodore o After Joey left the band, Dave came in to play on the remaining songs. § Joey Castillo performs on “Keep Your Eyes Peeled” - “ I Sat by the Ocean” - “The Vampyre of Time and Memory”- “Kalposia” § Dave Grohl performs on “My God Is The Sun” - “If I Had a Tail” - “Smooth Sailing” “Fairweather Friends” - “I Appear Missing” § Jon Theodore is the new touring drummer of QOTSA, and performs on “…Like Clockwork” • Jake Shears (Scissor Sisters) appears on “Keep Your Eyes Peeled” o Homme has previously worked with the front man by appearing as the spokesperson in an infomercial for the Scissor Sisters 2012 release “Magic Hour” http://youtu.be/aw60b-wk9MA • Mark Lanegan, Nick Oliveri and Alex
    [Show full text]
  • Can We Have Some Mo' Wax Please!
    Can We Have Some Mo’ Wax Please! Bittles‘ Magazine | Mo’Wax Records While browsing in my local book shop the other day I came across the recently published ›Mo’Wax Urban Archaeology: 21 Years of Mo’Wax Recordings‹. A mighty tome of a book, it chronicles the life and times of this beloved label, through meticulous design, a lot of love and some beautiful artwork. For former beatheads like myself it is a wonderful read, and quickly makes you nostalgic for the plethora of great songs they released over the years. By JOHN BITTLES So enamoured was I in fact that upon getting home I immediately spent a rather pleasant evening tracking down my old records, and then re-enveloping myself in the smoke filled world of ›Mo’ Wax‹ . The book chronicles a time in the middle of the 1990s when a strange, yet wonderful thing began to happen. The furious bleeps of rave, techno and drum & bass that had dominated the nation’s dancefloors began to give way to something a little more subtle and sedate. Labels like ›Ninja Tune, Pussyfoot and Mo’ Wax‹ began to release records of jazzy interludes and laid back beats. And these tunes weren’t for dancing! No, they were for nodding your head to, playing on headphones, or for lying down on the settee smoking a big, fat spliff. Mo’ Wax Please‹ , to give the label its full name, was founded in 1992 by James Lavelle and Tim Goldsworthy (who later went on to form ›DFA Records‹ with James Murphy, fact fans). Within two short years the label would become synonymous with the, hastily coined, trip hop sound that was taking over the nation’s hearts, clubs and bars.
    [Show full text]
  • The Man from UNKLE: James Lavelle, Camden, North London, 2017
    The man from UNKLE: James Lavelle, Camden, North London, 2017. Celebrating the wildc PHOTOGRAPHS RACHAEL WRIGHT LAVELLE James Lavelle was the boy wonder who, as the It’s been a long, intense journey, hence founder of the Mo’ Wax label, launched DJ Shadow the title of the powerful new UNKLE album, 1 and invented trip-hop. But it was as the director of his The Road: Part . Raiding the archives for Mo’ Wax’s 21st anniversary in 2013, great collaborative project UNKLE that he proved himself curating the Meltdown festival in 2014, to be a visionary lightning rod, bringing Thom Yorke, and participating in a new documentary, Artist & Repertoire, have all conspired to Mike D and Richard Ashcroft together. By 2003, though, make Lavelle reassess his past and ask he was nearly bankrupt. And then the trouble really himself why he makes music. started. Dorian Lynskey hears his story. “The last 13 years have been fucking tough financially,” he says over cartons of n February 1998, wonder of British music. He was the hipster Korean food in his manager’s office in James Lavelle geek whose Mo’ Wax label, home to DJ Camden. “In one way I’m probably insane to celebrated his Shadow and his own UNKLE project, was keep doing what I do. Anybody rational 24th birthday the impeccably cool junction box for an would have stopped trying to do UNKLE with a party at international network of musicians, DJs and years ago.” He laughs oddly. “I’ve put myself I London’s Met Bar designers. When he was negotiating a deal through quite extreme situations, both in the company of with A&M in 1995, his gutsy deal-breaker was financially and emotionally.
    [Show full text]
  • TUNECODE WORK TITLE Value Range 285057LV
    TUNECODE WORK_TITLE Value Range 285057LV House & Pressure ££££ 297057LM The Groovy Cat ££££ 298131GQ Jaydee ££££ 276810DN Latmun - Everybody's Dancin' ££££ 268301FV Solardo - The Aztecs ££££ 292787EW Body Funk ££££ 277998FP Egyptian Lover ££££ 286605AN Techno (Not Techno) £££ 276810FV Cosmic £££ 306678FT Strand £££ 296595EV Latmun - Footsteps £££ 252459CT Set It Out £££ 292130GU Party £££ 255100KN Sorry I Am Late £££ 262293LN La Luna £££ 276810DQ That's Good £££ 303663LM Master Blaster £££ 220664BT The Girl Is Mine Ft Destiny's Ch £££ 280471KV Back To The Music £££ 323770CW Sueno £££ 273165DT You & I £££ 289765FN House Nation £££ 0412043T Needin' U (I Needed U) £££ 268756KU House Music £££ 292389EM I Found You £££ 314202DM So Grateful £££ 131751GN Tonight ££ 130999GN Finder ££ 296595CT Latmun - Piquant ££ 271719HU Saxomatic ££ 249988HR Moorthon Ii ££ 263938BT Aguardiente ££ 250247GW 9 Years ££ 294966AN Let Go Of This Acid ££ 292489KV 17 ££ 291041LV Ya Kidding ££ 3635852T Shiny Disco Balls ££ 2240177E In And Out Of My Life ££ 269881EM How Can I ££ 188782KN Xtc ££ 327225LU In Arms ££ 156808BW Talking To You ££ 289773GU Play ££ 277820BN False Start ££ 264557BU Angel Dust ££ 215602DR Veins ££ 238913KS Nana ££ 224609BS Baby Slow Down ££ 300216HW Thinking Of You ££ 305278HT Desole Feat. Davi ££ 264557BV Twiple Fwet ££ 232106BS Take You There ££ 272083CP Shakti Pan Feat. Sven ££ 254207FW Bruzer ££ 296650DR Satisfaction ££ 261261AU Burning ££ 2302584E Atlantis ££ 036282DT Don't Stop ££ 309979LN The Tribute ££ 215879HU Devil In Me ££ 290470BR Kubrick
    [Show full text]