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Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Copyright by Gwendolyn Sarah Kirk 2016
Copyright by Gwendolyn Sarah Kirk 2016 The Dissertation committee for Gwendolyn Sarah Kirk certifies that this is the approved version of the following dissertation: Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan Committee: _____________________________ Craig Campbell, Co-Supervisor _____________________________ Elizabeth Keating, Co-Supervisor _____________________________ Kamran Ali _____________________________ Patience Epps _____________________________ Ali Khan _____________________________ Kathleen Stewart _____________________________ Anthony Webster Uncivilized language and aesthetic exclusion: Language, power and film production in Pakistan by Gwendolyn Sarah Kirk, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2016 To my parents Acknowledgements This dissertation would not have been possible first and foremost without the kindness and generosity of the filmmakers I worked with at Evernew Studio. Parvez Rana, Hassan Askari, Z.A. Zulfi, Pappu Samrat, Syed Noor, Babar Butt, and literally everyone else I met in the film industry were welcoming and hospitable beyond what I ever could have hoped or imagined. The cast and crew of Sharabi, in particular, went above and beyond to facilitate my research and make sure I was at all times comfortable and safe and had answers to whatever stupid questions I was asking that day! Along with their kindness, I was privileged to witness their industry, creativity, and perseverance, and I will be eternally inspired by and grateful to them. My committee might seem large at seven members, but all of them have been incredibly helpful and supportive throughout my time in graduate school, and each of them have helped develop different dimensions of this work. -
Stort, Eksklusivt Interview Med Sharon Isbin PHOTO: J
GUITAREN / . / / . Stort, eksklusivt interview med Sharon Isbin PHOTO: J. HENRY FAIR OG MEGET ANDET / Interview med Sharon Isbin Interview og oversættelse: 1. Sharon Isbin, kan du fortælle os, hvor gam- Ole estrup Pedersen (DGS), 2020. mel du var og lidt om, hvad det specielt var, der fangede din opmærksomhed og rettede den mod den © Sharon Isbin & Ole T. Pedersen. klassiske guitar ? Da jeg var 9 år gammel, flyttede min familie til I mere end 40 år har den amerikanske Italien i et år grundet min fars videnskabelige klassiske guitarist Sharon Isbin arbejdet arbejde. Kort tid efter vores ankomst spurgte utrætteligt i den klassiske guitars tjene- min storebror, om han kunne få lov til at få ste for at fremme og styrke dens position. timer i guitarspil. Mine forældre fandt en strå- lende lærer i form af Aldo Minella, som havde Hun har undervist et utal af studerende, studeret under Segovia, og som koncerterede spillet koncerter og afholdt master clas- rundt omkring i Europa. Men i virkeligheden ses overalt i verden, givet dusinvis af in- var det min brors drøm at blive den næste El- terviews, deltaget i TV programmer og vis, så han sagde nej tak tilbudet! Mine foræl- skrevet artikler og bøger for at gøre folk dre mente så, at muligheden for undervisning opmærksomme på guitarens vidunder- af Aldo Minella var alt for godt et tilbud til at lige verden. Desuden har hun indspillet blive afslået, så jeg tilbød at overtage min brors et stort antal LP og CDer med et vidt- plads. Jeg kendte ikke noget til klassisk guitar- spændende repertoire, som alle er blevet spil, men mente alligevel, at det kunne blive mere spændende end at fortsætte med klaver- modtaget med beundring og akklamation. -
MUSIC (Lkaxhr) 1. the Sound Used for Music Is Technically Known As (A) Anahat Nada (B) Rava (C) Ahat Nada (D) All of the Above
MUSIC (Lkaxhr) 1. The sound used for music is technically known as (a) Anahat nada (b) Rava (c) Ahat nada (d) All of the above 2. Experiment ‘Sarna Chatushtai’ was done to prove (a) Swara (b) Gram (c) Moorchhana (d) Shruti 3. How many Grams are mentioned by Bharat ? (a) Three (b) Two (c) Four (d) One 4. What are Udatt-Anudatt ? (a) Giti (b) Raga (c) Jati (d) Swara 5. Who defined the Raga for the first time ? (a) Bharat (b) Matang (c) Sharangdeva (d) Narad 6. For which ‘Jhumra Tala’ is used ? (a) Khyal (b) Tappa (c) Dhrupad (d) Thumri 7. Which pair of tala has similar number of Beats and Vibhagas ? (a) Jhaptala – Sultala (b) Adachartala – Deepchandi (c) Kaharva – Dadra (d) Teentala – Jattala 8. What layakari is made when one cycle of Jhaptala is played in to one cycle of Kaharva tala ? (a) Aad (b) Kuaad (c) Biaad (d) Tigun 9. How many leger lines are there in Staff notation ? (a) Five (b) Three (c) Seven (d) Six 10. How many beats are there in Dhruv Tala of Tisra Jati in Carnatak Tala System ? (a) Thirteen (b) Ten (c) Nine (d) Eleven 11. From which matra (beat) Maseetkhani Gat starts ? (a) Seventh (b) Ninth (c) Thirteenth (d) Twelfth Series-A 2 SPU-12 1. ? (a) (b) (c) (d) 2. ‘ ’ ? (a) (b) (c) (d) 3. ? (a) (b) (c) (d) 4. - ? (a) (b) (c) (d) 5. ? (a) (b) (c) (d) 6. ‘ ’ ? (a) (b) (c) (d) 7. ? (a) – (b) – (c) – (d) – 8. ? (a) (b) (c) (d) 9. ? (a) (b) (c) (d) 10. -
Magazine1-4 Final.Qxd (Page 3)
SUNDAY, FEBRUARY 9, 2020 (PAGE 4) PERSONALITY MOVIE-REVIEW Tributes to Tabla maestro SHIKARA Ravi Rohmetra Ustad Allah Rakha A potboiler that uses KP Exodus only as a backdrop Khan, the country's Leading Tabla Exponet Ravinder Kaul refuse to show any perceptible sign of was born on 29th April aging. The only characters in the film who 1919 at Phagwal It has been 30 years since 4 lakh Kash- look quite genuine and authentic are the Village of Dist. miri Pandits were forced to leave their 4000 Kashmiri Pandit refugees, who SAMBA, Jammu in a centuries old place of habitat, in the wake form the crowds in the refugee camps in of armed Islamic insurgency, to live a mis- Punjabi Gharana. His Jammu. erable life in torn tents and ramshackle The background music has been com- mother tongue was rooms, away from their homes in the pris- posed by AR Rahman and Qutub-e-Kirpa, Dogri. He became fas- tine beautiful valley of Kashmir. The while the songs have been composed by cinated with the sound tragedy of the victims of the biggest Abhay Rustam Sopori and Sandesh and rhythm of the migration in India since independence Shandilya. The Chhakari song 'Shukrana tabla at the age of 12 got further aggravated when no main- Gul Khiley', composed by Abhay Rustam stream political party and no human years. He used to be Sopori, written by Bashir Arif and sung by rights or social organization took any fascinated by the Munir Meer, and the strains of Santoor in notice of their sufferings. -
Suicide Blast Kills 19 at Mosque in Saudi Arabia
Eye on the News [email protected] Truthful, Factual and Unbiased Vol:IX Issue No:287 Price: Afs.15 SATURDAY . MAY 23 . 2015 -Jawza 02, 1394 HS www.afghanistantimes.af www.facebook.com/ afghanistantimeswww.twitter.com/ afghanistantimes American University of Afghanistan NDS-ISI deal officially NDS foils provides window to terror bid in awards honorary doctorate to Karzai Pakistan s interference Kabul AT News Report NO DOUBT, AFGHANISTAN IS IMPROVING TOWARDS DEVELOPMENT AND A BRIGHTER FUTURE, BUT IT NEEDS AT News Report jointly against that spy agencies MORE STRUGGLES THE YOUNG GENERATION, PARTICULARLY THE EDUCATED ONES of enemy. If the agreement points KABUL: The Hizb-i-Ensijam out to intelligence agency of India KABUL: National Directorate of Milli Afghanistan National Sol- then it is not justifiable that the Security (NDS) claimed to have AT News Report idarity Party of Afghanistan NDS along with Pakistan fight thwarted a terror bid in Kabul. against India s RAW. India is stra- The NDS in a statement is- KABUL: Former President Ha- (NSPA) on Friday said the memorandum of understanding tegic partner of Afghanistan and sued on Friday said that opera- mid Karzai on Friday attended more than that, there is no rift tives of the spy agency arrested a graduation ceremony of bachelor (MoU) recently signed between the National Directorate of Secu- between Kabul and New Delhi. suspected terrorist who wanted and master students of American In the meantime the NSPA to detonate an explosive laden University of Afghanistan rity (NDS) and Pakistani intelli- gence agency has officialized in- also hints at another part of the vehicle in one of the key areas of (AUAF), his office said in a state- accord and says that it includes Kabul city. -
Transcription and Analysis of Ravi Shankar's Morning Love For
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Transcription and analysis of Ravi Shankar's Morning Love for Western flute, sitar, tabla and tanpura Bethany Padgett Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Padgett, Bethany, "Transcription and analysis of Ravi Shankar's Morning Love for Western flute, sitar, tabla and tanpura" (2013). LSU Doctoral Dissertations. 511. https://digitalcommons.lsu.edu/gradschool_dissertations/511 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. TRANSCRIPTION AND ANALYSIS OF RAVI SHANKAR’S MORNING LOVE FOR WESTERN FLUTE, SITAR, TABLA AND TANPURA A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Bethany Padgett B.M., Western Michigan University, 2007 M.M., Illinois State University, 2010 August 2013 ACKNOWLEDGEMENTS I am entirely indebted to many individuals who have encouraged my musical endeavors and research and made this project and my degree possible. I would first and foremost like to thank Dr. Katherine Kemler, professor of flute at Louisiana State University. She has been more than I could have ever hoped for in an advisor and mentor for the past three years. -
In This Bulletin
February 2014 - Volume: 2, Issue: 2 Pakistan-Malaysia FTA to be reviewed next month, says Ambassador IN THIS BULLETIN Gwadar Port a test of Pak-China ties: Mushahid K-2 first ascent: year-long celebrations to mark 60th anniversary launched English News 1-15 Bringing back tourists in Pakistan China, Pakistan to forge language cooperation Humanitarian Interventions 16-17 Formation of ‘Tourism Advisory Board’ proposed NTB necessary for strengthening Tourism Industry Tourist train takes a women-only spin through K-P's historical sites Tourism Profile: City 18-19 Train trip to promote tourism in KPK District Karachi Student Exchange to Bolster Ties with Pakistan Kyrgyz tourism at the mercy of Central Asia conflicts Articles 20 PYF reviving sports culture in Pakistan IGP Sindh directs strict security for Sindh Cultural Festival Urdu News 26-29 Youth festival: ‘Heartening’ participation at union council games Pakistan, Greece need to improve economic relations Now, charm of Varanasi attracts tourists from Pakistan and China Maps 21,23,25 Pakistan's Mohenjo Daro ruins 'threatened by festival' Deepening relations: Spanish ambassador supports MoU with Pakistani chambers Tourism Directory 30-34 Sindh festival: Learn from Bilawal, arrange culture festivals in every province! Pakistan, Nepal have potential to enhance trade volume: envoy KARACHI TOURIST GUIDE MAP CELLULAR COVERAGE MAP-PAKISTAN MAPS SAIDPUR VILLAGE COMMUNITY MAP, ISLAMABAD % / + ' + #!1-!< 5 - * - !'-<! + / % !' C** $ + ,!-3!' / <3) $ ?<@;,AB1 , 0( ) - $ - , +4, $ $%/ G + <7AAA 07> -L, +5 - #* , -*2 - - ** / % , A ?0< < ! % &, !'!< 8*/ " 9 +! , ! + ' 3 ; 8 * 0 + A < A * - , ?<@=,?AB1 1 ) !4 , + ( $ !'!< 0( ) ' : +! , 7 - !/ + , ?=@<9,>AB1 - ' / 1 + 3%- !** ( + , , !' 0)8 ' / 0)8 ' / '%2 8 , !<#!<!+ (.( ( , 9 ?<@?,>AB1 + ( 0( 0 ! 3 - + + + - "" / ' 2 ##. -
Gharanas of Tabla
This article has been extracted from the Platinum Jubilee Souvenir of the Suburban Music Circle (Year 2012) Gharanas of Tabla By: Pt. Sadanand Naimpalli [Born in a family of music-lovers, Sadanand Naimpalli was motivated to take up some form of musical expression. Gifted as he was, with an uncanny sense of rhythm, made him take up a liking to a percussion instrument viz: "Tabla." He found an ideal perceptor in Pandit Taranathji who lent free rein to his inherent capabilities. It was not long before Sadanandji blossomed into an accomplished Tabla player and was rightly hailed as a "Child Prodigy." He won the President's award for standing first at the National A.I.R competitions in 1963, when barely sixteen years old. He also began participating in various music conferences alongside with recognised stalwarts. He holds a first class degree with distinction in Metallurgical Engineering and has successfully ran his Pt. own enterprise, manufacturing high quality Non Ferrous Castings, before reverting his energies to Sadanand Naimpalli his first love "Tabla". A "TOP" graded artist of A.I.R. (Akashvani) and T.V. (Doordarshan), Nadkarni Sadananji’s tabla solos are eagerly awaited and listened to by an ever growing fan following.] (Note: All alphabets with an apostrophe represent the Phonetic sound of that alphabet) Indian Music is tradition based. Printing Information Technology being a recent phenomenon, this Art has been preserved and propagated by person to person contact and teaching. This is what is called ‘Guru-mukhi Vidya’ i.e. knowledge through the mouth of a Guru or Ustad. -
Globalizing Pakistani Identity Across the Border: the Politics of Crossover Stardom in the Hindi Film Industry
DePaul University Via Sapientiae College of Communication Master of Arts Theses College of Communication Winter 3-19-2018 Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry Dina Khdair DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/cmnt Part of the Communication Commons Recommended Citation Khdair, Dina, "Globalizing Pakistani Identity Across The Border: The Politics of Crossover Stardom in the Hindi Film Industry" (2018). College of Communication Master of Arts Theses. 31. https://via.library.depaul.edu/cmnt/31 This Thesis is brought to you for free and open access by the College of Communication at Via Sapientiae. It has been accepted for inclusion in College of Communication Master of Arts Theses by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. GLOBALIZING PAKISTANI IDENTITY ACROSS THE BORDER: THE POLITICS OF CROSSOVER STARDOM IN THE HINDI FILM INDUSTRY INTRODUCTION In 2010, Pakistani musician and actor Ali Zafar noted how “films and music are one of the greatest tools of bringing in peace and harmony between India and Pakistan. As both countries share a common passion – films and music can bridge the difference between the two.”1 In a more recent interview from May 2016, Zafar reflects on the unprecedented success of his career in India, celebrating his work in cinema as groundbreaking and forecasting a bright future for Indo-Pak collaborations in entertainment and culture.2 His optimism is signaled by a wish to reach an even larger global fan base, as he mentions his dream of working in Hollywood and joining other Indian émigré stars like Priyanka Chopra. -
Syllabus of B.P.A. SEM 5 and 6
SAURASHTRA UNIVERSITY RAJKOT SYLLABUS BACHELOR OF PERFORMING ARTS (B.P.A. Sem.-5 & Sem.-6) (Vocal / Tabla / Kathak) Based on Choice Base Credit System (In Force From June–2019) Page 1 VOCAL R.B.P.A. – 1/5 The following are the courses and credits prescribed for the study and examination of Semester–V of Bachelor of Performing Arts (BPA) VOCAL Programme. BPA VOCAL SEM -5 No. Course Code Course Title C IM EM TM GROUP-A CCT 1 19 13 01 01 01 05 00 00 English 3 30 70 100 2 19 13 02 01 01 05 00 00 Principles of Music Vocal 3 30 70 100 3 19 13 03 01 01 05 00 00 Study of Raga 3 30 70 100 4 19 13 04 01 01 05 00 00 History of Music 3 30 70 100 ECT (Any 2 out of 3) 5 19 13 05 01 01 05 00 01 Study of Vocal Gharana 3 30 70 100 6 19 13 06 01 01 05 00 02 Folk Music 3 30 70 100 7 19 13 07 01 01 05 00 03 Elements of Physics in Music 3 30 70 100 GROUP-B CCP 8 19 13 08 01 01 05 01 00 Practical Course No. 1 3 30 70 100 9 19 13 09 01 01 05 02 00 Practical Course No. 2 3 30 70 100 10 19 13 10 01 01 05 03 00 Practical Course No. 3 3 30 70 100 11 19 13 11 01 01 05 04 00 Practical Course No. -
Tabla, As a Way of Life
National Library Bibliothèque nationale 1+1 of ,nada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue WeIIington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This dissertation is an ethnography about the men and women who take up the practice and performance of a Hindwtani (North Indian) dmcalled tabla, as a way of life. Learning tabla means that percwionists mut find a guru, a leamed master of the tradition who will guide them in their life long study of this instrument. The relationships formed between gums and disciples are distinctively different in kind fiom teacher-student relations in Western knowledge systems. The guru-disciple tradition is a very specific, culturally dependent mode of leaming originating fiom the Indian Brahmanicd tradition of religious study.